• Miniature of the Fall of Man in a roundel, diagrams of Noah's Ark and of the earth, initial and border with foliate and spray decoration, 'champ' initial, and inscribed roundels joined by genealogical lines of descent at the beginning of the chronicle., Chronicle (index Compendium historie in genealogia Christi)

initial with foliate and spray decoration extending into the margins, in colours and gold (membrane 1). One 'champ' initial in colours and gold (membrane 1). Initials in blue or gold with penwork decoration in red or purple. Rubrics in red.

• The first inscribed roundels of the 'linea regum britannie' with crowns, and diagrams of the 42 'mansiones' and of the tabernacle of the 12 Tribes of Israel., Chronicle (index Compendium historie in genealogia Christi)

initial with foliate and spray decoration extending into the margins, in colours and gold (membrane 1). One 'champ' initial in colours and gold (membrane 1). Initials in blue or gold with penwork decoration in red or purple. Rubrics in red.

• Inscribed roundels with crowns for the seven kingdoms of England, joined by genealogical lines of descent and merging into one under king Egbertus in a central roundel., Chronicle (index Compendium historie in genealogia Christi)

initial with foliate and spray decoration extending into the margins, in colours and gold (membrane 1). One 'champ' initial in colours and gold (membrane 1). Initials in blue or gold with penwork decoration in red or purple. Rubrics in red.

• Genealogy of Edward IV, with later additions. , Chronicle (index Compendium historie in genealogia Christi)

initial with foliate and spray decoration extending into the margins, in colours and gold (membrane 1). One 'champ' initial in colours and gold (membrane 1). Initials in blue or gold with penwork decoration in red or purple. Rubrics in red.

• Text page with calligraphic initials., Testament and The reignes of the kyngis of England, A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Miniature of Priam and his court mourning over the body of Hector., Testament and The reignes of the kyngis of England, A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Miniature of a king enthroned surrounded by courtiers with Sir William Herbert and his wife, Anne Devereux wearing clothes decorated with their coats of arms, kneeling before him, with a full border with a scroll inscribed with William Herbert's and his wife's mottos reading 'e las sy longuement', and 'De toute'; a foliate initials 'O'(mighty), at the beginning of the Troy Book; and the arms of William Herbert and Anne Devereux with mottos, between the column of the text., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of a king enthroned surrounded by courtiers with Sir William Herbert and his wife, Anne Devereux kneeling before him, wearing clothes decorated with their coats of arms., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of the Wheel of Fortune with a king on the top, with a partial border and a foliate initial 'T'(henvyons), at the beginning of book 2., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of Hector slaying Patroculus., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of Agamemnon at council in his tent, with Achilles in bed behind, Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of Ajax complaining to Agamemnon, while behind, the Greeks are preparing for departure., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Miniature of Ajax complaining to Agamemnon, while behind, the Greeks are preparing for departure., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Text page., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Miniature of the Wheel of Fortune with a king on the top, with a partial border and a foliate initial 'T'(henvyons), at the beginning of book 2., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Miniature of Hector slaying Patroculus, with an illuminated initial 'W'(hen) and a partial foliate border., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Miniature of Michael driving Lucifer and the other fallen angels from heaven., Troy Book, Siege of Thebes, Testament and The reignes of the kyngis of England; A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Miniature of Agamemnon at council in his tent, with Achilles in bed behind, with an illuminated initial 'E' and a partial foliate border., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Text page with inhabited and flourished initials., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Emblem of a man (a king?) wearing a crown of flames and holding an orb marked 'Sol' in the centre of a radiating Tudor Rose inscribed with verses 'Ex paterno trono radii splendoris/ ex matre candor virginii decoris/ ex patre flos rubi coloris / ex utroque redemptio nostri amoris', and tears dropping onto an eye weeping onto a word 'cor', with Percy badge of a crescent, and a scroll bearing an inscription reading, 'I receyue noo lighte but of thy bearmes bright. The light / benevoulent causith cor to relent for remembrynge / thy goodenes contenuall which remanith perpetuall / Cor cannot but of duti he muste distill yet he saith dutie / cannot recompence a cordinge too his goode will'., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or