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or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
in English on Orosius, perhaps in the hand of Anthony Askew. 1 large historiated initial with partial border, in colours and gold (f. 4). Large puzzle initials in red and blue, with red and mauve penwork infill and flourishing, and
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
a full border with acanthus, flowers, a bird and hybrid creatures (the letter should have been an 'A'). Pricking holes.Part 1: This detailed account is intended to serve as a model for future elections at the abbey. Numerous attending persons
abbess of the Abbey of the Sainte Trinité in Caen. Pricking holes.Part 1: This detailed account is intended to serve as a model for future elections at the abbey. Numerous attending persons are mentioned.Includes a list of contents apparently written
red and blue, surrounded by the Garter (ff. 1, 77, 194, 250), with two escutcheons bearing the royal arms differenced by labels of three or five points for his sons (f. 1), and a lozenge bearing a white rose of
into The Samuel Rogers Album with f. 1 framing cuttings Add. 21412, ff. 1a-c and f. 2 framing cuttings Add. 21412, ff. 2a-c, and foliated with their respective cuttings as Add. 21412, ff. 1 and 2. In 1989 they were
into The Samuel Rogers Album with f. 1 framing cuttings Add. 21412, ff. 1a-c and f. 2 framing cuttings Add. 21412, ff. 2a-c, and foliated with their respective cuttings as Add. 21412, ff. 1 and 2. In 1989 they were
1 large initial in green, red, and blue with geometric decoration (f. 2). Large, small, and one-line initials in red or green, some decorated with foliate arabesques (e.g., ff. 101v, 111v). Commentaria in Epistolas beati Pauli Probably fom a
1 large initial in green, red, and blue with geometric decoration (f. 2). Large, small, and one-line initials in red or green, some decorated with foliate arabesques (e.g., ff. 101v, 111v). Commentaria in Epistolas beati Pauli Probably fom a