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part 1 (ff. 67-72v) are by the hand of Jean Blanchard and were probably written in 1463 (see Watson 1979).Catchwords written horizontally and vertically. Leaf signatures. 9 initials in red or blue with pen-flourishing in the other colour (ff. 1,
start of that of the next scribe, resulting in blank pages being left mid-sentence. Heraldic arms and partial border (f. 1). De situ orbis (index Geographica) Aeneas Silvius Piccolomini (index Enea Silvio Piccolomini) (b. 1405 d. 1464): with his arms
history, beginning his research in 1463 (see inscription on f. 37v).Numerous blank ruled unfoliated parchment leaves: 1 after f. 14, 7 after f. 16, 1 after f. 23, 6 after f. 25, 2 after f. 29, 3 after f. 30,
n. 246). 1 large decorated initial with a full foliate border including hybrid figures, animals, birds, and a garter with the inscribed motto 'Honi soit qui mal y pense' in the lower margin, in colours and gold (f. 1). 18
history, beginning his research in 1463 (see inscription on f. 37v).Numerous blank ruled unfoliated parchment leaves: 1 after f. 14, 7 after f. 16, 1 after f. 23, 6 after f. 25, 2 after f. 29, 3 after f. 30,
history, beginning his research in 1463 (see inscription on f. 37v).Numerous blank ruled unfoliated parchment leaves: 1 after f. 14, 7 after f. 16, 1 after f. 23, 6 after f. 25, 2 after f. 29, 3 after f. 30,
Andrés, 1968). The monastery San Lorenzo el Real, El Escorial, in 1809: inscription 'San Lorenzo el R. del Escorial' (f. 1) (see also Andrés, 1968). Charles Burney (b. 1757, d. 1817), D.D., classical scholar.Acquired by the British Museum as part
Andrés, 1968). The monastery San Lorenzo el Real, El Escorial, in 1809: inscription 'San Lorenzo el R. del Escorial' (f. 1) (see also Andrés, 1968). Charles Burney (b. 1757, d. 1817), D.D., classical scholar.Acquired by the British Museum as part
for Psalms 26, 38, 51, 80, 101, and 109. 1 large painted initial with acanthus leaf decoration at the beginning of Psalm 68 (f. 111), and other large and small red, blue, green, and yellow simple initials, some decorated around
for Psalms 26, 38, 51, 80, 101, and 109. 1 large painted initial with acanthus leaf decoration at the beginning of Psalm 68 (f. 111), and other large and small red, blue, green, and yellow simple initials, some decorated around
arms, supported by two angels, and an historiated initial in colours and gold with a man at a lecturn (f. 1). Partial border with rinceaux decoration, a quadripartite square in colours and gold with foliate motifs, and an intial in
Illuminated white vine initial 'S'(i), at the beginning of Book 7 of Cicero's Epistolae ad familiares. 9 white vine initials, in colours and gold (ff. 2v, 21, 34v, etc.). Small white vine initials, in colours and gold (ff. 1v,
Illuminated white vine initials 'E'(t) at the last letter of Book 13, and the beginning of Book 14 of Cicero's Epistolae ad familiares. 9 white vine initials, in colours and gold (ff. 2v, 21, 34v, etc.). Small white vine
lluminated white vine initial 'Q'(uod) in Cicero's Epistolae ad familiares. 9 white vine initials, in colours and gold (ff. 2v, 21, 34v, etc.). Small white vine initials, in colours and gold (ff. 1v, 2v, 3v, 4, etc.). Epistolae ad
Detail of illuminated initial. 9 white vine initials, in colours and gold (ff. 2v, 21, 34v, etc.). Small white vine initials, in colours and gold (ff. 1v, 2v, 3v, 4, etc.). Epistolae ad familiares Written c.1450, probably in Rome
Detail of illuminated initial. 9 white vine initials, in colours and gold (ff. 2v, 21, 34v, etc.). Small white vine initials, in colours and gold (ff. 1v, 2v, 3v, 4, etc.). Epistolae ad familiares Written c.1450, probably in Rome
Detail of illuminated initial. 9 white vine initials, in colours and gold (ff. 2v, 21, 34v, etc.). Small white vine initials, in colours and gold (ff. 1v, 2v, 3v, 4, etc.). Epistolae ad familiares Written c.1450, probably in Rome
on which numerous miniatures and marginal designs are based in the present manuscript, e.g., f. 89v (see Marrow 1978). f. 1 is a calendar leaf from another contemporary prayerbook used as a flyleaf.f. 16 is unwritten.Leaf signatures. Instructions to the
on which numerous miniatures and marginal designs are based in the present manuscript, e.g., f. 89v (see Marrow 1978). f. 1 is a calendar leaf from another contemporary prayerbook used as a flyleaf.f. 16 is unwritten.Leaf signatures. Instructions to the
on which numerous miniatures and marginal designs are based in the present manuscript, e.g., f. 89v (see Marrow 1978). f. 1 is a calendar leaf from another contemporary prayerbook used as a flyleaf.f. 16 is unwritten.Leaf signatures. Instructions to the