• Illuminated white vine-stem initial 'Q'(uid) at the beginning of Book II of Martial's Epigrams; the text attributed to Pomponio Leto., Epigrams, preceeded by the Liber de Spectaculis (ff. 1-5, imperfect)

text attributed to Pomponio Leto. 1 large white vine initial, accompaniedd by a three-sided white vine border, with putti holding a wreath in the lower margin, and two green parrots, in colours and gold (f. 1). Smaller white vine initials

• Opening of Martial's Liber de Spectaculis, with the title in the square capitals attributed to Bartolomeo Sanvito, and the text to Pompino Leto, with the illuminated white vine-stem initial 'B'(arbara)., Epigrams, preceeded by the Liber de Spectaculis (ff. 1-5, imperfect)

illuminated white vine-stem initial 'B'(arbara). 1 large white vine initial, accompaniedd by a three-sided white vine border, with putti holding a wreath in the lower margin, and two green parrots, in colours and gold (f. 1). Smaller white vine initials

• Illuminated initial 'Q'(uae) and lower border with white vine-stem decoration, green parrots, and putti holding a wreath (left blank, perhaps for the addition of a coat of arms)., Epigrams, preceeded by the Liber de Spectaculis (ff. 1-5, imperfect)

of a coat of arms). 1 large white vine initial, accompaniedd by a three-sided white vine border, with putti holding a wreath in the lower margin, and two green parrots, in colours and gold (f. 1). Smaller white vine initials

• Illuminated white vine-stem initial 'Q'(uid) at the beginning of Book II of Martial's Epigrams; the text attributed to Pomponio Leto., Epigrams, preceeded by the Liber de Spectaculis (ff. 1-5, imperfect)

text attributed to Pomponio Leto. 1 large white vine initial, accompaniedd by a three-sided white vine border, with putti holding a wreath in the lower margin, and two green parrots, in colours and gold (f. 1). Smaller white vine initials

• Detail of illuminated initial., Epigrams, preceeded by the Liber de Spectaculis (ff. 1-5, imperfect)

Detail of illuminated initial. 1 large white vine initial, accompaniedd by a three-sided white vine border, with putti holding a wreath in the lower margin, and two green parrots, in colours and gold (f. 1). Smaller white vine initials with

• Detail of a miniature of Vincent of Beauvais, a Dominican monk, sitting at a desk and writing his book, at the beginning of book 1., Le miroir historial (a French translation of the Speculum historiale) books 1-5

writing his book, at the beginning of book 1. This manuscript contains the first volume (books 1-9) of the Speculum historiale and is now bound in two parts, foliated separately: part 1 contains books 1-5 with a table of contents

• Detail of a miniature of the exposure and finding of Moses., La Bible Historiale, Part 1 (Bible Historiale of Edward IV)

borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible Historiale

• Detail of a miniature of of preparing and burning of offerings, at the beginning of book 3 (Leviticus)., La Bible Historiale, Part 1 (Bible Historiale of Edward IV)

borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible Historiale

• Detail of a marginal painting of a bird, from the right hand margin of the folio., La Bible Historiale, Part 1 (Bible Historiale of Edward IV)

borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible Historiale

• Detail of a marginal painting of the royal arms of England, from the lower margin of the folio., La Bible Historiale, Part 1 (Bible Historiale of Edward IV)

borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible Historiale

• Detail of a miniature of Charles V, king of France, receiving the book from the translator, Raoul des Presles, at the beginning of the prologue., City of God (La cité de Dieu)

signatures (volume 2). 1 large miniature in colours and gold with a full border bearing the royal arms of England, and an initial with foliate decoration in colours and gold, at the beginning of the prologue (f. 1). 3 one-column

• Detail of a miniature of a group of men dancing around an idol, at the beginning of book 2., City of God (La cité de Dieu)

signatures (volume 2). 1 large miniature in colours and gold with a full border bearing the royal arms of England, and an initial with foliate decoration in colours and gold, at the beginning of the prologue (f. 1). 3 one-column

• Detail of two hybrid grotesques from the right margin of the folio., La Bible Historiale, Part 1 (Bible Historiale of Edward IV)

borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible Historiale

• Text page., La Bible Historiale, Part 1 (Bible Historiale of Edward IV)

borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible Historiale

• Detail of a miniature of Moses speaking to God in the Tabernacle, at the beginning of book 4 (Numbers)., La Bible Historiale, Part 1 (Bible Historiale of Edward IV)

borders (ff. 1, 12, 56, 84, 153, 197v, 241). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Cadels. La Bible Historiale, Part 1 (Bible Historiale

• Detail of a miniature of pagan priest worshiping an idol, and of a Christian mass in front of an altar, at the beginning of book 6., City of God (La cité de Dieu)

signatures (volume 2). 1 large miniature in colours and gold with a full border bearing the royal arms of England, and an initial with foliate decoration in colours and gold, at the beginning of the prologue (f. 1). 3 one-column

• Detail of a miniature of an angel holding aloft the arms of England, from the right margin of the folio., City of God (La cité de Dieu)

signatures (volume 2). 1 large miniature in colours and gold with a full border bearing the royal arms of England, and an initial with foliate decoration in colours and gold, at the beginning of the prologue (f. 1). 3 one-column

• Blank folio., City of God (La cité de Dieu)

signatures (volume 2). 1 large miniature in colours and gold with a full border bearing the royal arms of England, and an initial with foliate decoration in colours and gold, at the beginning of the prologue (f. 1). 3 one-column

• Detail of a miniature of an enthroned monarch wearing the papal crown and an armour, and holding the imperila insigna, a sword and a globe, at the beginning of book 5., City of God (La cité de Dieu)

signatures (volume 2). 1 large miniature in colours and gold with a full border bearing the royal arms of England, and an initial with foliate decoration in colours and gold, at the beginning of the prologue (f. 1). 3 one-column

• Miniature of a group of men dancing around an idol, with a partial border and a puzzle initial 'D'(e la maniere), at the beginning of book 2., City of God (La cité de Dieu)

signatures (volume 2). 1 large miniature in colours and gold with a full border bearing the royal arms of England, and an initial with foliate decoration in colours and gold, at the beginning of the prologue (f. 1). 3 one-column