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cornucopiae, dolphins, sphinxes, masks, trophies and heraldic decoration, in colours and gold, at the beginning of texts or books (ff. 1, 17, 26v-27 [miniature f. 26v, accompanying border f. 27], 37, 47v, 59, 73v, 88, 101v, 115, 131v, 148v, 164,
in colours and gold. Paraph marks alternately red or blue, some flourished. Nova Statuta (index Statutes of England, Statuta Angliae), 1 Edward III to 3 Henry VII (ff. 50-350v), preceded by an alphabetical list of contents (ff. 1-49) ? John
in colours and gold. Paraph marks alternately red or blue, some flourished. Nova Statuta (index Statutes of England, Statuta Angliae), 1 Edward III to 3 Henry VII (ff. 50-350v), preceded by an alphabetical list of contents (ff. 1-49) ? John
in colours and gold. Paraph marks alternately red or blue, some flourished. Nova Statuta (index Statutes of England, Statuta Angliae), 1 Edward III to 3 Henry VII (ff. 50-350v), preceded by an alphabetical list of contents (ff. 1-49) ? John
in colours and gold. Paraph marks alternately red or blue, some flourished. Nova Statuta (index Statutes of England, Statuta Angliae), 1 Edward III to 3 Henry VII (ff. 50-350v), preceded by an alphabetical list of contents (ff. 1-49) ? John
in colours and gold. Paraph marks alternately red or blue, some flourished. Nova Statuta (index Statutes of England, Statuta Angliae), 1 Edward III to 3 Henry VII (ff. 50-350v), preceded by an alphabetical list of contents (ff. 1-49) ? John
in colours and gold. Paraph marks alternately red or blue, some flourished. Nova Statuta (index Statutes of England, Statuta Angliae), 1 Edward III to 3 Henry VII (ff. 50-350v), preceded by an alphabetical list of contents (ff. 1-49) ? John
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.
and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.
and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.
and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.
and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.
and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.
and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.
and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.