incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),
incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),
incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),
some charters for King Cnut. Large initials in red, green, yellow, and blue with foliate decoration (ff. 147, 162v). Large and small initials in green, red, yellow, or blue, some with simple penwork decoration, sometimes in another colour or colours.
some charters for King Cnut. Large initials in red, green, yellow, and blue with foliate decoration (ff. 147, 162v). Large and small initials in green, red, yellow, or blue, some with simple penwork decoration, sometimes in another colour or colours.
the Laws of Alfred and Ine (f. 42). Large simple initials in green or red; small initial and rubrication in blue or red; the original order of leaves: ff. 71, 72, 70, 69. Musical notation: Anglo-Saxon neumes, England (Canterbury), 11th
were formerly gatherings 31-33 of a larger volume. Headpiece decorated with geometric patterns in colours and gold. Large gold and blue initial (f. 3v). Simple endpiece (f. 3). In patrem tacentem (ff. 1-3); De pauperum amore (ff. 3v-18v), both imperfect
the Laws of Alfred and Ine (f. 42). Large simple initials in green or red; small initial and rubrication in blue or red; the original order of leaves: ff. 71, 72, 70, 69. Musical notation: Anglo-Saxon neumes, England (Canterbury), 11th
formerly gatherings 31-33 of a larger volume. Headpiece decorated with geometric patterns in colours and gold. Large gold and blue initial (f. 3v). Simple endpiece (f. 3). In patrem tacentem (ff. 1-3); De pauperum amore (ff. 3v-18v), both imperfect For
of no. 498 in the same catalogue is a mistake.) Initials in red or blue with pen-flourishing in the other colour. Paraphs in red or blue. Rubrics in red in triangular shapes inserted in the text (e.g., f. 26v). Numbers
the Print Room and the Department of Printed Books in the British Museum in the 19th century. Large initials in blue, green or oxidised red. Rubrics in oxidised red. Leaf from an unidentified Biblical Chronicle (?) f. 12 [part 4]:
initials in colours at the beginning of the other books (ff. 23, 78v, 108, 145). Smaller plain initials in red, blue, or green at the beginning of each epistle. Rubrics in red. Symbolum fidei (f. 1), and Registrum epistolarum beati
initials in colours at the beginning of the other books (ff. 23, 78v, 108, 145). Smaller plain initials in red, blue, or green at the beginning of each epistle. Rubrics in red. Symbolum fidei (f. 1), and Registrum epistolarum beati
initials in colours at the beginning of the other books (ff. 23, 78v, 108, 145). Smaller plain initials in red, blue, or green at the beginning of each epistle. Rubrics in red. Symbolum fidei (f. 1), and Registrum epistolarum beati
initials in colours at the beginning of the other books (ff. 23, 78v, 108, 145). Smaller plain initials in red, blue, or green at the beginning of each epistle. Rubrics in red. Symbolum fidei (f. 1), and Registrum epistolarum beati
initials in colours at the beginning of the other books (ff. 23, 78v, 108, 145). Smaller plain initials in red, blue, or green at the beginning of each epistle. Rubrics in red. Symbolum fidei (f. 1), and Registrum epistolarum beati
(f. 1, 27). Red initials, many with foliate penwork decoration. Numerous diagrams, many in combinations of ink drawings and yellow, blue and red, with people and/or animals. Tactica theoria, with the dedicatory preface Written by the same scribe as Burney
(f. 1, 27). Red initials, many with foliate penwork decoration. Numerous diagrams, many in combinations of ink drawings and yellow, blue and red, with people and/or animals. Tactica theoria, with the dedicatory preface Written by the same scribe as Burney
(f. 1, 27). Red initials, many with foliate penwork decoration. Numerous diagrams, many in combinations of ink drawings and yellow, blue and red, with people and/or animals. Tactica theoria, with the dedicatory preface Written by the same scribe as Burney
and shell gold, at the beginnings of the arguments (ff. 28, 29v, 58, 87, 114, 114v, 138). Small initials alternately blue or red. Headings in red capitals Comediae (index Comedies), preceded by arguments and prologues: Andria (ff. 1-27v), Eunuchus (ff.