• Detail of a miniature of a master and scholars., L'image du Monde

also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating

• Detail of a miniature of a master and scholars., L'image du Monde

also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating

• Detail of a miniature of God, with the instruments of Creation., L'image du Monde

also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating

• Miniature of diagrams showing the shape of the earth., L'image du Monde

also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating

• Circular diagrams and text., L'image du Monde

also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating

• Miniature of diagrams to show the shadow of the earth., L'image du Monde

also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating

• Miniature of the phases of the moon., L'image du Monde

also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating

• Miniature of the Universe as a diagram in various concentric circles, with Christ at the top, Hell in the centre, and symbols of the Four Evangelists in the corners., L'image du Monde

also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating

• Detail of a miniature of the Triumph of Love., Rime and Trionfi (index Triumphs)

Detail of a miniature of the Triumph of Love. Matteo Contugi of Volterra was employed by Federico d'Urbino. The manuscript contains vertical catchwords and is ruled in hardpoint. 6 decorated pages with full-page borders of white-vine leaf and lattice-work

• Detail of a miniature of the Triumph of Time., Rime and Trionfi (index Triumphs)

Detail of a miniature of the Triumph of Time. Matteo Contugi of Volterra was employed by Federico d'Urbino. The manuscript contains vertical catchwords and is ruled in hardpoint. 6 decorated pages with full-page borders of white-vine leaf and lattice-work

• null, Letters and Orations (index Orationes), with prefaces

catchwords 1 large gold initial on a blue and red ground, with sprays of foliage in the margin. Large puzzle initials in red and blue. Small initials alternately plain red or blue. Litterae notabiliores with yellow wash. Guide-letters. Letters and

• null, Letters and Orations (index Orationes), with prefaces

catchwords 1 large gold initial on a blue and red ground, with sprays of foliage in the margin. Large puzzle initials in red and blue. Small initials alternately plain red or blue. Litterae notabiliores with yellow wash. Guide-letters. Letters and

• Miniature of Petrarch and Laura, with Love aiming his arrow at Laura., Rime and Trionfi (index Triumphs)

Miniature of Petrarch and Laura, with Love aiming his arrow at Laura. Matteo Contugi of Volterra was employed by Federico d'Urbino. The manuscript contains vertical catchwords and is ruled in hardpoint. 6 decorated pages with full-page borders of white-vine

• Decorated initial 'P'(er) and text supplied by Bartolomeo Sanvito., Rime and Trionfi (index Triumphs)

Decorated initial 'P'(er) and text supplied by Bartolomeo Sanvito. Matteo Contugi of Volterra was employed by Federico d'Urbino. The manuscript contains vertical catchwords and is ruled in hardpoint. 6 decorated pages with full-page borders of white-vine leaf and lattice-work

• Decorated initials'V'(e) and 'M'(ille) by Matteo Contugi of Volterral; interlinear corrections and variants added by Bartolomeo Sanvito., Rime and Trionfi (index Triumphs)

Decorated initials'V'(e) and 'M'(ille) by Matteo Contugi of Volterral; interlinear corrections and variants added by Bartolomeo Sanvito. Matteo Contugi of Volterra was employed by Federico d'Urbino. The manuscript contains vertical catchwords and is ruled in hardpoint. 6 decorated pages

• Historiated initial 'I' with the coat of arms of Bury St Edmunds (~azure~ three imperial crowns ~or~ two and one) and foliate feathering at the beginning of the first poem., Collection of 45 minor poems including The Legend of Saint Austin at Compton (ff. 24-32), The Testament of Dan John Lydgate (ff. 47-66v), Fabula duorum mercatorum (ff. 72-88), and the Hood of Green (ff. 153v-156v), imperfect

arms of Bury St Edmunds (with three crowns on an azur ground) and foliate feathering extending into the margins (f. 1). Initials in colours and gold with foliate feathering extending into the margins. Paraphs in gold with pink pen-flourishing (or

• Detail of an historiated initial 'I' with the coat of arms of Bury St Edmunds (~azure~ three imperial crowns ~or~ two and one) and foliate feathering at the beginning of the first poem., Collection of 45 minor poems including The Legend of Saint Austin at Compton (ff. 24-32), The Testament of Dan John Lydgate (ff. 47-66v), Fabula duorum mercatorum (ff. 72-88), and the Hood of Green (ff. 153v-156v), imperfect

arms of Bury St Edmunds (with three crowns on an azur ground) and foliate feathering extending into the margins (f. 1). Initials in colours and gold with foliate feathering extending into the margins. Paraphs in gold with pink pen-flourishing (or

• Paraphs with pen-flourishing including a bird., Collection of 45 minor poems including The Legend of Saint Austin at Compton (ff. 24-32), The Testament of Dan John Lydgate (ff. 47-66v), Fabula duorum mercatorum (ff. 72-88), and the Hood of Green (ff. 153v-156v), imperfect

arms of Bury St Edmunds (with three crowns on an azur ground) and foliate feathering extending into the margins (f. 1). Initials in colours and gold with foliate feathering extending into the margins. Paraphs in gold with pink pen-flourishing (or

• 'Champ' initials with foliate feathering and paraph with pen-flourishing in the Fifteen Oes of St Bridget., Collection of 45 minor poems including The Legend of Saint Austin at Compton (ff. 24-32), The Testament of Dan John Lydgate (ff. 47-66v), Fabula duorum mercatorum (ff. 72-88), and the Hood of Green (ff. 153v-156v), imperfect

arms of Bury St Edmunds (with three crowns on an azur ground) and foliate feathering extending into the margins (f. 1). Initials in colours and gold with foliate feathering extending into the margins. Paraphs in gold with pink pen-flourishing (or

• 'Champ' initial 'G'(rounde) with foliate feathering and paraphs with pen-flourishing., Collection of 45 minor poems including The Legend of Saint Austin at Compton (ff. 24-32), The Testament of Dan John Lydgate (ff. 47-66v), Fabula duorum mercatorum (ff. 72-88), and the Hood of Green (ff. 153v-156v), imperfect

arms of Bury St Edmunds (with three crowns on an azur ground) and foliate feathering extending into the margins (f. 1). Initials in colours and gold with foliate feathering extending into the margins. Paraphs in gold with pink pen-flourishing (or