• Upper two registers of Christ carrying the Cross, Mary and John at Calvary, and Christ given vinegar and pierced with the lance, and below, physicians treating patients for various ailments of the torso., Chirurgia

animals and foliage (ff. 1, 1v). 1 large miniature in colours and gold (f. 1).1 small miniature in colours and gold (f. 46v). 1 historiated initial in colours on a gold background (f. 1).1 large initial in colours

• Detail of a miniature of a man with diseased genitals., Chirurgia

animals and foliage (ff. 1, 1v). 1 large miniature in colours and gold (f. 1).1 small miniature in colours and gold (f. 46v). 1 historiated initial in colours on a gold background (f. 1).1 large initial in colours

• Setting of leg and foot., Chirurgia

animals and foliage (ff. 1, 1v). 1 large miniature in colours and gold (f. 1).1 small miniature in colours and gold (f. 46v). 1 historiated initial in colours on a gold background (f. 1).1 large initial in colours

• Miniature of a physician treating a man lying in a bed., Chirurgia

animals and foliage (ff. 1, 1v). 1 large miniature in colours and gold (f. 1).1 small miniature in colours and gold (f. 46v). 1 historiated initial in colours on a gold background (f. 1).1 large initial in colours

• Detail of a page: micrography of Jonah resting under the gourd (Jonah 4:6), at the text of Jonah, the ~haftarah~ for Yom Kippur., Pentateuch with Targum Onkelos (ff. 1-273), ~Haftarot~ (ff. 274-297v), and Five Scrolls (~Hamesh megillot~; ff. 298-318), Job ch. 1-31:2 (ff. 318v-329v), with ~masorah magna~ and ~parva~ (aka 'Yonah Pentateuch')

the beginning and the end, as well as there are lacunae after ff. 273, 300, 322. Ruling is sometimes visible. 1 inhabited initial word in ink (f. 63v). Numerous micrographical illustrations. Pentateuch with Targum Onkelos (ff. 1-273), ~Haftarot~ (ff. 274-297v),

• Detail of a page: micrography of Jonah being swallowed by the fish, at the text of Jonah, the ~haftarah~ for the afternoon service of Yom Kippur., Pentateuch with Targum Onkelos (ff. 1-273), ~Haftarot~ (ff. 274-297v), and Five Scrolls (~Hamesh megillot~; ff. 298-318), Job ch. 1-31:2 (ff. 318v-329v), with ~masorah magna~ and ~parva~ (aka 'Yonah Pentateuch')

the beginning and the end, as well as there are lacunae after ff. 273, 300, 322. Ruling is sometimes visible. 1 inhabited initial word in ink (f. 63v). Numerous micrographical illustrations. Pentateuch with Targum Onkelos (ff. 1-273), ~Haftarot~ (ff. 274-297v),

• Detail of a page: micrography of the four creatures of Ezekiel's vision, at the text of Ezekiel, the ~haftarah~ for the first day of Shemini Atzeret., Pentateuch with Targum Onkelos (ff. 1-273), ~Haftarot~ (ff. 274-297v), and Five Scrolls (~Hamesh megillot~; ff. 298-318), Job ch. 1-31:2 (ff. 318v-329v), with ~masorah magna~ and ~parva~ (aka 'Yonah Pentateuch')

the beginning and the end, as well as there are lacunae after ff. 273, 300, 322. Ruling is sometimes visible. 1 inhabited initial word in ink (f. 63v). Numerous micrographical illustrations. Pentateuch with Targum Onkelos (ff. 1-273), ~Haftarot~ (ff. 274-297v),

• Detail: micrograpy of an armoured knight on horseback approaching a castle, at Numbers (ch. 8-9)., Pentateuch with Targum Onkelos (ff. 1-273), ~Haftarot~ (ff. 274-297v), and Five Scrolls (~Hamesh megillot~; ff. 298-318), Job ch. 1-31:2 (ff. 318v-329v), with ~masorah magna~ and ~parva~ (aka 'Yonah Pentateuch')

beginning and the end, as well as there are lacunae after ff. 273, 300, 322. Ruling is sometimes visible. 1 inhabited initial word in ink (f. 63v). Numerous micrographical illustrations. Pentateuch with Targum Onkelos (ff. 1-273), ~Haftarot~ (ff. 274-297v), and

• Detail: micrography of a tree with birds, at Numbers (ch. 2-3)., Pentateuch with Targum Onkelos (ff. 1-273), ~Haftarot~ (ff. 274-297v), and Five Scrolls (~Hamesh megillot~; ff. 298-318), Job ch. 1-31:2 (ff. 318v-329v), with ~masorah magna~ and ~parva~ (aka 'Yonah Pentateuch')

the end, as well as there are lacunae after ff. 273, 300, 322. Ruling is sometimes visible. 1 inhabited initial word in ink (f. 63v). Numerous micrographical illustrations. Pentateuch with Targum Onkelos (ff. 1-273), ~Haftarot~ (ff. 274-297v), and Five Scrolls

• Detail of a page: micrography of a rider holding a falcon escorted by a dog on folio 181v, at Leviticus 26., Pentateuch with Targum Onkelos (ff. 1-273), ~Haftarot~ (ff. 274-297v), and Five Scrolls (~Hamesh megillot~; ff. 298-318), Job ch. 1-31:2 (ff. 318v-329v), with ~masorah magna~ and ~parva~ (aka 'Yonah Pentateuch')

the beginning and the end, as well as there are lacunae after ff. 273, 300, 322. Ruling is sometimes visible. 1 inhabited initial word in ink (f. 63v). Numerous micrographical illustrations. Pentateuch with Targum Onkelos (ff. 1-273), ~Haftarot~ (ff. 274-297v),

• Inhabited initial 'P'(ur) with lions interlaced with a foliate scroll, at the beginning of the Roman de Rou., Roman de Rou, part 2

II: ff. 223-149).Part 3 contains the Miracle of Sardenai in French verse (ff. 270-279v). Quire signatures (ff. 1 - 122); catchwords (ff. 249-279v). 1 large inhabited initial in outline drawing, at the beginning of the text (f. 249). Initials in

• Text page., Decretum

and gold (ff. 287v, 288). 1 historiated initial in colours and gold, at the beginning of part 2 (f. 79). 1 foliate initial in colours and gold, at the beginning of part 1 (f. 1). Initials in gold on blue

• Diagram of the Tree of Affinity., Decretum

and gold (ff. 287v, 288). 1 historiated initial in colours and gold, at the beginning of part 2 (f. 79). 1 foliate initial in colours and gold, at the beginning of part 1 (f. 1). Initials in gold on blue

• Illuminated initial 'Q'(uidam) at the beginning of causa 3., Decretum

and gold (ff. 287v, 288). 1 historiated initial in colours and gold, at the beginning of part 2 (f. 79). 1 foliate initial in colours and gold, at the beginning of part 1 (f. 1). Initials in gold on blue

• Illuminated initial 'I'(n extremis) at the beginning of causa 8., Decretum

and gold (ff. 287v, 288). 1 historiated initial in colours and gold, at the beginning of part 2 (f. 79). 1 foliate initial in colours and gold, at the beginning of part 1 (f. 1). Initials in gold on blue

• Decorated initials 'A'(nno) and 'I'(n anno), at the beginning of the Commentary on Haggai., Commentary on Daniel and the Minor Prophets

270-279v). Quire signatures (ff. 1 - 122); catchwords (ff. 249-279v). 23 large initials in red or green with penwork decoration, at the beginning of the prologue, and the commentaries on Daniel and the Minor Prophets (ff. 1, 1v, 22v, 37v,

• Decorated initial 'C'(ontra) at the beginning of the Commentary on Daniel, with the ownership inscription of the Benedictine abbey of St. Martin, Battle, reading, 'Liber monasterii Sancti Martini de Bello Cicest[rensis] dioc[esis]', in the lower margin., Commentary on Daniel and the Minor Prophets

270-279v). Quire signatures (ff. 1 - 122); catchwords (ff. 249-279v). 23 large initials in red or green with penwork decoration, at the beginning of the prologue, and the commentaries on Daniel and the Minor Prophets (ff. 1, 1v, 22v, 37v,

• Decorated initials 'N'(on) and 'V'(erbum), at the beginning of the Commentary on Joel., Commentary on Daniel and the Minor Prophets

270-279v). Quire signatures (ff. 1 - 122); catchwords (ff. 249-279v). 23 large initials in red or green with penwork decoration, at the beginning of the prologue, and the commentaries on Daniel and the Minor Prophets (ff. 1, 1v, 22v, 37v,

• Inhabited initial 'B'(eatus) with dragons and griffins, at the beginning of the commentary to Psalm 1., Enarrationes in Psalmos (volume 1)

initial is stylistically similar to the decoration of Royal 1 C VII and Royal 6 B VI. 1 large inhabited initial in colours, at the beginning of the text (f. 1). Initials in red with penwork decoration in blue, initials

• Decorated panel with geometric design at the end of ~parashat bo~ (Ex. 10:1-13:16)., Portions from the Exodus with Arabic translation and commentary

Decorated panel with geometric design at the end of ~parashat bo~ (Ex. 10:1-13:16). Incomplete at the beginning, and several lacunae. Ruling is visible. Numerous decorated panels inserted into the body of the text, in colours and gold. Portions from