• Historiated initial with a seated king., Nova Statuta (index Statutes of England, Statuta Angliae), 1 Edward III to 3 Henry VII (ff. 50-350v), preceded by an alphabetical list of contents (ff. 1-49)

in colours and gold. Paraph marks alternately red or blue, some flourished. Nova Statuta (index Statutes of England, Statuta Angliae), 1 Edward III to 3 Henry VII (ff. 50-350v), preceded by an alphabetical list of contents (ff. 1-49) ? John

• null, Nova Statuta (index Statutes of England, Statuta Angliae), 1 Edward III to 3 Henry VII (ff. 50-350v), preceded by an alphabetical list of contents (ff. 1-49)

in colours and gold. Paraph marks alternately red or blue, some flourished. Nova Statuta (index Statutes of England, Statuta Angliae), 1 Edward III to 3 Henry VII (ff. 50-350v), preceded by an alphabetical list of contents (ff. 1-49) ? John

• null, Nova Statuta (index Statutes of England, Statuta Angliae), 1 Edward III to 3 Henry VII (ff. 50-350v), preceded by an alphabetical list of contents (ff. 1-49)

in colours and gold. Paraph marks alternately red or blue, some flourished. Nova Statuta (index Statutes of England, Statuta Angliae), 1 Edward III to 3 Henry VII (ff. 50-350v), preceded by an alphabetical list of contents (ff. 1-49) ? John

• Historiated initial with Henry VI and angels., Nova Statuta (index Statutes of England, Statuta Angliae), 1 Edward III to 3 Henry VII (ff. 50-350v), preceded by an alphabetical list of contents (ff. 1-49)

in colours and gold. Paraph marks alternately red or blue, some flourished. Nova Statuta (index Statutes of England, Statuta Angliae), 1 Edward III to 3 Henry VII (ff. 50-350v), preceded by an alphabetical list of contents (ff. 1-49) ? John

• Miniature of a battlefield with a king and another man holding a crowned head kneeling in front of a conqueror, with a full border containing the royal arms of England on two banners held by angels, and on a shield surrounded by the Garter with a motto 'Honny soit qui mal y pense', and surmounted by a crowned helm with a mantling in Edward IV's colours of red and blue and a crest of a white lion, with two other shields bearing the same arms, differentiated by labels of three and five points for Edward's sons, and the Yorkist badge of the white ~rose-en-soleil~ with the motto 'Dieu est mon droit'; and a foliate initial 'C'(y commence), at the beginning of book 5, Facta et dicta memorabilia

est mon droit'; and a foliate initial 'C'(y commence), at the beginning of book 5 Second of two volumes; volume 1 is Royal 18 E III.Includes Valerius Maximus, Facta et dicta memorabilia (books 5-9), in a French translation began in

• Miniature of women protesting against the Lex Oppia, with a full border containing the royal arms of England on a banner held by an angel, and on a shield surrounded by the Garter with the motto 'Honny soit qui mal y pense', and surmounted by a crowned helm with a crest of a white lion, with two other shields bearing the same arms, differentiated by labels of three and five points for Edward's sons, and the Yorkist badge of the white ~rose-en-soleil~ with the motto 'Dieu est mon droit'; and a foliate initial 'E'(n), at the beginning of book 9., Facta et dicta memorabilia

'Dieu est mon droit'; and a foliate initial 'E'(n), at the beginning of book 9. Second of two volumes; volume 1 is Royal 18 E III.Includes Valerius Maximus, Facta et dicta memorabilia (books 5-9), in a French translation began in

• Miniature of a battlefield with dead bodies of the Horatii and the Curiatii, with one of the Horatii on a horseback, with a full border containing the royal arms of England on a banner held by an angel, and on a shield surrounded by the Garter with the motto 'Honny soit qui mal y pense', and surmounted by a crowned helm with a crest of a white lion, with two other shields bearing the same arms, differentiated by labels of three and five points for Edward's sons, and the Yorkist badge of the white ~rose-en-soleil~ with the motto 'Dieu est mon droit'; and a foliate initial 'C'(y commence), at the beginning of book 8., Facta et dicta memorabilia

est mon droit'; and a foliate initial 'C'(y commence), at the beginning of book 8. Second of two volumes; volume 1 is Royal 18 E III.Includes Valerius Maximus, Facta et dicta memorabilia (books 5-9), in a French translation began in

• Text page of the beginning of 'A Treatise between Information and Truth' of William Cornish., Testament and The reignes of the kyngis of England, A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Text page of John Skelton's 'On the Death of the Earl of Northumberland', with calligraphic letters and decorated ascenders., Testament and The reignes of the kyngis of England, A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of Calchas mounted on the brazen horse., Troy Book

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of the Trojan Horse at the gate of Troy., Troy Book

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of Greek tents being overthrown by a storm., Troy Book

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• A dismembered montage of a section of foliate border with a cameo of a male bust in profile (f. 5b; 35 x 155 mm) and two cuttings in gold (f. 5a; 35 x 15 mm; f. 5c, 35 x 10 mm) (at top of image)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.

• A section of foliate border with flowers, acanthus leaves and trompe l'oeil gems in a roundel, measuring 30 x 205 mm., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.

• A dismembered montage of a section of foliate border with a seated stag in a roundel, birds, trompe l'oeil gems, flowers and acanthus leaves (f. 8b; 80 x 180 mm), and two cuttings in gold inscribed in capitals 'Creat. Ab Innoc. VIII An Domini MCCCCLXXXIX' (f. 8a, 80 x 15 mm) and 'Anton. Pallavicinus Genuensis Cardin. S. Praxedis' (f. 8c; 80 x 15 mm)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.

• A dismembered montage of a section of foliate and historiated border with Christ blessing in a roundel, trompe l'oeil gems, an anthropomorphic grotesque and flowers (f. 11a; 245 x 30 mm), and cuttings in gold (f. 11b, 10 x 30 mm; f. 11c, 10 x 30 mm). On the reverse of f. 11a are bezants., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.

• A dismembered montage of a section of foliate border with an anthropomorphic grotesque, urns, trompe l'oeil gems, and flowers (f. 12a; 245 x 35 mm), and cuttings in gold (f. 12b, 10 x 35 mm; f. 12c, 10 x 35 mm). On the reverse of f. 12a are partial letters., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.

• A section of foliate and historiated border with a trompe l'oeil medallion of the ?Presentation in the Temple, the Christ Child stands on an altar inscribed 'DI / S V / N S / ?B', measuring 240 x 30 mm (at left of image)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.

• A section of foliate and historiated border with a trompe l'oeil medallion of the 'Judea Capta' with a Roman soldier and a weeping female figure seated beneath a tree, trompe l'oeil gems, and an anthropomorphic grotesque, measuring 245 x 35 mm (at right of image)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.

• A section of foliate border with a lozenge inscribed 'Antoniottus / Pallavicinus / Cardinalis / San / Cte Praxedis', measuring 360 x 60 mm (at centre of image)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.