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erased). 1 large decorated initial with stems and foliate motifs, a clasp, and a face, outlined in brown ink, with yellow wash, on a red ground (f. 1).1 rough drawing of a profile head (f. 99v, erased?). 1 smaller
Ampersands; ae caudatas. 1 large initial with two masks (effaced) and foliate motifs, outlined in brown ink (f. 1).1 large initial with stems and foliate motifs, outlined in brown ink, with some red (f. 2v). 1 large initial in
decoration. Two scribes (one is on ff. 1-3; ff. 8-18; ff. 52r-52v and ff. 57-84).Ampersands; ae caudatas. 1 initial in gold (f. 1).1 initial in green with penwork decoration in green and red (f. 54v). Some large and several
'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur
'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur
The manuscript forms part 1 of 3 parts, the second is Harley 3053, and the third is Harley 3054. Running headers. Quire marks. 2 leaves excised between ff. 33-34, 3 leaves excised between ff. 53-54 and 1 quire lost between
The manuscript forms part 1 of 3 parts, the second is Harley 3053, and the third is Harley 3054. Running headers. Quire marks. 2 leaves excised between ff. 33-34, 3 leaves excised between ff. 53-54 and 1 quire lost between
The manuscript forms part 1 of 3 parts, the second is Harley 3053, and the third is Harley 3054. Running headers. Quire marks. 2 leaves excised between ff. 33-34, 3 leaves excised between ff. 53-54 and 1 quire lost between
The manuscript forms part 1 of 3 parts, the second is Harley 3053, and the third is Harley 3054. Running headers. Quire marks. 2 leaves excised between ff. 33-34, 3 leaves excised between ff. 53-54 and 1 quire lost between
The manuscript forms part 1 of 3 parts, the second is Harley 3053, and the third is Harley 3054. Running headers. Quire marks. 2 leaves excised between ff. 33-34, 3 leaves excised between ff. 53-54 and 1 quire lost between
The manuscript forms part 1 of 3 parts, the second is Harley 3053, and the third is Harley 3054. Running headers. Quire marks. 2 leaves excised between ff. 33-34, 3 leaves excised between ff. 53-54 and 1 quire lost between
The manuscript forms part 1 of 3 parts, the second is Harley 3053, and the third is Harley 3054. Running headers. Quire marks. 2 leaves excised between ff. 33-34, 3 leaves excised between ff. 53-54 and 1 quire lost between
The manuscript forms part 1 of 3 parts, the second is Harley 3053, and the third is Harley 3054. Running headers. Quire marks. 2 leaves excised between ff. 33-34, 3 leaves excised between ff. 53-54 and 1 quire lost between
of Mark, with the the Lamb of God in the centre. 1 large historiated initial in colours on a gold ground at the beginning of Mark (f. 6). 1 large initial in gold on a blue ground with colours and
Wottone M. Glasconis (f. 1); Robert Wottone, monk of Glastonbury, 15th century: inscription (f. 1; see above), added small parchment leaf inscribed 'Robertus Wottone' (f. 191v).John Long, of Dorchester, in Dorset, matriculated at Pembroke College, Oxford, 1 July 1664, aged
Wottone M. Glasconis (f. 1); Robert Wottone, monk of Glastonbury, 15th century: inscription (f. 1; see above), added small parchment leaf inscribed 'Robertus Wottone' (f. 191v).John Long, of Dorchester, in Dorset, matriculated at Pembroke College, Oxford, 1 July 1664, aged
in both parts 1 and 2. Quire signatures in part 1. Former flyleaves ff. 1*-8* and ff. 150-57 are now Additional 38651, ff. 37-40 and ff. 41-44, respectively. 1 large gold initial with foliate infill (f. 1). Initials in red
1 large arabesque initial in red, green and light brown for book 5 (f. 68). 2 large initials in light brown or green with penwork decoration in alternate colours and once with some red, for the prologue and book
with pen-flourishing at the beginning of Robert Grosseteste's translation of Tertullian, 'Testamentum XII patriarcharum'. 1 puzzle initial in red and blue with pen-flourishing (f. 1).1 large initial in blue with red pen-flourishing (f. 15). Small initials, alternately red or
centre of outer margin of f. 92. 1 zoomorphic initial in red for beginning of book 3 (f. 41). 1 large initial in blue, decorated with red, for beginning of book 1 (f. 1). 2 small initials in red, decorated