• Canon table., Gospels

end of the main arches, unfinished (ff. 1-7). 1 incipit page with an initial in colours with interlace decoration, at the beginning of the Epistle of Jerome to Damasus, unfinished (f. 9). 1 smaller initial in colours with interlace decoration

• Display script., Gospels

end of the main arches, unfinished (ff. 1-7). 1 incipit page with an initial in colours with interlace decoration, at the beginning of the Epistle of Jerome to Damasus, unfinished (f. 9). 1 smaller initial in colours with interlace decoration

• Initial 'E'(t hic) with a display script, at the beginning of John., Gospels

end of the main arches, unfinished (ff. 1-7). 1 incipit page with an initial in colours with interlace decoration, at the beginning of the Epistle of Jerome to Damasus, unfinished (f. 9). 1 smaller initial in colours with interlace decoration

• Decorated initial 'V'(erbum)., Institutiones grammaticae, imperfect at the end

initial 'V'(erbum). Ruled in hardpoint.Horizontal catchwords.Marginal annotations. 1 large historiated initial in colours with a portrait of Priscian (f. 1).1 initial in colours in the form of a snake (f. 12). 1 historiated initial in colours of a man

• The first canon table decorated with human faces at the bases of each column, and animal heads at each end of the main arch., Gospels

end of the main arches, unfinished (ff. 1-7). 1 incipit page with an initial in colours with interlace decoration, at the beginning of the Epistle of Jerome to Damasus, unfinished (f. 9). 1 smaller initial in colours with interlace decoration

• Anthropomorphic initial 'S'(ancti), formed of two monks, at the beginning of the prologue to the De fide catholica of Isidore., De fide catholica

beginning of the prologue to the De fide catholica of Isidore. 1 anthropomorphic initial formed of two monks in outline drawing, at the beginning of the prologue (f. 1v). 1 initial with zoomorphic and interlace decoration in black ink, at

• Zoomorphic initial 'I'(udei) with an animal head., De fide catholica

Zoomorphic initial 'I'(udei) with an animal head. 1 anthropomorphic initial formed of two monks in outline drawing, at the beginning of the prologue (f. 1v). 1 initial with zoomorphic and interlace decoration in black ink, at the beginning of the

• Foliate and interlace initial 'C'(apitulum), at the beginning of the sermons based on John., De verbis domini, preceded by (ff. 1v-2v) a table of contents (index Sermons)

beginning of the sermons based on John. 1 large initial in green, blue, gold outlined in red, and silver (tarnished to metallic black), at the beginning of the sermons based on Matthew (f. 3). 2 large initials infilled with foliage

• Illuminated initial 'E'(vangelium), at the beginning of the sermons based on Matthew., De verbis domini, preceded by (ff. 1v-2v) a table of contents (index Sermons)

of the sermons based on Matthew. 1 large initial in green, blue, gold outlined in red, and silver (tarnished to metallic black), at the beginning of the sermons based on Matthew (f. 3). 2 large initials infilled with foliage in

• Illuminated headpiece decorated with geometric patterns, and initial 'A'(ndres) at the beginning of Gregory Nazianzus' De pauperum amore (Oratio 14)., In patrem tacentem (ff. 1-3); De pauperum amore (ff. 3v-18v), both imperfect

Illuminated headpiece decorated with geometric patterns, and initial 'A'(ndres) at the beginning of Gregory Nazianzus' De pauperum amore (Oratio 14). f. 20r-v formerly used as a pastedown.Old pagination on ff. 1-18v of 481-516.ff. 1-18 were formerly gatherings 31-33 of

• Illuminated foliate patterned headpiece and initial at the beginning of John Chrysostom's homily De diabolo tentatore., Various theological works

colours and gold with enclosed titles in red majuscules, and large coloured initials below at the beginning of texts (ff. 1, 16, 29, 37v, 55v, 72v, 81, 94, 103, 111v, 117, 124, 135v, 143v, 148, 153v, 169, 181v, 191v, 200v,

• Illuminated foliate patterned headpiece and initial 'T' at the beginning of Severianus Gabalensis's De legislatore., Various theological works

colours and gold with enclosed titles in red majuscules, and large coloured initials below at the beginning of texts (ff. 1, 16, 29, 37v, 55v, 72v, 81, 94, 103, 111v, 117, 124, 135v, 143v, 148, 153v, 169, 181v, 191v, 200v,

• Diagrams in Pseudo-Hucbaldus's De Institutione Musica., Glossed De Institutione Musica (ff. 6v-62); Scolica Enchiriadis (ff. 63v-87v); Tonary (ff. 92-98)

Musica. Musical notation: neumes (ff. 1, 92-98), Daseian (ff. 63v-91v).Diagrams identical with those from Brussels, Bibliothèque Royale, Ms. 5444-6, and Vienna, Österreichische Nationalbibliothek, Cod. 2269 (see Bower, 1988, p. 220 nr. 40). Numerous diagrams. Large and small initials in plain

• Diagrams in Boethius's Scolica Enchiriadis., Glossed De Institutione Musica (ff. 6v-62); Scolica Enchiriadis (ff. 63v-87v); Tonary (ff. 92-98)

Enchiriadis. Musical notation: neumes (ff. 1, 92-98), Daseian (ff. 63v-91v).Diagrams identical with those from Brussels, Bibliothèque Royale, Ms. 5444-6, and Vienna, Österreichische Nationalbibliothek, Cod. 2269 (see Bower, 1988, p. 220 nr. 40). Numerous diagrams. Large and small initials in plain

• Decorated interlace initial 'I'(n) with two bird heads, at the beginning of the Gesta regum Francorum., Gesta regum Francorum, and other histories

nupits Philologiae et Mercurii~ by Martianus Capella (f. 35). Musical notation: neumes (f. 35). 1 large interlace initial in brown ink, with bird heads (f. 1). Large and small simple initials in brown ink. Gesta regum Francorum, and other histories

• Initial 'I'(ncipit), with a change of script, and possibly scribe., Gesta regum Francorum, and other histories

nupits Philologiae et Mercurii~ by Martianus Capella (f. 35). Musical notation: neumes (f. 35). 1 large interlace initial in brown ink, with bird heads (f. 1). Large and small simple initials in brown ink. Gesta regum Francorum, and other histories

• Decorated interlace initial 'I'(n) with two bird heads, at the beginning of the Gesta regum Francorum., Gesta regum Francorum, and other histories

nupits Philologiae et Mercurii~ by Martianus Capella (f. 35). Musical notation: neumes (f. 35). 1 large interlace initial in brown ink, with bird heads (f. 1). Large and small simple initials in brown ink. Gesta regum Francorum, and other histories

• Detail of a decorated initial 'I'(ncipit)., Gesta regum Francorum, and other histories

nupits Philologiae et Mercurii~ by Martianus Capella (f. 35). Musical notation: neumes (f. 35). 1 large interlace initial in brown ink, with bird heads (f. 1). Large and small simple initials in brown ink. Gesta regum Francorum, and other histories

• Detail of headpiece., In patrem tacentem (ff. 1-3); De pauperum amore (ff. 3v-18v), both imperfect

Detail of headpiece. f. 20r-v formerly used as a pastedown.Old pagination on ff. 1-18v of 481-516.ff. 1-18 were formerly gatherings 31-33 of a larger volume. Headpiece decorated with geometric patterns in colours and gold. Large gold and blue initial

• Coloured initials 'Q'(uanta) and I(ordmare), with geometric line-fillers in red., Vita S. Gregorii Papae; Versus S. Gregorii

xxij d' (f. 1) (see Watson 1963 and Watson 1966). Part 1 and 2: Sir Simonds d'Ewes (b.1602, d. 1650), 1st baronet, diarist, antiquary, and friend of Sir Robert Cotton (see Wright 1972): inscribed '2' (f. 1) and 'Vita S(ancte)