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British Library Catalogue of Illuminated Manuscripts
A fragment of the original parchment flyleaf with ownership inscriptions. The Prologue of the Cook's Tale is imperfect due to the loss of one leaf as well as an entire gathering after f. 45. As in all the manuscripts
(or famous) Master (Afthentis) Michalis of whom all Turks, both young and old, were scared'. Spaces left for other miniatures.f. 1 is a paper fragment with notes by Covel pasted to f. [iiv] (see Wright 1972).For the text, see Emile
Spaces left for other miniatures.f. 1 is a paper fragment with notes by Covel pasted to f. [iiv] (see Wright 1972).For the text, see Emile Legrand, ~Bibliothèque grecque vulgaire~ (Paris: H. Welter, 1881), II, pp. lxxx-lxxxiii, 183-230. Full-page miniature in
'John Hemys(?), John hill(?), John tomson(?), Robard Ward(?)' (f. 82).John McCarthy(?), 16th century: inscribed his name (f. 72v).Added tabula (f. 1) signed by Thomas Gale (b. 1635 or 1646, d. 1702), dean of York and antiquary.? Thomas Howard (b. 1585,
'John Hemys(?), John hill(?), John tomson(?), Robard Ward(?)' (f. 82).John McCarthy(?), 16th century: inscribed his name (f. 72v).Added tabula (f. 1) signed by Thomas Gale (b. 1635 or 1646, d. 1702), dean of York and antiquary.? Thomas Howard (b. 1585,
'John Hemys(?), John hill(?), John tomson(?), Robard Ward(?)' (f. 82).John McCarthy(?), 16th century: inscribed his name (f. 72v).Added tabula (f. 1) signed by Thomas Gale (b. 1635 or 1646, d. 1702), dean of York and antiquary.? Thomas Howard (b. 1585,
'John Hemys(?), John hill(?), John tomson(?), Robard Ward(?)' (f. 82).John McCarthy(?), 16th century: inscribed his name (f. 72v).Added tabula (f. 1) signed by Thomas Gale (b. 1635 or 1646, d. 1702), dean of York and antiquary.? Thomas Howard (b. 1585,
of the statutes of Edward III. There are 4 unfoliated parchment leaves after f. 296, and 1 after f. 285.Alphabetical quire signatures.Parchment tabs. 1 large initial in blue, white, and red on a gold ground, with foliage extending into the
of the statutes of Henry IV. There are 4 unfoliated parchment leaves after f. 296, and 1 after f. 285.Alphabetical quire signatures.Parchment tabs. 1 large initial in blue, white, and red on a gold ground, with foliage extending into the
There are 4 unfoliated parchment leaves after f. 296, and 1 after f. 285.Alphabetical quire signatures.Parchment tabs. 1 large initial in blue, white, and red on a gold ground, with foliage extending into the margins to form a two-sided border
There are 4 unfoliated parchment leaves after f. 296, and 1 after f. 285.Alphabetical quire signatures.Parchment tabs. 1 large initial in blue, white, and red on a gold ground, with foliage extending into the margins to form a two-sided border
pink backgrounds with white or black filigree (f. 1). Paraphs in blue. LIne-fillers in blue. Rubrics in red. One gathering of a treatise of rights of the Marshall in wartime The remainder of the manuscript (ff. 5-87v) is an 18th-century
Pauli ad Romanos' by Origin in the translation of Rufinus. The red is heavily oxidised. ff. 1, 232 served as paste-downs. On f. 1 are remains of another paste-down from an incunable (?).Quire marks (in the centre of the lower
with a tree in the margin with a scroll inscribed 'his privilegiarium datum', possibly added (f. 1). Initials in red with purple pen-flourishing (f. 1). 2 large initials in blue and purple ink (ff. 34v, 36v). Coloured initials in red,
drawings mostly with washes in colours (ff. 1, 2, 2v, 4, 4v, 5, 6, 6v, 7, 7v, 8, 8v, 9, 10, 11, 11v, 12, 12v, 13, 13v, 14, 15, 16v, 17, 18v, 19, 19v-20, 20v, 21, 22, 23, 26, 28,
ink drawings mostly with washes in colours (ff. 1, 2, 2v, 4, 4v, 5, 6, 6v, 7, 7v, 8, 8v, 9, 10, 11, 11v, 12, 12v, 13, 13v, 14, 15, 16v, 17, 18v, 19, 19v-20, 20v, 21, 22, 23, 26,
drawings mostly with washes in colours (ff. 1, 2, 2v, 4, 4v, 5, 6, 6v, 7, 7v, 8, 8v, 9, 10, 11, 11v, 12, 12v, 13, 13v, 14, 15, 16v, 17, 18v, 19, 19v-20, 20v, 21, 22, 23, 26, 28,
small ink drawings mostly with washes in colours (ff. 1, 2, 2v, 4, 4v, 5, 6, 6v, 7, 7v, 8, 8v, 9, 10, 11, 11v, 12, 12v, 13, 13v, 14, 15, 16v, 17, 18v, 19, 19v-20, 20v, 21, 22, 23,
be then golde'. Numerous large and small ink drawings mostly with washes in colours (ff. 1, 2, 2v, 4, 4v, 5, 6, 6v, 7, 7v, 8, 8v, 9, 10, 11, 11v, 12, 12v, 13, 13v, 14, 15, 16v, 17, 18v,
colours and gold with grotesques and marginal extensions forming partial borders, at the beginning of the four first treatises (ff. 1, 32, 66v, 70). Space left for initials, at the beginning of other major divisions (ff. 92, 93, 101v, 103v,