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campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
name of God). f. 1 is a parchment leaf with various pen trials and inscriptions. Two parchment fragments have been pasted onto this folio.f. 2 is inscribed, 'henricus octavus dei gracia' and bears the ownership inscription of Richard St George.2
Tiptoft, earl of Worcester, at the beginning of Suetonius' De grammaticis et rhetoribus. f. 1 is a parchment ruled leaf.List of contents (f. 1v). White vine initial and wreath enclosing the arms and crest of John Tiptoft, Earl of Worcester
of Tacitus' Dialogus de oratoribus. f. 1 is a parchment ruled leaf.List of contents (f. 1v). White vine initial and wreath enclosing the arms and crest of John Tiptoft, Earl of Worcester (f. 2). Large initial in gold on a
collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley, ‘18 die Januarij, A.D. 1723/4’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
date somewhere around 1465. 15 half-page miniatures, the first accompanied by a full foliate border, in colours and gold (ff. 1, 24v, 35v, 74, 88, 89, 101, 138v, 155v, 160v, 167, 176, 186, 213v, 244v). Large initials with monochrome grotesque
Library, Oxford.Leaf signatures. Catchwords.Written by two scribes and decorated in different hands (change particularly noticeable from f. 91, for instance). 1 miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea,
Library, Oxford.Leaf signatures. Catchwords.Written by two scribes and decorated in different hands (change particularly noticeable from f. 91, for instance). 1 miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea,
Library, Oxford.Leaf signatures. Catchwords.Written by two scribes and decorated in different hands (change particularly noticeable from f. 91, for instance). 1 miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea,
[inceptus est liber] ?' (f. 1): see Cohen-Mushlin 1990.The Augustinian monastery of St Mary, outside of Worms: 17th-century inscription 'Hic liber pertinet ad Ecclesiam Beatae Mariae Virginis in Suburbio Wormatiensis', signed 'J. G.' (f. 1). J. G. might be Joannes
3, on f. 3v.Catchwords. 1 full foliate border in colours and gold with miniatures of Creation in medallions on a parchment folio (f. 3). Large miniature of God in Majesty in colours and gold (f. 3). 1 large decorated initial
3, on f. 3v.Catchwords. 1 full foliate border in colours and gold with miniatures of Creation in medallions on a parchment folio (f. 3). Large miniature of God in Majesty in colours and gold (f. 3). 1 large decorated initial
with foliate extensions into the margins, in colours and gold (ff. 1, 55v, 82, 113v). Smaller initials in gold on red and blue grounds. Small initials in plain red or blue. Elegiae (index Elegies) (ff. 1-55); Carmina (ff. 55v-81v); Catullus
309, 309v, 310v (x3), 311, 314 (x2), 323, 323v, 324v, 325, 326, 326v, 327 (x2), 327v, 331v, ). 1 large and 1 smaller puzzle initials in red and blue, with pen-flourishing in blue and red (ff. 89v, 356v). Smaller initials