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'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur
'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur
'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur
'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur
'hugo mag[ister]' (f. 1), probably late 12th century, apparently owned by the same Magister Hugo as 4 other manuscripts from Eberbach (see Palmer 1998); 'f4' in the Eberbach library catalogue of 1502.Shelfmarks(?): 'Z96' and '43' (f. 1); similar inscriptions occur
geometric pattern and foliage, at the beginning of the prologue to Hypognosticon. 1 foliate initial in colours, at the beginning of the prologue Hypognosticon (f. 2) and 1 large puzzle initial with penwork decoration in green, blue and red, at
102v, 117, 129v, 138v, 146, 152, 155v, 164v, 170, 172v). 1 foliate initial with white lions in colours and gold, at the beginning of the prologue (f. 1), and 1 initial with dragons in colours and gold, at the beginning
102v, 117, 129v, 138v, 146, 152, 155v, 164v, 170, 172v). 1 foliate initial with white lions in colours and gold, at the beginning of the prologue (f. 1), and 1 initial with dragons in colours and gold, at the beginning
102v, 117, 129v, 138v, 146, 152, 155v, 164v, 170, 172v). 1 foliate initial with white lions in colours and gold, at the beginning of the prologue (f. 1), and 1 initial with dragons in colours and gold, at the beginning
102v, 117, 129v, 138v, 146, 152, 155v, 164v, 170, 172v). 1 foliate initial with white lions in colours and gold, at the beginning of the prologue (f. 1), and 1 initial with dragons in colours and gold, at the beginning
102v, 117, 129v, 138v, 146, 152, 155v, 164v, 170, 172v). 1 foliate initial with white lions in colours and gold, at the beginning of the prologue (f. 1), and 1 initial with dragons in colours and gold, at the beginning
102v, 117, 129v, 138v, 146, 152, 155v, 164v, 170, 172v). 1 foliate initial with white lions in colours and gold, at the beginning of the prologue (f. 1), and 1 initial with dragons in colours and gold, at the beginning
102v, 117, 129v, 138v, 146, 152, 155v, 164v, 170, 172v). 1 foliate initial with white lions in colours and gold, at the beginning of the prologue (f. 1), and 1 initial with dragons in colours and gold, at the beginning
102v, 117, 129v, 138v, 146, 152, 155v, 164v, 170, 172v). 1 foliate initial with white lions in colours and gold, at the beginning of the prologue (f. 1), and 1 initial with dragons in colours and gold, at the beginning
102v, 117, 129v, 138v, 146, 152, 155v, 164v, 170, 172v). 1 foliate initial with white lions in colours and gold, at the beginning of the prologue (f. 1), and 1 initial with dragons in colours and gold, at the beginning
102v, 117, 129v, 138v, 146, 152, 155v, 164v, 170, 172v). 1 foliate initial with white lions in colours and gold, at the beginning of the prologue (f. 1), and 1 initial with dragons in colours and gold, at the beginning
'Fides est rerum sperandarum argumentum'. 3 puzzle initials in red and blue with pen-flourishing in the same colours (ff. 1, 22, 160). Initials in red with blue pen-flourishing and in blue with red pen-flourishing. Plain initials in red. Rubrics in
beginning of the prologue to the De fide catholica of Isidore. 1 anthropomorphic initial formed of two monks in outline drawing, at the beginning of the prologue (f. 1v). 1 initial with zoomorphic and interlace decoration in black ink, at
Zoomorphic initial 'I'(udei) with an animal head. 1 anthropomorphic initial formed of two monks in outline drawing, at the beginning of the prologue (f. 1v). 1 initial with zoomorphic and interlace decoration in black ink, at the beginning of the
illuminated initial. 1 large foliate and interlace initial, in colours and gold (f. 3). Large initials alternating red, blue, or pale brown, usually with simple decoration in one of the other colours. Small initials alternating red, blue, or pale brown.