• List of chapters and decorated iniitials., Collection of laws, including the Lex salica

5th earl of Ashburnham: his manuscript Barrois MS. 214; the Ashburnham-Barrois sale, 10 June 1901, lot 332 (inscribed '332' in blue pencil, in the lower left corner of the upper pastedown), bought by the British Museum, using the Bridgewater fund

• Coloured initials, and added 12th-century decorated initial 'B'(eatus), at the beginning of the Psalter., Psalter, with canticles (ff. 99-108), litany for the use of Exeter, prayers, and offices (The 'Leofric Psalter')

attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in

• Coloured initials and musical notation of Anglo-Saxon neumes at the beginning of Psalm 50., Psalter, with canticles (ff. 99-108), litany for the use of Exeter, prayers, and offices (The 'Leofric Psalter')

attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in

• Coloured initial 'D'(anielem) at the beginning of Jerome's 'Commentary on the Prophet Daniel' with the title 'The prologue of St Jerome, Exposition on the Prophet Daniel'., Theological miscellany (contents listed in Notes)

S. Nicholai; Miracula S. Nicholai Large initial in red with penwork decoration in green (f. 85). Large initials in red, blue, or green, some with simple penwork decoration and sometimes highlighted in yellow. Rubrics in red or green. Theological miscellany

• Coloured initial 'A'(nno)., Theological miscellany (contents listed in Notes)

S. Nicholai; Miracula S. Nicholai Large initial in red with penwork decoration in green (f. 85). Large initials in red, blue, or green, some with simple penwork decoration and sometimes highlighted in yellow. Rubrics in red or green. Theological miscellany

• Coloured initial 'B'(eatis) at the beginning of the Life of Nicholas of Myra (or Bari)., Theological miscellany (contents listed in Notes)

S. Nicholai; Miracula S. Nicholai Large initial in red with penwork decoration in green (f. 85). Large initials in red, blue, or green, some with simple penwork decoration and sometimes highlighted in yellow. Rubrics in red or green. Theological miscellany

• Coloured initial 'O'(mnipotentis) at the beginning of the prologue written by the 11th-century abbot of Thorney, Fulcard, to his the lives of the anchorites Thancred, Torhtred and Tova, which he presented to Bishop Walcelin of Winchester. Their veneration seems to have been limited to Thorney and its dependent house, Deeping., Theological miscellany (contents listed in Notes)

S. Nicholai; Miracula S. Nicholai Large initial in red with penwork decoration in green (f. 85). Large initials in red, blue, or green, some with simple penwork decoration and sometimes highlighted in yellow. Rubrics in red or green. Theological miscellany

• Miniature of Pentecost, decorated initial 'D'(omine) and scatter borders, at the beginning of the Hours of the Cross., Book of Hours, Use of Rome

gold. Small decorated initials (2 lines) in grisaille on gold grounds. Small initials (1 line) in gold on red or blue grounds. Book of Hours, Use of Rome Unidentified owner, 16th century, perhaps with the initials 'BDF' (monogram on binding).Inscribed

• Miniature of the Crucifixion, decorated initial 'E'(gressus) and scatter borders, at the beginning of the Passion of Christ according to John., Book of Hours, Use of Rome

gold. Small decorated initials (2 lines) in grisaille on gold grounds. Small initials (1 line) in gold on red or blue grounds. Book of Hours, Use of Rome Unidentified owner, 16th century, perhaps with the initials 'BDF' (monogram on binding).Inscribed

• Miniature of the Annunciation to the Shepherds, decorated initial 'D'(eus) and scatter borders, at the beginning of Terce in the Hours of the Virgin., Book of Hours, Use of Rome

gold. Small decorated initials (2 lines) in grisaille on gold grounds. Small initials (1 line) in gold on red or blue grounds. Book of Hours, Use of Rome Unidentified owner, 16th century, perhaps with the initials 'BDF' (monogram on binding).Inscribed

• Miniature of the Nativity, before Mark., Four Gospels, with list of lections (ff. 168v-177)

59, 60v, 61; 87, 88v, 89; 133, 134v, 135). Large foliate initials in gold on grounds of red, green, and blue, some also in further borders. Initials in gold (chrysography). Incipits and explicits in gold, some in coloured frames. Running

• Text page with coloured initials., Psalter, with canticles (ff. 99-108), litany for the use of Exeter, prayers, and offices (The 'Leofric Psalter')

attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in

• Drawing of the Deposition or Nailing to the cross, in book 2, chapter 24 of Gregory the Great's Dialogi., Dialogi

foliate motifs, between books 3 and 4 (f. 69v). 1 half-page drawing in dark brown ink with some red and blue (Deposition from the Cross) in book 2, chapter 24 (f. 33v). 4 large initials, outlined in dark brown ink,

• Calendar page for February, with coloured letters., Psalter, with canticles (ff. 99-108), litany for the use of Exeter, prayers, and offices (The 'Leofric Psalter')

attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in

• Calendar page for April, with coloured letters., Psalter, with canticles (ff. 99-108), litany for the use of Exeter, prayers, and offices (The 'Leofric Psalter')

attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in

• Text page with coloured initials., Psalter, with canticles (ff. 99-108), litany for the use of Exeter, prayers, and offices (The 'Leofric Psalter')

attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in

• Detail of historiated initial 'A'(nte) with the Last Supper, at the beginning of the reading for Holy Thursday. Christ passes a sop to Judas who sits on the other side of the table from Christ and the other Apostles. At this moment, Satan, shown here in the form of a black bird, enters Judas., Gospel Lectionary, imperfect

silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures

• Flourished initial 'Q'(ua)., Miscellany of historical and romantic works, including Historia regum Britanniae (index Gesta Britonum), Apollonius of Tyre

at the end of the manuscript. Evidence of medieval pastedowns under the modern paper pastedowns. Large initials in green or blue with red penwork decoration, or in red with green penwork decoration. Large and small initials in red, green, or

• Flourished initial 'F'(uit)., Miscellany of historical and romantic works, including Historia regum Britanniae (index Gesta Britonum), Apollonius of Tyre

at the end of the manuscript. Evidence of medieval pastedowns under the modern paper pastedowns. Large initials in green or blue with red penwork decoration, or in red with green penwork decoration. Large and small initials in red, green, or

• Painted drawing of Mystic Paradise, with the Virgin and Child at the centre, flanked by personifications of the virtues and the symbols of the Evangelists, at the beginning of epistle I.2., Speculum virginum

(f. 1).Musical notation: neumes on staff (f. 1). 12 large diagrammatic drawings in brown or colours with highlighting in green, blue, yellow and red (ff. 2v, 13, 28v, 29, 34v, 46, 57v, 70, 83v, 93v, 108v, 114v). 2 small miniatures