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with red penwork decoration, and one in red with blue penwork decoration, and musical notation on red four-line staves (ff. 1, 2, 128, 129).Guglielmo Libri : his sale catalogue, 7 February 1864, lot 118, and 1895, lot 64, bought by
(f . 69v). 2 noted Easter hymns, prayers, part of the Office of Augustine of Canterbury: 'Chorus nove Hierusalem' (f. 1) and 'Te lucis auctor' (f. 1v); rhymed Office for Augustine of Canterbury (ff. 67-68v erased, 68v-69); Hymn to Gregory
Anitphon with neumes. ff. 69-72 are fragments from the same manuscript as Stowe 1061 f. 125. Musical notation in many fragments.Mostly removed from bindings.ff. 1-21v; 24-47v; 51-57v; 61-63v; 65; 67-68v; 73 are various fragments, including of the Laws of
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘13 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
Church calendar (ff. 2-7v).f. 1 is a 13th-century text with initials in green, red, and red with green penwork decoration.Basan also wrote Hanover, Kestner Museum MS WM XXIa 36; parts of York, Minster Lib., MS Add. 1; Additional 34890; Florence,
1806), antiquary and topographer (inscribed in pencil ‘Archbishop Anselm’s Similitudes, Compleat/Wrote about Anno Domini 1400 in the Court Hand’, f. 1); for similar notations see Burney 39, 288, 307 (?), 320, 323, and Additional 18601.Charles Burney (b. 1757, d. 1817),
Church calendar (ff. 2-7v).f. 1 is a 13th-century text with initials in green, red, and red with green penwork decoration.Basan also wrote Hanover, Kestner Museum MS WM XXIa 36; parts of York, Minster Lib., MS Add. 1; Additional 34890; Florence,
'Historical' annals of the six ages of the world, up to 1099 in English, added as a final leaf to the manuscript. Unilluminated. The Six Ages of the World (recto), and a list of the bishops of Winchester from
List of the names of the bishops of the west Saxons, in both Latin and Old English, added as the last leaf of the manuscript. Unilluminated. The Six Ages of the World (recto), and a list of the bishops
Antiphon for the office of Peter and Paul, with neumes. ff. 69-72 are fragments from the same manuscript as Stowe 1061 f. 125. Musical notation in many fragments.Mostly removed from bindings.ff. 1-21v; 24-47v; 51-57v; 61-63v; 65; 67-68v; 73 are
in red, often with a yellow wash, one extending into the margin (f. 1), one with an animal head (f. 213). Large decorated initials, in red and yellow, or red, black, and yellow, some zoomorphic or anthropomorphic (birds or hands)
flyleaves, are from a 13th-century manuscript of the Historia Scholastica of Petrus Comestor. ff. 3, 4 should follow f. 176. 1 large initial in brown ink with interlace and foliate motifs (f. 5). Initials in red, some large, some small.
Toledo, Prognosticon futuri saeculi, with interlinear Latin glosses and 1 Old English gloss on f. 69 (ff. 1v-79v);Aldhelm, bishop of Sherborne (c. 705-709), Aenigmata, with interlinear and marginal Latin and 75 Old English glosses (ff. 79v-103v);Caelius Firmianus Symposius, 'Enigmata Simphosii'
Sherbonne. Contains:Julian of Toledo, Prognosticon futuri saeculi, with interlinear Latin glosses and 1 Old English gloss on f. 69 (ff. 1v-79v);Aldhelm, bishop of Sherborne (c. 705-709), Aenigmata, with interlinear and marginal Latin and 75 Old English glosses (ff. 79v-103v);Caelius Firmianus
saeculi, with interlinear Latin glosses and 1 Old English gloss on f. 69 (ff. 1v-79v);Aldhelm, bishop of Sherborne (c. 705-709), Aenigmata, with interlinear and marginal Latin and 75 Old English glosses (ff. 79v-103v);Caelius Firmianus Symposius, 'Enigmata Simphosii' (ff. 104-113v);'Enigmata Eusebii',
saeculi, with interlinear Latin glosses and 1 Old English gloss on f. 69 (ff. 1v-79v);Aldhelm, bishop of Sherborne (c. 705-709), Aenigmata, with interlinear and marginal Latin and 75 Old English glosses (ff. 79v-103v);Caelius Firmianus Symposius, 'Enigmata Simphosii' (ff. 104-113v);'Enigmata Eusebii',
saeculi, with interlinear Latin glosses and 1 Old English gloss on f. 69 (ff. 1v-79v);Aldhelm, bishop of Sherborne (c. 705-709), Aenigmata, with interlinear and marginal Latin and 75 Old English glosses (ff. 79v-103v);Caelius Firmianus Symposius, 'Enigmata Simphosii' (ff. 104-113v);'Enigmata Eusebii',
Contains:Julian of Toledo, Prognosticon futuri saeculi, with interlinear Latin glosses and 1 Old English gloss on f. 69 (ff. 1v-79v);Aldhelm, bishop of Sherborne (c. 705-709), Aenigmata, with interlinear and marginal Latin and 75 Old English glosses (ff. 79v-103v);Caelius Firmianus Symposius,
Toledo, Prognosticon futuri saeculi, with interlinear Latin glosses and 1 Old English gloss on f. 69 (ff. 1v-79v);Aldhelm, bishop of Sherborne (c. 705-709), Aenigmata, with interlinear and marginal Latin and 75 Old English glosses (ff. 79v-103v);Caelius Firmianus Symposius, 'Enigmata Simphosii'
'B'(eatus) at the beginning of Psalm 1. Musical notation on four-line red staves, in the office for Catherine (ff. 108-109). Large initial with partial border in colours and gold, at the beginning of Psalm 1 (f. 8). Large puzzle intial