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text, and of Matthew, Mark, and John (ff. 1, 8, 46, 79). 4 smaller initials in yellow, orange, brown and sometimes blue, one with zoomorphic features, at the beginning of prefaces (ff. 1, 2v, 44v, 77v). Highlighing of letters in
text, and of Matthew, Mark, and John (ff. 1, 8, 46, 79). 4 smaller initials in yellow, orange, brown and sometimes blue, one with zoomorphic features, at the beginning of prefaces (ff. 1, 2v, 44v, 77v). Highlighing of letters in
text, and of Matthew, Mark, and John (ff. 1, 8, 46, 79). 4 smaller initials in yellow, orange, brown and sometimes blue, one with zoomorphic features, at the beginning of prefaces (ff. 1, 2v, 44v, 77v). Highlighing of letters in
Decorated initials 'Primum quidem' at the beginning of Acts. The manuscript is a collection of fragments and leaves. Not described separately: ff. 1-23v; 25-29v; 31, 34, 36-37, 41-43, 45, 48-51, 52-54, 57-59, 60-64, 66, 79, 84-86, 89, 90-96, 98-99,
Decorated initial and border. 1 large decorated foliate initial with a full foliate border including medaillons with the lion of Venice, a bishop, and heraldic arms in front of a landscape with a rabbit (f. 1). Commission from Leonardo Loredan,
xxij d' (f. 1) (see Watson 1963 and Watson 1966). Part 1 and 2: Sir Simonds d'Ewes (b.1602, d. 1650), 1st baronet, diarist, antiquary, and friend of Sir Robert Cotton (see Wright 1972): inscribed '2' (f. 1) and 'Vita S(ancte)
the relevant fragments and in the lower margin of each folio. 1 large foliate initial in colours and gold, with display script, at the beginning of the prologue (f. 1). Puzzle initials in red and blue with penwork decoration in
the relevant fragments and in the lower margin of each folio. 1 large foliate initial in colours and gold, with display script, at the beginning of the prologue (f. 1). Puzzle initials in red and blue with penwork decoration in
xxij d' (f. 1) (see Watson 1963 and Watson 1966). Part 1 and 2: Sir Simonds d'Ewes (b.1602, d. 1650), 1st baronet, diarist, antiquary, and friend of Sir Robert Cotton (see Wright 1972): inscribed '2' (f. 1) and 'Vita S(ancte)
Albendone . . .' wth anathema (f. 1). 14th-century list of contents (f. 1). Ownership notes of the Augustinian priory of Val St.-Martin, at Leuven (index Louvain), and its prior, Johannes Vlimmerius (f. 1). The Harley Collection, formed by Robert
Albendone . . .' wth anathema (f. 1). 14th-century list of contents (f. 1). Ownership notes of the Augustinian priory of Val St.-Martin, at Leuven (index Louvain), and its prior, Johannes Vlimmerius (f. 1). The Harley Collection, formed by Robert
Albendone . . .' wth anathema (f. 1). 14th-century list of contents (f. 1). Ownership notes of the Augustinian priory of Val St.-Martin, at Leuven (index Louvain), and its prior, Johannes Vlimmerius (f. 1). The Harley Collection, formed by Robert
Albendone . . .' wth anathema (f. 1). 14th-century list of contents (f. 1). Ownership notes of the Augustinian priory of Val St.-Martin, at Leuven (index Louvain), and its prior, Johannes Vlimmerius (f. 1). The Harley Collection, formed by Robert
frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,
frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,
frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,
frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,
frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,
wreath enclosing a coat of arms, also surrounded by foliate decoration and flowers at the beginning of the manuscript (f. 1). Large initial in colours and gold with foliate decoration, flowers and besants (f. 53). Coloured initials in blue. Smaller
large initials in colours and gold enclosing a flower or acanthus leaves, with foliate feathering extending into the margin (ff. 1, 47, 54). Large initial in colours and gold enclosing an acanthus leaf (f. 32). Initials in blue with red