• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'A'(ussi), and full border, at the beginning of Book 3., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• White vine initial 'C'(inne), and full white vine border with birds, a rabbit, and two putti holding escutcheons with the heraldic arms of Pirckheimer, at the beginning of Jacobus Angelus de Scarperia's Plutarchi Vita Cesaris., Plutarchi Vita Cesaris

the beginning of Jacobus Angelus de Scarperia's Plutarchi Vita Cesaris. 1 large white vine initial, and full white vine border with birds, a rabbit, and two putti holding escutcheons (f. 1). Plutarchi Vita Cesaris Script probably by Theodericus, who signed

• Inhabited foliate initial 'A'(bsenti) with a seated man and a naked man, at the beginning of Joannes de Milis's Repertorium aureum sive lexicon juridicum., Repertorium aureum sive lexicon juridicum

and a naked man, at the beginning of Joannes de Milis's Repertorium aureum sive lexicon juridicum. 1 large inhabited foliate initial, in colours (f. 1). 3 large foliate initials, in colours (ff. 25v, 33, 62). 8 large puzzle initials in

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 2., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 3., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Lower part ot the full white vine border, two putti holding escutcheons with the heraldic arms of Pirckheimer, at the beginning of Jacobus Angelus de Scarperia's Plutarchi Vita Cesaris., Plutarchi Vita Cesaris

the beginning of Jacobus Angelus de Scarperia's Plutarchi Vita Cesaris. 1 large white vine initial, and full white vine border with birds, a rabbit, and two putti holding escutcheons (f. 1). Plutarchi Vita Cesaris Script probably by Theodericus, who signed

• Part ot the full white vine border, with birds and a rabbit, at the beginning of Jacobus Angelus de Scarperia's Plutarchi Vita Cesaris., Plutarchi Vita Cesaris

the beginning of Jacobus Angelus de Scarperia's Plutarchi Vita Cesaris. 1 large white vine initial, and full white vine border with birds, a rabbit, and two putti holding escutcheons (f. 1). Plutarchi Vita Cesaris Script probably by Theodericus, who signed

• Diagram, De chirobalistra (ff. 16v-19), Belopoeea (ff. 19-32v), Extracts (ff. 33v-52)

a woven pattern (ff. 1, 99). Small red or brown initials. De chirobalistra (ff. 16v-19), Belopoeea (ff. 19-32v), Extracts (ff. 33v-52) Written in 1545: colophon ( f. 358).The monastery of St Catherine, Mount Sinai: inscription (f. 1). ? John Spencer

• Detail of marginal diagram., De chirobalistra (ff. 16v-19), Belopoeea (ff. 19-32v), Extracts (ff. 33v-52)

a woven pattern (ff. 1, 99). Small red or brown initials. De chirobalistra (ff. 16v-19), Belopoeea (ff. 19-32v), Extracts (ff. 33v-52) Written in 1545: colophon ( f. 358).The monastery of St Catherine, Mount Sinai: inscription (f. 1). ? John Spencer

• Decorated initial 'D'(omine) with foliate borders., Missal, Augustinian use

into three-sided foliate borders, sketched in brown ink, unfinished (ff. 30, 31). 1 large decorated initial with foliate extensions into the margins, in colours and gold (f. 19). 1 large initial in green with foliate penwork decoration in red and

• Ink sketch of a decorated initial 'P'(uer) with foliate borders., Missal, Augustinian use

into three-sided foliate borders, sketched in brown ink, unfinished (ff. 30, 31). 1 large decorated initial with foliate extensions into the margins, in colours and gold (f. 19). 1 large initial in green with foliate penwork decoration in red and

• Illuminated intial 'A'(rma) and foliate bar border., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

are visible on the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin,

• Illuminated initial 'O'(ceanu)., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

are visible on the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin,

• Text page with colophon of Franciscus de Camuciis supplied by Bartolomeo Sanvito in epigraphic captials., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

are visible on the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin,

• Puzzle initial 'P'(romissiones) with pen-flourishing at the beginning of book 17 in Augustine's De civitate dei. A 13th-century hand has corrected the capitula list in the lower margin., De Civitate Dei (index City of God)(ff. 3-177v); De trinitate (ff. 179-244v)

178).Inscribed 14th or 15th century 'honores de ferra [?ferri] ppe dicu[n]t[ur]' (on a small piece of parchment pasted onto f. 1 bearing only these words).Thomas Dryffield (d. 1513), scholar of Winchester College in 1459 and fellow of New College Oxford

• Detail of Illuminated initial 'O'., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

are visible on the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin,

• Text page with calligraphic initials., Testament and The reignes of the kyngis of England, A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Miniature of Priam and his court mourning over the body of Hector., Testament and The reignes of the kyngis of England, A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Decorated initial 'B'(eatus) with animal heads and figures at the beginning of Psalm 1., Psalter, with litany and additional prayers and canticles

with animal heads and figures at the beginning of Psalm 1. Calendar includes 'Herhardi episcopi' (10 January); 'Eulalie virginis' (4 February) and 'Eulalii episcopi' (23 February); Waldpurge (27 February and 1 May); Winibald (7 July, highlighted); Xixti (6 August and

• Miniature of a king enthroned surrounded by courtiers with Sir William Herbert and his wife, Anne Devereux wearing clothes decorated with their coats of arms, kneeling before him, with a full border with a scroll inscribed with William Herbert's and his wife's mottos reading 'e las sy longuement', and 'De toute'; a foliate initials 'O'(mighty), at the beginning of the Troy Book; and the arms of William Herbert and Anne Devereux with mottos, between the column of the text., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or