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British Library Catalogue of Illuminated Manuscripts
Large initials and rubrics in display uncial capitals in red. Initials occasionally highlighted in red. Homilies on the Evangelists, books 1 and 2 John Gibson (fl. 1720-1726), dealer: sold to Edward Harley on 13 February 1723/4 (Wright and Wright 1966;
William Fleetwood [Fletewoode] (b. c.1525, d.1594), lawyer and antiquary: erased inscription of his name (ff. 3*verso and f. 129v); no. 1 of the manuscripts at Missenden abbey, the home of the Fleetwood family: see Ker 1957.18th-century ? inscription '111 A
May 2006).The Opera di San Jacopo in Pistoia: inscribed by two notaries: Ser Bartolomeo da Forlì, chancellor of Pistoia (ff. 1, 135), and Franciscus Luce; 15th-century pressmark 'E.V.' (ff. 133, 191v; see Wright 1972). John Gibson (fl. 1720-1726), dealer: sold
with red penwork decoration, and one in red with blue penwork decoration, and musical notation on red four-line staves (ff. 1, 2, 128, 129).Guglielmo Libri : his sale catalogue, 7 February 1864, lot 118, and 1895, lot 64, bought by
'B'(eatus) at the beginning of Psalm 1. Musical notation on four-line red staves, in the office for Catherine (ff. 108-109). Large initial with partial border in colours and gold, at the beginning of Psalm 1 (f. 8). Large puzzle intial
contents on these added pieces are identical. Horizontal catchwords, some with penwork frames.Tabs on outer foredge.f. 1 is a parchment leaf with an added list of contents. Numerous marginal drawings. 19 large initials in colours with foliate motifs (ff. 2,
Horizontal catchwords, some with penwork frames.Tabs on outer foredge.f. 1 is a parchment leaf with an added list of contents. Numerous marginal drawings. 19 large initials in colours with foliate motifs (ff. 2, 2v, 17v, 29, 37v, 95, 104, 108,
of a log. Horizontal catchwords, some with penwork frames.Tabs on outer foredge.f. 1 is a parchment leaf with an added list of contents. Numerous marginal drawings. 19 large initials in colours with foliate motifs (ff. 2, 2v, 17v, 29, 37v,
round a pointer, held by a hand. Horizontal catchwords, some with penwork frames.Tabs on outer foredge.f. 1 is a parchment leaf with an added list of contents. Numerous marginal drawings. 19 large initials in colours with foliate motifs (ff. 2,
with many tags. Horizontal catchwords, some with penwork frames.Tabs on outer foredge.f. 1 is a parchment leaf with an added list of contents. Numerous marginal drawings. 19 large initials in colours with foliate motifs (ff. 2, 2v, 17v, 29, 37v,
Detail of illuminated initial 'D' with a dog. The manuscript was mostly the work of one scribe who wrote the 2nd, 4th, and 6th texts, and all but the first page of the 1st, who is identifiable as the
Detail of an inhabited initial 'R'(egu) with a dragon, in gold and colours. The manuscript was mostly the work of one scribe who wrote the 2nd, 4th, and 6th texts, and all but the first page of the 1st,
holding a book, from Canon table 1. 12 canon tables in colours and gold, with architectural decoration, and various figures, such as Christ blessing, Peter and Paul, angels, animals, and hybrid creatures (ff. 6-12v). Incipit page for Mark with border
f. 73, then on the first page only of each quire from f. 74 to end.Works of Fulgentius include letters 1 to 7. Initial in red with penwork decoration, including a flower, in the same colour (f. 16). Initials in
f. 73, then on the first page only of each quire from f. 74 to end.Works of Fulgentius include letters 1 to 7. Initial in red with penwork decoration, including a flower, in the same colour (f. 16). Initials in
f. 73, then on the first page only of each quire from f. 74 to end.Works of Fulgentius include letters 1 to 7. Initial in red with penwork decoration, including a flower, in the same colour (f. 16). Initials in
f. 73, then on the first page only of each quire from f. 74 to end.Works of Fulgentius include letters 1 to 7. Initial in red with penwork decoration, including a flower, in the same colour (f. 16). Initials in
Illuminated letters 'IN' with foliate decoration within an illuminated frame at the beginning of the readings from John's Gospel. Two other manuscripts were also written by this scribe: Munich, Bayerische Staatsbibliothek MS Clm. 23630; and Munich, Universitatsbibliotheck MS 179,
table 1, in colours and gold, with architectural decoration and Christ in Majesty, holding a book. 12 canon tables in colours and gold, with architectural decoration, and various figures, such as Christ blessing, Peter and Paul, angels, animals, and hybrid
ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with