• Miniature of Job on the dungheap, decorated initial 'D'(ilexi) and foliate borders, at the beginning of the Hours of the Dead., Book of Hours, Use of Paris

Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '28 April 1721.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Decorated initial 'U'(trum) and white vine border with flowers, a winged putto, birds, a gem, and 2 compartments with rabbits, at the beginning of the text., Orator (ff. 1-59v); Brutus (ff. 60-138)

birds, a gem, and 2 compartments with rabbits, combined with a large initial in gold on a red panel (f. 1). Large white vine initial in colours and gold with penwork and besants (f. 60). Orator (ff. 1-59v); Brutus (ff.

• Miniature of the Pieta, with a border of scallop shells., Book of Hours, Use of Rome

Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '1 Martij, 1720/21.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during

• Illuminated initials., Book of Hours, Use of Tours

Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '1 Martij, 1720/21.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during

• Miniature of Pentecost, at the beginning of the Hours of the Holy Spirit., Book of Hours, Use of Tours

Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '1 Martij, 1720/21.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during

• Illuminated initials., Book of Hours, Use of Tours

Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '1 Martij, 1720/21.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during

• Miniature of the Nativity, at the beginning of Prime in the Hours of the Virgin., Book of Hours, Use of Tours

Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '1 Martij, 1720/21.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during

• Illuminated initials., Book of Hours, Use of Tours

Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '1 Martij, 1720/21.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during

• Miniature of Job and his friends, at the beginning of the Office of the Dead., Book of Hours, Use of Tours

Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '1 Martij, 1720/21.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during

• Miniature of Christ carrying the Cross, at the beginning of the Hours of the Cross., Book of Hours, Use of Tours

Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '1 Martij, 1720/21.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during

• Miniature of the Annunciation to the Shepherds., Book of Hours, Use of Tours

Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '1 Martij, 1720/21.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during

• Miniature of the Annunciation; in the right margin, the Presentation of the Virgin in the temple; in the lower margin, the marriage of Joseph and Mary, each set within an architectural frame, at the beginning of Matins in the Hours of the Virgin., Book of Hours, Use of Paris

Miniature of the Annunciation; in the right margin, the Presentation of the Virgin in the temple; in the lower margin, the marriage of Joseph and Mary, each set within an architectural frame, at the beginning of Matins in the

• Miniature of the Presentation of Christ in the temple; to the right, a horned Moses holding the tablets of the law; in the lower margin, Mary holding the infant Christ and walking with Joseph; all set within an architectural frame, at the beginning of None in the Hours of the Virgin., Book of Hours, Use of Paris

Miniature of the Presentation of Christ in the temple; to the right, a horned Moses holding the tablets of the law; in the lower margin, Mary holding the infant Christ and walking with Joseph; all set within an architectural

• Miniature of clerics reading; in the left margin, a skeletal figure holding a shovel; in the lower margin, Job on the dungheap, all set within an architectural frame, at the beginning of the Office of the Dead., Book of Hours, Use of Paris

Miniature of clerics reading; in the left margin, a skeletal figure holding a shovel; in the lower margin, Job on the dungheap, all set within an architectural frame, at the beginning of the Office of the Dead. The bifolium

• null, Book of Hours, Use of Paris

The bifolium ff. 16-17 should be bound outside ff. 15 and 18.Includes: calendar (ff. 1-12v); Gospel extracts, 'Obsecro te' and 'O intemerata' (ff. 13-26); Hours of the Virgin (ff. 27-83v); Hours of the Cross, begining imperfect (ff. 84-85v); Hours

• null, Book of Hours, Use of Paris

The bifolium ff. 16-17 should be bound outside ff. 15 and 18.Includes: calendar (ff. 1-12v); Gospel extracts, 'Obsecro te' and 'O intemerata' (ff. 13-26); Hours of the Virgin (ff. 27-83v); Hours of the Cross, begining imperfect (ff. 84-85v); Hours

• null, Book of Hours, Use of Paris

The bifolium ff. 16-17 should be bound outside ff. 15 and 18.Includes: calendar (ff. 1-12v); Gospel extracts, 'Obsecro te' and 'O intemerata' (ff. 13-26); Hours of the Virgin (ff. 27-83v); Hours of the Cross, begining imperfect (ff. 84-85v); Hours

• null, Book of Hours, Use of Paris

The bifolium ff. 16-17 should be bound outside ff. 15 and 18.Includes: calendar (ff. 1-12v); Gospel extracts, 'Obsecro te' and 'O intemerata' (ff. 13-26); Hours of the Virgin (ff. 27-83v); Hours of the Cross, begining imperfect (ff. 84-85v); Hours

• null, Book of Hours, Use of Paris

The bifolium ff. 16-17 should be bound outside ff. 15 and 18.Includes: calendar (ff. 1-12v); Gospel extracts, 'Obsecro te' and 'O intemerata' (ff. 13-26); Hours of the Virgin (ff. 27-83v); Hours of the Cross, begining imperfect (ff. 84-85v); Hours

• null, Book of Hours, Use of Paris

The bifolium ff. 16-17 should be bound outside ff. 15 and 18.Includes: calendar (ff. 1-12v); Gospel extracts, 'Obsecro te' and 'O intemerata' (ff. 13-26); Hours of the Virgin (ff. 27-83v); Hours of the Cross, begining imperfect (ff. 84-85v); Hours