• Painted drawing of Mystic Paradise, with the Virgin and Child at the centre, flanked by personifications of the virtues and the symbols of the Evangelists, at the beginning of epistle I.2., Speculum virginum

'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur

• Drawing of the Victory of Humility, stabbing Pride, in the centre, flanked by Jael and Judith, at the beginning of epistle IV.2., Speculum virginum

'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur

• Drawing of the Wise and Fooling Virgins, in the second register, with Christ in Judgement above, and in the lowest register, angels blowing trumpets awakening the dead, at the beginning of epistle VI., Speculum virginum

'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur

• Drawing of the parable of the Sower, interpreted as the fruits of virginity, chastity, and conjugality, likening the virgins to the hundredfold fruit, the chaste to the sixtyfold fruit, and the married to the fortyfold fruit, each personified as men and women, often with books, placed in a stylised tree, with Adam and Eve at the base and Christ at the top, at the beginning of epistle VII., Speculum virginum

'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur

• Drawing in a cruciform shape of the Fruits of the Flesh and of the Spirit, with God at the top and a dragon at the bottom, including personifications of Reason, Wisdom, Goodness, and Law, holding a sword, at the beginning of epistle VIII., Speculum virginum

'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur

• Drawing of the Ladder of Virtue, with nuns climbing a ladder towards Christ, and a devil with swords, and a dragon below, at the beginning of epistle IX., Speculum virginum

'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur

• Drawing of Christ in Majesty in a mandorla holding an open book, surrounded by martyrs and saints, with a kneeling monk touching his right foot, at the beginning of epistle X., Speculum virginum

'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur

• Drawing of the Temple of Wisdom, with an abbreviated genealogy of Christ, with, the Virgin holding an open book, and Christ above, in an architectural setting with columns, and the seven gifts of the Holy Spirit are inscribed on leaves above, at the beginning of epistle XI., Speculum virginum

'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur

• Decorated initial 'O'(mnis) with geometric pattern and foliage, at the beginning of the prologue to Hypognosticon., Hypognosticon

geometric pattern and foliage, at the beginning of the prologue to Hypognosticon. 1 foliate initial in colours, at the beginning of the prologue Hypognosticon (f. 2) and 1 large puzzle initial with penwork decoration in green, blue and red, at

• Detail of an historiated initial 'P'(aulus) of Paul holding a scroll inscribed with the title of his Epistle ‘Ad Corinthos’, at the beginning of Second Corinthians., Gloss on the Pauline Epistles

102v, 117, 129v, 138v, 146, 152, 155v, 164v, 170, 172v). 1 foliate initial with white lions in colours and gold, at the beginning of the prologue (f. 1), and 1 initial with dragons in colours and gold, at the beginning

• Historiated initial 'P'(aulus) of Paul enthroned, with a scroll reading ‘Ad Galatias’., Gloss on the Pauline Epistles

102v, 117, 129v, 138v, 146, 152, 155v, 164v, 170, 172v). 1 foliate initial with white lions in colours and gold, at the beginning of the prologue (f. 1), and 1 initial with dragons in colours and gold, at the beginning

• Detail of an historiated initial 'P'(aulus) of Paul enthroned, with a scroll reading ‘Ad Galatias’., Gloss on the Pauline Epistles

102v, 117, 129v, 138v, 146, 152, 155v, 164v, 170, 172v). 1 foliate initial with white lions in colours and gold, at the beginning of the prologue (f. 1), and 1 initial with dragons in colours and gold, at the beginning

• Historiated initial 'P'(aulus) of Paul enthroned, with a scroll., Gloss on the Pauline Epistles

102v, 117, 129v, 138v, 146, 152, 155v, 164v, 170, 172v). 1 foliate initial with white lions in colours and gold, at the beginning of the prologue (f. 1), and 1 initial with dragons in colours and gold, at the beginning

• Detail of an historiated initial 'P'(aulus) of Paul enthroned, with a scroll., Gloss on the Pauline Epistles

102v, 117, 129v, 138v, 146, 152, 155v, 164v, 170, 172v). 1 foliate initial with white lions in colours and gold, at the beginning of the prologue (f. 1), and 1 initial with dragons in colours and gold, at the beginning

• Historiated initial 'P'(aulus) of Paul enthroned, with a scroll reading ‘Ad Corinthios’, at the beginning of First Corinthians., Gloss on the Pauline Epistles

102v, 117, 129v, 138v, 146, 152, 155v, 164v, 170, 172v). 1 foliate initial with white lions in colours and gold, at the beginning of the prologue (f. 1), and 1 initial with dragons in colours and gold, at the beginning

• Detail of an historiated initial 'P'(aulus) of Paul enthroned, with a scroll reading ‘Ad Corinthios’., Gloss on the Pauline Epistles

102v, 117, 129v, 138v, 146, 152, 155v, 164v, 170, 172v). 1 foliate initial with white lions in colours and gold, at the beginning of the prologue (f. 1), and 1 initial with dragons in colours and gold, at the beginning

• Historiated initial 'P'(aulus) of Paul holding a scroll inscribed with the title of his Epistle ‘Ad Corinthos’, at the beginning of Second Corinthians., Gloss on the Pauline Epistles

102v, 117, 129v, 138v, 146, 152, 155v, 164v, 170, 172v). 1 foliate initial with white lions in colours and gold, at the beginning of the prologue (f. 1), and 1 initial with dragons in colours and gold, at the beginning

• Detail of an historiated initial 'P'(aulus) of Paul holding a scroll inscribed with the title of his Epistle ‘Ad Corinthos’, at the beginning of Second Corinthians., Gloss on the Pauline Epistles

102v, 117, 129v, 138v, 146, 152, 155v, 164v, 170, 172v). 1 foliate initial with white lions in colours and gold, at the beginning of the prologue (f. 1), and 1 initial with dragons in colours and gold, at the beginning

• Text page., Gloss on the Pauline Epistles

102v, 117, 129v, 138v, 146, 152, 155v, 164v, 170, 172v). 1 foliate initial with white lions in colours and gold, at the beginning of the prologue (f. 1), and 1 initial with dragons in colours and gold, at the beginning

• Pen-flourished initial 'F'(ides) at the beginning of the first book with the ownership inscription of Worcester Cathedral Priory., Summa aurea (Summa super sententias Petri Lombardi) with an imperfect table of rubrics (ff. 200 r-v)

'Fides est rerum sperandarum argumentum'. 3 puzzle initials in red and blue with pen-flourishing in the same colours (ff. 1, 22, 160). Initials in red with blue pen-flourishing and in blue with red pen-flourishing. Plain initials in red. Rubrics in