• Historiated initial 'D'(omine) of the Virgin with Child and foliate borders including putti supporting heraldic arms, at the beginning of the Hours of the Virgin., Book of Hours, Use of Rome

and foliate borders including putti supporting heraldic arms, at the beginning of the Hours of the Virgin. 1 full-page miniature, followed by 1 large historiated initial, with full foliate borders including heraldic arms, in colours and gold (ff. 13v-14). 5

• Historiated initial 'D'(ilexi) of the Death and foliate borders, at the beginning of the Office of the Dead., Book of Hours, Use of Rome

initial 'D'(ilexi) of the Death and foliate borders, at the beginning of the Office of the Dead. 1 full-page miniature, followed by 1 large historiated initial, with full foliate borders including heraldic arms, in colours and gold (ff. 13v-14). 5

• Historiated initial of Mary., Book of Hours, Use of Rome

Historiated initial of Mary. 1 full-page miniature, followed by 1 large historiated initial, with full foliate borders including heraldic arms, in colours and gold (ff. 13v-14). 5 large historiated initials mostly with full foliate borders, in colours and gold (ff.

• Miniature of Cato in dispute with Scipio Africanus and Gaius Laelius Sapiens., De la vieillesse (De Senectute) and De l'amitié (De Amicitia)

arms in the lower margin, in colours and gold, at the beginning of the prologues to the books (ff. 1, 52). 1 smaller miniature with full foliate borders, in colours and gold, at the end of the prologue for the

• Miniature of Laurent du Premierfait presenting his translation to Louis, Duc de Bourbon, decorated initial 'A' (tres), and full foliate borders including heraldic arms, at the beginning of the dedicatory prologue., De la vieillesse (De Senectute) and De l'amitié (De Amicitia)

arms in the lower margin, in colours and gold, at the beginning of the prologues to the books (ff. 1, 52). 1 smaller miniature with full foliate borders, in colours and gold, at the end of the prologue for the

• Illuminated white vine initial 'O'(mne) and three-sided border incorporting the arms of Federico da Montefeltro in a wreath in the lower margin, at the beginning of Dionysius the Areopagite's De caelesti hierarchia., De caelesti hierarchia (ff. 3-117), De mystica theologia (ff. 117v-120v), and Epistolae (ff. 120v-135v), preceded (ff. 1-2v) by a table of contents

a wreath in the lower margin, at the beginning of Dionysius the Areopagite's De caelesti hierarchia. 1 large white vine initial, in colours and gold, with three-sided border incorporating arms. Small initials in gold on a ground of red, blue,

• Illuminated initial 'T'(enebre) and plain initial 'Q'(uo) at the beginning of Dionysius the Areopagite's Epistolae., De caelesti hierarchia (ff. 3-117), De mystica theologia (ff. 117v-120v), and Epistolae (ff. 120v-135v), preceded (ff. 1-2v) by a table of contents

at the beginning of Dionysius the Areopagite's Epistolae. 1 large white vine initial, in colours and gold, with three-sided border incorporating arms. Small initials in gold on a ground of red, blue, and green; or in plain blue. De caelesti

• White vine initial 'C'(inne), and full white vine border with birds, a rabbit, and two putti holding escutcheons with the heraldic arms of Pirckheimer, at the beginning of Jacobus Angelus de Scarperia's Plutarchi Vita Cesaris., Plutarchi Vita Cesaris

the beginning of Jacobus Angelus de Scarperia's Plutarchi Vita Cesaris. 1 large white vine initial, and full white vine border with birds, a rabbit, and two putti holding escutcheons (f. 1). Plutarchi Vita Cesaris Script probably by Theodericus, who signed

• Decorated initial 'S'(uscipe) in Nigel de Longchamps's Speculum stultorum., Speculum stultorum (ff. 1-66v), imperfect, and other works including a life of Eustace; Catalogus Eruditi beati Thomae

245', in humanistic cursive script. 2 large initials in blue with red penwork decoration and pen-flourishing (ff. 1, 5). Small simple initials in blue. Some marginal headings in red. Guide letters. Speculum stultorum (ff. 1-66v), imperfect, and other works including

• Coloured woodcut of the Annunciation, the initial and the following letters in the first line in smaller capitals 'H'(ail glaid and glorius), at the beginning of the prayer to the Virgin Ave Gloriosa., Collection of Scottish poetry

beginning of some texts. 29 large initials in red with red or brown penwork decoration, some without penwork decoration (ff. 1, 6, 8, 47, 53v, 62, 69, 75, 80, 107 (2x), 116v, 125v, 129, 131v, 134, 136v [in black], 140v,

• Coloured woodcut with the Virgin and child stuck in the initial 'O', the following letters in the first line in smaller capitals (maist marcifull), at the beginning of the prayer to the Virgin O clementissime., Collection of Scottish poetry

beginning of some texts. 29 large initials in red with red or brown penwork decoration, some without penwork decoration (ff. 1, 6, 8, 47, 53v, 62, 69, 75, 80, 107 (2x), 116v, 125v, 129, 131v, 134, 136v [in black], 140v,

• Lower part ot the full white vine border, two putti holding escutcheons with the heraldic arms of Pirckheimer, at the beginning of Jacobus Angelus de Scarperia's Plutarchi Vita Cesaris., Plutarchi Vita Cesaris

the beginning of Jacobus Angelus de Scarperia's Plutarchi Vita Cesaris. 1 large white vine initial, and full white vine border with birds, a rabbit, and two putti holding escutcheons (f. 1). Plutarchi Vita Cesaris Script probably by Theodericus, who signed

• Part ot the full white vine border, with birds and a rabbit, at the beginning of Jacobus Angelus de Scarperia's Plutarchi Vita Cesaris., Plutarchi Vita Cesaris

the beginning of Jacobus Angelus de Scarperia's Plutarchi Vita Cesaris. 1 large white vine initial, and full white vine border with birds, a rabbit, and two putti holding escutcheons (f. 1). Plutarchi Vita Cesaris Script probably by Theodericus, who signed

• Decorated initial 'C'(um), at the beginning of the prologue of the statutes of Venice., 'Promissio Serenissimi Principis Domini Laurentii Prioli, Inclyti Ducis Venetiarum', the statutes of Venice, with the undertaking of the Doge, Lorenzo Priuli, to observe the same

Decorated initial 'C'(um), at the beginning of the prologue of the statutes of Venice. 1 large decorated initial in gold on a red ground (f. 2). 1 smaller decorated initial in gold on a blue ground (f. 6). Smaller initials

• White vine initial and three-sided white vine border with putti, birds, an ape, a lion, and a butterfly, at the beginning of Francesco Petrarca's I sonetti et canzoni., Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v); Poesie diverse (ff. 190-195v)

Francesco Petrarca's I sonetti et canzoni. 1 large white vine initial, and a three-sided white vine border including putti, animals and heraldic arms in the lower margin, in colours and gold (f. 10). 1 smaller white vine initial with foliate

• null, Nova Statuta (index Statutes of England; Statuta Angliae, Statute book), from 1 Henry IV to 12 Henry VI, in chronological order

lute tablature (ff. 1, 120-123). 3 large historiated initials including kings, accompanied by three-sided foliate borders, in colours and gold, at the beginning of each reign (ff. 2, 36, 58). Smaller initials in blue with red pen-flourishing. Paraph marks in

• null, Nova Statuta (index Statutes of England; Statuta Angliae, Statute book), from 1 Henry IV to 12 Henry VI, in chronological order

lute tablature (ff. 1, 120-123). 3 large historiated initials including kings, accompanied by three-sided foliate borders, in colours and gold, at the beginning of each reign (ff. 2, 36, 58). Smaller initials in blue with red pen-flourishing. Paraph marks in

• Text page with calligraphic initials., Testament and The reignes of the kyngis of England, A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Miniature of Priam and his court mourning over the body of Hector., Testament and The reignes of the kyngis of England, A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of an inserted miniature of a kneeling pilgrim, accompanied by a monk, presenting a book to a standing knight in armour. A later inscription on the facing folio identifies the monk as John Lydgate, and the knight as the Earl of Salisbury, to whom Lydgate's 'The Pilgrimage of the Life of Man' was dedicated. The figure of the monk may represent either Lydgate (d. c. 1450), a Benedictine monk at the abbey of Bury St Edwards, Suffolk, or Deguileville (d. c. 1358), a Cistercian at the abbey of Chalis in Valois, and the earl of Salisbury, Thomas Montague (d. 1428) may be the figure in armour (see Scott 1996, p. 305)., Lives of St Edmund and St Fremund (ff. 4-46); Secrees of Old Philisoffres (ff. 52-81); Regiment of Princes (ff. 84-144v); imperfect

of the text.Inserted paper leaves with title pages and text in English (ff. 1, 51, 82-83). f. 1* is a piece of parchment bound after f. 1 with, on one side a pen & brown ink wash faintly tinted in