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on a blue ground (f. 3). Large initials in red, green, or blue, some with penwork decoration in the other colour or colours. Small initials in red or green. Text in alternating letters or words of red, blue, and green.
in green with penwork decoration. Two large initials in red, one with penwork decoration in blue (f. 1), and one in green (f. 80). Numerous small initials in red with penwork decoration. Rubrics in red. Paraphs and capitals highlighted in
are in brown, while the verticals are usually blind-ruled. 2 large zoomorphic initials, in red, blue, green, and yellow (ff. 7v, 9). 1 diagram showing a schematised family tree from David to Christ (f. 8v). Small initials in plain red.
are in brown, while the verticals are usually blind-ruled. 2 large zoomorphic initials, in red, blue, green, and yellow (ff. 7v, 9). 1 diagram showing a schematised family tree from David to Christ (f. 8v). Small initials in plain red.
silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures
silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures
two columns). The horizontal rulings are in brown, while the verticals are usually blind-ruled. 2 large zoomorphic initials, in red, blue, green, and yellow (ff. 7v, 9). 1 diagram showing a schematised family tree from David to Christ (f. 8v).
two columns). The horizontal rulings are in brown, while the verticals are usually blind-ruled. 2 large zoomorphic initials, in red, blue, green, and yellow (ff. 7v, 9). 1 diagram showing a schematised family tree from David to Christ (f. 8v).
silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures
281. 2 large initials in red with blue penwork decoration (ff. 2, 3v). 1 large initial in red (f. 5). Small initials in brown ink. Epistolae 280, 281, and 415, imperfect and fragmentary Thomas Astle (b. 1735, d. 1803), archivist
14 large foliate brown ink initials with colours, most with red, yellow, blue, and sometimes olive green (ff. 1, 27, 52, 69, 78, 87, 93v, 99v, 105, 108v, 116, 121v, 125, 127). Small initials in red. Epistles of Paul, with
gloss. 14 large foliate brown ink initials with colours, most with red, yellow, blue, and sometimes olive green (ff. 1, 27, 52, 69, 78, 87, 93v, 99v, 105, 108v, 116, 121v, 125, 127). Small initials in red. Epistles of Paul,
silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures
tropes). Musical notation: square notation on four-line red staves. 1 large decorated initial in blue, green, red and yellow (f. 52v). Small initials in red, blue and green. Fragments of a glossed Bible of 1 Thessalonians 2:13-3:3 (f. 50); 5:2-5:15
tropes). Musical notation: square notation on four-line red staves. 1 large decorated initial in blue, green, red and yellow (f. 52v). Small initials in red, blue and green. Fragments of a glossed Bible of 1 Thessalonians 2:13-3:3 (f. 50); 5:2-5:15
Abbey, and names 'Robertus Wottone', one of its monks. Large zoomorophic initial in green, red, brown, and blue (f. 1). Initials in blue, red, brown, or green, some with penwork decoration in the same colour or in another colour or
Decorated initial 'P'(ost), with later underlining and marginal notations. Large zoomorophic initial in green, red, brown, and blue (f. 1). Initials in blue, red, brown, or green, some with penwork decoration in the same colour or in another colour or
decoration in purple, green, red, and blue, a few also with yellow highlighting at the beginning of the prologue, books, or texts (ff. 2, 4v, 36v, 63, 100, 137v ). Initials in red, green, blue or purple, some with penwork
decoration in purple, green, red, and blue, a few also with yellow highlighting at the beginning of the prologue, books, or texts (ff. 2, 4v, 36v, 63, 100, 137v ). Initials in red, green, blue or purple, some with penwork
decoration in purple, green, red, and blue, a few also with yellow highlighting at the beginning of the prologue, books, or texts (ff. 2, 4v, 36v, 63, 100, 137v ). Initials in red, green, blue or purple, some with penwork