• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with

• Decorated initial 'H'(iemis) with interlace at the beginning of the schedule for the daily (and nightly) prayers for winter (November to Easter)., Rule of St Benedict, with a calendar

Decorated initial 'H'(iemis) with interlace at the beginning of the schedule for the daily (and nightly) prayers for winter (November to Easter). The initials are of Wormald's 'Type IIa' and Type I.Musical notation: Anglo-Saxon neumes, England (St Augustine’s –

• Decorated letters with interlace and animal heads at the beginning of chapter 25., Rule of St Benedict, with a calendar

Decorated letters with interlace and animal heads at the beginning of chapter 25. The initials are of Wormald's 'Type IIa' and Type I.Musical notation: Anglo-Saxon neumes, England (St Augustine’s – Canterbury ?), end of the 10th century (f. 1)f.

• Decorated initial with animal heads., Rule of St Benedict, with a calendar

Decorated initial with animal heads. The initials are of Wormald's 'Type IIa' and Type I.Musical notation: Anglo-Saxon neumes, England (St Augustine’s – Canterbury ?), end of the 10th century (f. 1)f. 2 is a parchment flyleaf. f. 3 is

• Decorated initial 'A'(d) with interlace and animal heads., Rule of St Benedict, with a calendar

Decorated initial 'A'(d) with interlace and animal heads. The initials are of Wormald's 'Type IIa' and Type I.Musical notation: Anglo-Saxon neumes, England (St Augustine’s – Canterbury ?), end of the 10th century (f. 1)f. 2 is a parchment flyleaf.

• Decorated initials with interlace and animal heads., Rule of St Benedict, with a calendar

Decorated initials with interlace and animal heads. The initials are of Wormald's 'Type IIa' and Type I.Musical notation: Anglo-Saxon neumes, England (St Augustine’s – Canterbury ?), end of the 10th century (f. 1)f. 2 is a parchment flyleaf. f.

• Decorated initial 'N'(ulla) with bird heads, interlace, and leaf designs., Rule of St Benedict, with a calendar

Decorated initial 'N'(ulla) with bird heads, interlace, and leaf designs. The initials are of Wormald's 'Type IIa' and Type I.Musical notation: Anglo-Saxon neumes, England (St Augustine’s – Canterbury ?), end of the 10th century (f. 1)f. 2 is a

• Zoomorphic initial 'N'(ovitum) with an animal head and an animal's body, with wings, forming the vertical stroke of the letter., Rule of St Benedict, with a calendar

Zoomorphic initial 'N'(ovitum) with an animal head and an animal's body, with wings, forming the vertical stroke of the letter. The initials are of Wormald's 'Type IIa' and Type I.Musical notation: Anglo-Saxon neumes, England (St Augustine’s – Canterbury ?),

• Decorated initial 'R'(egulum) with bird heads and interlace., Rule of St Benedict, with a calendar

Decorated initial 'R'(egulum) with bird heads and interlace. The initials are of Wormald's 'Type IIa' and Type I.Musical notation: Anglo-Saxon neumes, England (St Augustine’s – Canterbury ?), end of the 10th century (f. 1)f. 2 is a parchment flyleaf.

• Chart of the number of hours in the days of each month, with leaf forms and animal heads., Rule of St Benedict, with a calendar

Chart of the number of hours in the days of each month, with leaf forms and animal heads. The initials are of Wormald's 'Type IIa' and Type I.Musical notation: Anglo-Saxon neumes, England (St Augustine’s – Canterbury ?), end of

• Decorated letters 'Ob' with interlace and bird and beast heads and a mask, at the beginning of the prologue to the Rule., Rule of St Benedict, with a calendar

Decorated letters 'Ob' with interlace and bird and beast heads and a mask, at the beginning of the prologue to the Rule. The initials are of Wormald's 'Type IIa' and Type I.Musical notation: Anglo-Saxon neumes, England (St Augustine’s –