• Miniature with a dead landscape., Tabula Cebetis, De mortis effectibus and other poems

in colours, gold and silver (ff. 1, 3). 5 large foliate initials, in colours, gold and silver (ff. 7, 11, 14, 19, 25v). 1 smaller initial in gold on a red ground (f. 21). 1 small initial in gold on

• Miniature of the Seat of Virtue, with a personification of Virtue in a garden with Aeternitas, Gloria, Studius, and Mars., Tabula Cebetis, De mortis effectibus and other poems

in colours, gold and silver (ff. 1, 3). 5 large foliate initials, in colours, gold and silver (ff. 7, 11, 14, 19, 25v). 1 smaller initial in gold on a red ground (f. 21). 1 small initial in gold on

• An engraved historiated full-page border of medallions containing the four Evangelists and scenes from the life of the Virgin and the life and Passion of Christ: (anti-clockwise from top left) of the Annunciation, Luke, the Nativity, the Flight into Egypt, Christ's Dispute with the Doctors, the Baptism of Christ, John, the Feeding of the Five Thousand, the Last Supper, Matthew, the Agony in the Garden, Christ before Caiaphas, Christ before Pontius Pilate, the Crucifixion, Mark, and the Resurrection., Cuttings from a printed Missal, containing text from the Masses for the feasts of Pentecost and Augustus

into The Samuel Rogers Album with f. 1 framing cuttings Add. 21412, ff. 1a-c and f. 2 framing cuttings Add. 21412, ff. 2a-c, and foliated with their respective cuttings as Add. 21412, ff. 1 and 2. In 1989 they were

• An engraved historiated full-page border of medallions containing the four Evangelists and scenes from the life of the Virgin and the life and Passion of Christ: (anti-clockwise from top left) of the Annunciation, Luke, the Nativity, the Flight into Egypt, Christ's Dispute with the Doctors, the Baptism of Christ, Matthew, the Feeding of the Five Thousand, the Last Supper, John, the Agony in the Garden, Christ before Caiaphas, Christ before Pontius Pilate, the Crucifixion, Mark, and the Resurrection., Cuttings from a printed Missal, containing text from the Masses for the feasts of Pentecost and Augustus

into The Samuel Rogers Album with f. 1 framing cuttings Add. 21412, ff. 1a-c and f. 2 framing cuttings Add. 21412, ff. 2a-c, and foliated with their respective cuttings as Add. 21412, ff. 1 and 2. In 1989 they were

• Inscription 'sinistra / No. 1'., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

/ No. 1'. Italian cuttings.The present cuttings were formerly pasted into The Samuel Rogers Album and foliated as Add. 21412, ff. 3 (ff. 3a, 3c), 5 (ff. 5a-c, 6a-c), 6 (ff. 7, 8a-c), 7 (ff. 9a-h), 8 (ff. 10a-c), 9

• Detail of a miniature of the Crucifixion., Saint mistere de la glorieuse piteuse et angoisseuse passion de notre seigneur et saulveur Ihesucrist (Treatise on the Passion of Christ)

Crucifixion. 2 ruled parchment leaves before f. 1 and after f. 186.Incipit: 'A l'honneur et reuerence de la saincte trinite et de la glorieuse vierge Marie et de tous les esperis sains et de sainct Iehan baptiste'.The text describes the

• Detail of a miniature of Christ before Pilate., Saint mistere de la glorieuse piteuse et angoisseuse passion de notre seigneur et saulveur Ihesucrist (Treatise on the Passion of Christ)

Pilate. 2 ruled parchment leaves before f. 1 and after f. 186.Incipit: 'A l'honneur et reuerence de la saincte trinite et de la glorieuse vierge Marie et de tous les esperis sains et de sainct Iehan baptiste'.The text describes the

• Detail of a miniature of Christ's Entry into Jerusalem., Saint mistere de la glorieuse piteuse et angoisseuse passion de notre seigneur et saulveur Ihesucrist (Treatise on the Passion of Christ)

into Jerusalem. 2 ruled parchment leaves before f. 1 and after f. 186.Incipit: 'A l'honneur et reuerence de la saincte trinite et de la glorieuse vierge Marie et de tous les esperis sains et de sainct Iehan baptiste'.The text describes

• Miniature of the Immaculate Conception and of Henry VII kneeling, with a trompe l'oeil border, and an illuminated large initial with the royal coat of arms., Proper of the Mass for the Immaculate Conception

MS Nn.6.46, containing a portrait of Henry VII (f. 2). 1 miniature of the Conception and of Henry VII kneeling in colours and gold, with a trompe l'oeil border, and 1 large initial with the royal arms in colours and

• Detail of a miniature of the Immaculate Conception and of Henry VII kneeling., Proper of the Mass for the Immaculate Conception

MS Nn.6.46, containing a portrait of Henry VII (f. 2). 1 miniature of the Conception and of Henry VII kneeling in colours and gold, with a trompe l'oeil border, and 1 large initial with the royal arms in colours and

• Text of a prayer mentioning Henry VII; ‘ut rex noster Henricus sep/timus…’., Proper of the Mass for the Immaculate Conception

MS Nn.6.46, containing a portrait of Henry VII (f. 2). 1 miniature of the Conception and of Henry VII kneeling in colours and gold, with a trompe l'oeil border, and 1 large initial with the royal arms in colours and

• Page with text and coloured initials supplied by Bartolomeo Sanvito., Epigrams (index Epigrammatum)

Page with text and coloured initials supplied by Bartolomeo Sanvito. 1 blank parchment folio after f. 8 and 2 after f. 13.f. 1 is a parchment leaf with a Latin cursive inscription on the recto. Large initials in yellow and

• Miniature of a winged horse (Pegasus) with a facted initial 'D'(ivitias), epigraphic capitals, and two shields in the lower margin: one of two crossed sceptres with fleur-de-lis terminals on a blue ground, the other of a tower on a white ground., Works

alternating colours and gold, and two shields with heraldic devices in the lower margin (f. 1). Coloured epigraphic capitals, and 35 initials in blue (ff. 1, 3v, 6, 9, 11v, 13v, 16, 18, 20v, 22v, 24v, 27v, 28, 30v, 32,

• Miniature of the Visitation, set within an architectural frame, and initial 'D'(eus), at the beginning of Lauds of the Hours of the Virgin., Book of Hours, Use of Tiron

ending imperfect in Lauds. 12 large miniatures in architectural frames, with large decorated foliate initials, in colours and gold (ff. 1, 14v, 22, 26v, 31v, 36v, 42, 47v, 57v, 60, 63v, 78). Partial foliate borders on every text page, in

• Miniature of the Adoration of the Magi, set within an architectural frame, at the beginning of Sext of the Hours of the Virgin., Book of Hours, Use of Tiron

ending imperfect in Lauds. 12 large miniatures in architectural frames, with large decorated foliate initials, in colours and gold (ff. 1, 14v, 22, 26v, 31v, 36v, 42, 47v, 57v, 60, 63v, 78). Partial foliate borders on every text page, in

• Miniature of Job on the dunghill visited by two friends, set within an architectural frame, at the beginning of the Office of the Dead., Book of Hours, Use of Tiron

ending imperfect in Lauds. 12 large miniatures in architectural frames, with large decorated foliate initials, in colours and gold (ff. 1, 14v, 22, 26v, 31v, 36v, 42, 47v, 57v, 60, 63v, 78). Partial foliate borders on every text page, in

• A dismembered montage of a section of foliate border with a cameo of a male bust in profile (f. 5b; 35 x 155 mm) and two cuttings in gold (f. 5a; 35 x 15 mm; f. 5c, 35 x 10 mm) (at top of image)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.

• A section of foliate border with flowers, acanthus leaves and trompe l'oeil gems in a roundel, measuring 30 x 205 mm., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.

• A dismembered montage of a section of foliate border with a seated stag in a roundel, birds, trompe l'oeil gems, flowers and acanthus leaves (f. 8b; 80 x 180 mm), and two cuttings in gold inscribed in capitals 'Creat. Ab Innoc. VIII An Domini MCCCCLXXXIX' (f. 8a, 80 x 15 mm) and 'Anton. Pallavicinus Genuensis Cardin. S. Praxedis' (f. 8c; 80 x 15 mm)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.

• A dismembered montage of a section of foliate and historiated border with Christ blessing in a roundel, trompe l'oeil gems, an anthropomorphic grotesque and flowers (f. 11a; 245 x 30 mm), and cuttings in gold (f. 11b, 10 x 30 mm; f. 11c, 10 x 30 mm). On the reverse of f. 11a are bezants., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and stored in a box. To see these cuttings in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1] and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add.