• Miniature of the Nativity., Psalter (The 'Melisende Psalter') with canticles, prayers, and litany

of Psalm 1 (f. 24). Large and small initials in gold, with penwork decoration in blue and yellow from ff. 24v-32v. Text in red, blue, or gold (chrysography). Psalter (The 'Melisende Psalter') with canticles, prayers, and litany ? made for

• Miniature of the Adoration of the Magi, and the Magi being led by an angel., Psalter (The 'Melisende Psalter') with canticles, prayers, and litany

of Psalm 1 (f. 24). Large and small initials in gold, with penwork decoration in blue and yellow from ff. 24v-32v. Text in red, blue, or gold (chrysography). Psalter (The 'Melisende Psalter') with canticles, prayers, and litany ? made for

• Drawing of busts in a genealogical tree for the second age., Etymologies; De natura rerum (ff. 154-166), and other short texts

with busts, in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119).

• Drawing of busts in a genealogical tree., Etymologies; De natura rerum (ff. 154-166), and other short texts

busts, in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119). Large

• Drawing of busts in a genealogical tree., Etymologies; De natura rerum (ff. 154-166), and other short texts

busts, in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119). Large

• Drawing of busts in a genealogical tree., Etymologies; De natura rerum (ff. 154-166), and other short texts

busts, in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119). Large

• Zoomorphic initial 'V'(etus) with dragons., Etymologies; De natura rerum (ff. 154-166), and other short texts

in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119). Large initial

• Decorated initial 'B'(eatissimus) with clasps., Etymologies; De natura rerum (ff. 154-166), and other short texts

in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119). Large initial

• Decorated initial 'P'(rimo)., Commentary on the Song of Songs, followed by other texts (ff. 2-104v); Commentary on Acts of the Apostles (ff. 105-152v); Commentary on Catholic Epistles (ff. 153-222); Homiliae (ff. 223-251); Commentary on Tobit (ff. 252-258)

and/or alternate colour and occasionally in blue. 1 large initial in red and green, decorated with foliate motifs in both colours (f. 57). Smaller initials in red or green. Display script in green, red, blue and mauve. Rubrics in red,

• Miniature of Christ's entry into Jerusalem., Psalter (The 'Melisende Psalter') with canticles, prayers, and litany

of Psalm 1 (f. 24). Large and small initials in gold, with penwork decoration in blue and yellow from ff. 24v-32v. Text in red, blue, or gold (chrysography). Psalter (The 'Melisende Psalter') with canticles, prayers, and litany ? made for

• Initial 'I'(n principio) with the eagle, symbol of John in a medallion, at the beginning of John., Gospel of John; Augustine, Tractatus in Evangelium Iohannis

God, at the beginning of John and of the Tractatus in Evangelium Iohannis of Augustine (ff. 3, 14v). Initials in blue, green, red, or purple, some with penwork decoration and/or yellow washes (e.g., ff. 30v, 35). Gospel of John; Augustine,

• Foliate initial 'P'(aulus) with dragons, and display script, at the of the Commentary on the Pauline Epistles of Florus of Lyon, and in the lower margin, the typical (but partially erased) Rochester ownership inscription, naming Baldwin, archbishop of Canterbury from 1184 to 1190., Commentary on the Pauline Epistles

at the beginning of the text (f. 1v). 3 initials with penwork decoration and display script in green, red, and blue (f. 1v). Smaller initials in red, green, or purple throughout the text. Commentary on the Pauline Epistles The cathedral

• Inhabited initial 'D'(ici) with lions and dragons, at the beginning of the Enchiridion of Augustine., Enchiridion

1 inhabited initial in colours, with display script, at the beginning of the text (f. 1). Initials in red, brown, blue, or green, at the beginning of chapters. Enchiridion The Benedictine abbey of St Augustine, Canterbury: included in the catalogue

• Decorated initial 'P'(etrus) at the beginning of Bede's commentary on the Epistle of Peter., Commentary on Catholic Epistles and Commentary on Tobit

in colours at the beginning of Bede's commentary to James's Epistle (f. 2). 7 large initials in red, green or blue, some with a decoration in the form of dots, at the beginning of the commentaries to other Epistles and

• Decorated initial 'L'(iber) at the beginning of Bede's commentary on the Epistle of Jude., Commentary on Catholic Epistles and Commentary on Tobit

in colours at the beginning of Bede's commentary to James's Epistle (f. 2). 7 large initials in red, green or blue, some with a decoration in the form of dots, at the beginning of the commentaries to other Epistles and

• Decorated initial 'Q'(uod) at the beginning of Bede's commentary on the first Epistle of John., Commentary on Catholic Epistles and Commentary on Tobit

in colours at the beginning of Bede's commentary to James's Epistle (f. 2). 7 large initials in red, green or blue, some with a decoration in the form of dots, at the beginning of the commentaries to other Epistles and

• Text page with coloured initials., Commentary on the Pauline Epistles

at the beginning of the text (f. 1v). 3 initials with penwork decoration and display script in green, red, and blue (f. 1v). Smaller initials in red, green, or purple throughout the text. Commentary on the Pauline Epistles The cathedral

• Zoomorphic initial 'I'(ntuentes) formed of a dragon, with the Lamb of God in a medallion, at the beginning of Augustine's Tractatus in Evangelium Iohannis., Gospel of John; Augustine, Tractatus in Evangelium Iohannis

God, at the beginning of John and of the Tractatus in Evangelium Iohannis of Augustine (ff. 3, 14v). Initials in blue, green, red, or purple, some with penwork decoration and/or yellow washes (e.g., ff. 30v, 35). Gospel of John; Augustine,

• Decorated initial 'I'(n quattuor)., Gospel of John; Augustine, Tractatus in Evangelium Iohannis

God, at the beginning of John and of the Tractatus in Evangelium Iohannis of Augustine (ff. 3, 14v). Initials in blue, green, red, or purple, some with penwork decoration and/or yellow washes (e.g., ff. 30v, 35). Gospel of John; Augustine,

• Foliate initial 'S'(I rationi) at the beginning of book 2., De civitate Dei; Notae on De ciuitate Dei

60v, 81v, 88v, 112v, 121v, 130, 155, 170, 227, 241), at the beginning of books. Small initials in red or blue. De civitate Dei; Notae on De ciuitate Dei The cathedral priory of St. Andrew, Rochester: inscribed, 'Liber de claust[r]o