• Detail of the middle left hand roundel on the lower cover of the ivory binding, with the act of mercy of housing the stranger, with the inscription: 'hospes eram et collegistis me' (Mathew 25: 35)., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

• Detail of the upper left hand roundel on the lower cover of the ivory binding, with the act of mercy of giving food to the hungry, with the inscription: 'Esurivi et dedistis mihi manducare' (Mathew 25: 35)., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

• Detail of a roundel of the lower cover with the act of mercy of clothing the naked, with the inscription 'nudus et cooperuistis me' (Matthew 25:36)., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

• Detail of the upper right hand roundel on the lower cover of the ivory binding, with the act of mercy of giving drink to the thirsty, with the inscription: 'Sitivi et dedistis mihi bibere' (Mathew 25: 35)., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

• Upper cover of the ivory binding, with David and musicians., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

• Upper cover of the ivory binding, scenes from the life of David., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

• Detail of historiated initial 'D'(ixim[us]) of Dunstan, seated at a forge, pinching the devil's nose with a pair of tongs., Canterbury Passionale (Lives of the Saints), imperfect, including a life of Dunstan and of Anselm of Canterbury

15v). 1 smaller initial in colours with foliate and zoomorphic motifs (f. 21v). Small plain initials in red, green, or blue. Canterbury Passionale (Lives of the Saints), imperfect, including a life of Dunstan and of Anselm of Canterbury Part I

• Historiated initial 'D'(ixim[us]) of Dunstan, seated at a forge, pinching the devil's nose with a pair of tongs., Canterbury Passionale (Lives of the Saints), imperfect, including a life of Dunstan and of Anselm of Canterbury

15v). 1 smaller initial in colours with foliate and zoomorphic motifs (f. 21v). Small plain initials in red, green, or blue. Canterbury Passionale (Lives of the Saints), imperfect, including a life of Dunstan and of Anselm of Canterbury Part I

• Detail of decorated initial 'D'(efuncto) at the beginning of Book II of Eadmer's Life of Anselm of Canterbury., Canterbury Passionale (Lives of the Saints), imperfect, including a life of Dunstan and of Anselm of Canterbury

15v). 1 smaller initial in colours with foliate and zoomorphic motifs (f. 21v). Small plain initials in red, green, or blue. Canterbury Passionale (Lives of the Saints), imperfect, including a life of Dunstan and of Anselm of Canterbury Part I

• Puzzle initial 'P'(io) with pen-flourishing, at the beginning of Guillelmus Gemmeticensis's Gesta Normannorum ducum., Gesta Normannorum ducum

in red and blue with pen-flourishing in blue and red at the beginning of the prologue and the books (ff. 1, 1v, 5, 8, 11, 18, 23v, 27). Small initials in red with blue pen-flourishing or in blue with red

• The margin with the rampant lion of William Howard, at the beginning of Guillelmus Gemmeticensis's Gesta Normannorum ducum., Gesta Normannorum ducum

in red and blue with pen-flourishing in blue and red at the beginning of the prologue and the books (ff. 1, 1v, 5, 8, 11, 18, 23v, 27). Small initials in red with blue pen-flourishing or in blue with red

• Historiated initial 'H'(omo) with a physician bleeding a man, and a full foliate border including a grotesque, a bird, and heraldic arms, at the beginning of Bernard de Gordon's Liber de Flora., Medical treatises, including works of Bernard de Gordon

330). 5 large puzzle initials in red and blue with foliate pen-flourishing in purple and red, and decorated extensions in red and blue (ff. 264v, 271, 296, 305, 346v). Smaller initials in blue, some with reserved designs, with red foliate

• Historiated initial 'D'(ilexi) with a lecturer holding a urine flask before students, and a full foliate border with animals, at the beginning of Bernard de Gordon's Liber urinarum., Medical treatises, including works of Bernard de Gordon

330). 5 large puzzle initials in red and blue with foliate pen-flourishing in purple and red, and decorated extensions in red and blue (ff. 264v, 271, 296, 305, 346v). Smaller initials in blue, some with reserved designs, with red foliate

• Decorated initial 'S'(ancti) and flourished initials, in the Breviary., Breviary

the Breviary. 3 large decorated initials in gold on red and blue grounds with foliate extensions into the margins (ff. 66v, 284v [cut out], 433). Large initials in blue with red foliate pen-flourishing, between ff. 280 and 300 also in

• Miniature of a seated figure holding an open book and a standing figure offering it to him. Salutati has labelled the seated figure as Solinus, and the standing figure as Adventus., Collectanea rerum memorabilium (index De mirabilibus mundi), with preface, table of chapters, and prologue, 'De septem miraculis orbis' (ff. 50v-51)

red, blue, yellow and green on a blue ground (f. 2). Large geometric drawing in brown, red, yellow and blue (f. 51). 3 large historiated initials in red, with a figure in brown ink, two with red highlights, on blue

• Historiated initials 'S'(ardinia) of a man holding a staff and a book, and 'S' of a king holding a sceptre., Collectanea rerum memorabilium (index De mirabilibus mundi), with preface, table of chapters, and prologue, 'De septem miraculis orbis' (ff. 50v-51)

red, blue, yellow and green on a blue ground (f. 2). Large geometric drawing in brown, red, yellow and blue (f. 51). 3 large historiated initials in red, with a figure in brown ink, two with red highlights, on blue

• Ink drawings of a beaver with a man blowing a horn, a crocodile swallowing a hydrus, a crocodile with fish, and a winged hyena., Bestiary

12. 28 drawings in brown ink, some partially painted in red, green or blue. Small initials in blue or red (the red oxidised), some of the blue with dots of green or red. Highlighting of letters in red. From f.

• Detail of ink drawings of an ibex and fire stones., Bestiary

12. 28 drawings in brown ink, some partially painted in red, green or blue. Small initials in blue or red (the red oxidised), some of the blue with dots of green or red. Highlighting of letters in red. From f.

• Ink drawings of animals., Bestiary

12. 28 drawings in brown ink, some partially painted in red, green or blue. Small initials in blue or red (the red oxidised), some of the blue with dots of green or red. Highlighting of letters in red. From f.

• Decorated initial 'B'(eatus) with interlace and interwoven dogs., Commentary on the Psalms

and/or blue, some with animal heads, some unfinished (e.g. ff. 122v, 124v). Large initial in red with penwork decoration (f. 101v). Highlighting of letters in yellow, green, and/or red. Rubrics of Psalm text in red. Incipit in red and blue