• Decorated initial 'S', set on a painted purple background, inhabited by dragons painted in silver and gold, at the beginning of the reading for Epiphany., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

blue, green, and/or red with foliate decoration, and many with clasps, some with zoomorphic features (ff. 6, 8, 9v, 18v, 22, 52, 64, 96). Initials in gold with blue and/or green washes. Initials in red, some with red and

• Large decorated initial 'N'., De officiis ministrorum

in green with penwork decoration. Two large initials in red, one with penwork decoration in blue (f. 1), and one in green (f. 80). Numerous small initials in red with penwork decoration. Rubrics in red. Paraphs and capitals highlighted in

• null, Glossed Matthew with prologues (ff. 7v-108v), preceded (ff. 1v-6v) by excerpts from Jerome, Augustine, Pope Leo and others

are in brown, while the verticals are usually blind-ruled. 2 large zoomorphic initials, in red, blue, green, and yellow (ff. 7v, 9). 1 diagram showing a schematised family tree from David to Christ (f. 8v). Small initials in plain red.

• null, Glossed Matthew with prologues (ff. 7v-108v), preceded (ff. 1v-6v) by excerpts from Jerome, Augustine, Pope Leo and others

are in brown, while the verticals are usually blind-ruled. 2 large zoomorphic initials, in red, blue, green, and yellow (ff. 7v, 9). 1 diagram showing a schematised family tree from David to Christ (f. 8v). Small initials in plain red.

• Miniature of the Ascension., Gospel Lectionary, imperfect

silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures

• Miniature of the Ascension., Gospel Lectionary, imperfect

silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures

• Zoomorphic initial 'M'(atheus) with animal heads at the beginning of the first prologue., Glossed Matthew with prologues (ff. 7v-108v), preceded (ff. 1v-6v) by excerpts from Jerome, Augustine, Pope Leo and others

two columns). The horizontal rulings are in brown, while the verticals are usually blind-ruled. 2 large zoomorphic initials, in red, blue, green, and yellow (ff. 7v, 9). 1 diagram showing a schematised family tree from David to Christ (f. 8v).

• Zoomorphic initial 'L'(iber) formed by a fish with a branch or flower in its mouth, at the start of Matthew, an ownership inscription with the date 1369 in the lower margin; and a title and incipit inscription in the upper margin., Glossed Matthew with prologues (ff. 7v-108v), preceded (ff. 1v-6v) by excerpts from Jerome, Augustine, Pope Leo and others

two columns). The horizontal rulings are in brown, while the verticals are usually blind-ruled. 2 large zoomorphic initials, in red, blue, green, and yellow (ff. 7v, 9). 1 diagram showing a schematised family tree from David to Christ (f. 8v).

• Miniature of the Nativity, prefacing the reading for Christmas., Gospel Lectionary, imperfect

silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures

• Decorated initial 'P'(aulus) at the beginning of Paul's epistles, with gloss., Epistles of Paul, with prologues and gloss; Jerome's prologue to the Epistles (ff. 151-152v)

14 large foliate brown ink initials with colours, most with red, yellow, blue, and sometimes olive green (ff. 1, 27, 52, 69, 78, 87, 93v, 99v, 105, 108v, 116, 121v, 125, 127). Small initials in red. Epistles of Paul, with

• Decorated initial 'M'(ultiphariam) at the beginning of Paul's epistle to the Hebrews, with gloss., Epistles of Paul, with prologues and gloss; Jerome's prologue to the Epistles (ff. 151-152v)

gloss. 14 large foliate brown ink initials with colours, most with red, yellow, blue, and sometimes olive green (ff. 1, 27, 52, 69, 78, 87, 93v, 99v, 105, 108v, 116, 121v, 125, 127). Small initials in red. Epistles of Paul,

• Detail of a historiated initial 'U' with Christ giving the keys to Peter, a dragon making up part of the letter., Gospel Lectionary, imperfect

silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures

• Puzzle initial 'K'(i) and rubric at the beginning of the Brut., The Scheme of the Heptarchy (f. 40), the Roman de Brut (ff. 40-113), the Estoire des Engles (ff. 113-150) (index Estoire des Engleis)

lance in red and brown ink (f. 81). 2 large puzzle initials in red and blue (ff. 40v, 113). Plain initials in red and blue. Capitals marked in red. The Scheme of the Heptarchy (f. 40), the Roman de Brut

• Decorated initial 'P'(aulus), from a fragment of a 12th-century copy of 1 Thessalonians., Fragments of a glossed Bible of 1 Thessalonians 2:13-3:3 (f. 50); 5:2-5:15 (f. 51); 5:17-2 Thessalonians 1:3 (f. 52); Philippians 2:22-3:5.

tropes). Musical notation: square notation on four-line red staves. 1 large decorated initial in blue, green, red and yellow (f. 52v). Small initials in red, blue and green. Fragments of a glossed Bible of 1 Thessalonians 2:13-3:3 (f. 50); 5:2-5:15

• Detail of decorated initial 'P'(aulus), from a fragment of a 12th-century copy of 1 Thessalonians., Fragments of a glossed Bible of 1 Thessalonians 2:13-3:3 (f. 50); 5:2-5:15 (f. 51); 5:17-2 Thessalonians 1:3 (f. 52); Philippians 2:22-3:5.

tropes). Musical notation: square notation on four-line red staves. 1 large decorated initial in blue, green, red and yellow (f. 52v). Small initials in red, blue and green. Fragments of a glossed Bible of 1 Thessalonians 2:13-3:3 (f. 50); 5:2-5:15

• Decorated initial 'B'(ritannia) at the beginning of Bede's text., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

decoration in purple, green, red, and blue, a few also with yellow highlighting at the beginning of the prologue, books, or texts (ff. 2, 4v, 36v, 63, 100, 137v ). Initials in red, green, blue or purple, some with penwork

• Decorated initial 'H'(is) at the beginning of Book II., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

decoration in purple, green, red, and blue, a few also with yellow highlighting at the beginning of the prologue, books, or texts (ff. 2, 4v, 36v, 63, 100, 137v ). Initials in red, green, blue or purple, some with penwork

• Decorated initial 'S'(uccessit) at the beginning of Book V. The roman numeral 'xvii' at the lower edge of the page is a quire signature., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

decoration in purple, green, red, and blue, a few also with yellow highlighting at the beginning of the prologue, books, or texts (ff. 2, 4v, 36v, 63, 100, 137v ). Initials in red, green, blue or purple, some with penwork

• Ownership inscription: 'Liber sancti Andree Roffensis ecclesie' (book of the church of St. Andrew, Rochester). The inscription above ('5 die Novembris A.D. 1723') was written by Humfrey Wanley, librarian of Robert and Edward Harley, 1st and 2nd earls of Oxford., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

decoration in purple, green, red, and blue, a few also with yellow highlighting at the beginning of the prologue, books, or texts (ff. 2, 4v, 36v, 63, 100, 137v ). Initials in red, green, blue or purple, some with penwork

• Decorated initial 'G'(loriossimo), and in the lower margin is an added inscription recording that the book belonged in the cloister of Rochester Cathedral, and was given by Hubert the precentor., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

decoration in purple, green, red, and blue, a few also with yellow highlighting at the beginning of the prologue, books, or texts (ff. 2, 4v, 36v, 63, 100, 137v ). Initials in red, green, blue or purple, some with penwork