• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca

• Historiated initial 'U'(su rerum venit inter homines) with an ass playing a harp., Letters (dictiones and carmina) of Ennodius, beginning, 'Usu rerum venit inter homines, and the following works: Panegyricus dictus Theodorico, Libellus contra eos qui contra synodum scribere praesumpserunt, Vita Epiphanii, Vita Antonii monachi Lirinensis, Eucharisticon de vita sua, Paraenesis didascalica, Petitorium quo absolutus est Gerontius, Benedictiones cerei ii; forty-five letters by various unidentified authors

16v, 24v, 32v, 40v, 48v. Historiated initial 'U'(su) in colours and gold of an ass playing a harp (f. 1).1 puzzle initial 'D'(e) in red, blue and green (f. 51v). Initials in blue or green with red pen-flourishing, or

• Historiated faceted initial 'Q'(uanquam) with tail drawn as if piercing the parchment leaf and 'all'antica' border decorated with vases and cornucopiae at the beginning of Cicero's 'De officiis'., De officiis

for coat of arms has been left blank (f. 1). Full border in colours and gold with all'antica elements and historiated initial at the beginning of the first book (f. 1). 2 faceted initials in colours at the beginning of

• Coloured print with Christ as the Man of Sorrows surrounded by symbols of the Passion pasted to a page painted in red covered with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

them (ff. 8v-9v). 1 large coloured print with the Virgin and Child at the beginning of the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with

• Coloured print with the symbols of the Passion pasted to a page painted in red covered with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

them (ff. 8v-9v). 1 large coloured print with the Virgin and Child at the beginning of the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with