• Inhabited initial 'V'(espe), with birds, dragons, and the face of Christ in a roundel., Homiliary

with entwined animals and head terminals. Large initials in red, green, yellow, purple, or blue, some with penwork decoration. Small initials in brown, green or blue. Rubrics in red. Homiliary The Benedictine abbey of St Augustine, Canterbury: liturgical evidence; corresponds

• Inhabited initial 'P'(rimo) with animals and animal and human-head terminals., Homiliary

with entwined animals and head terminals. Large initials in red, green, yellow, purple, or blue, some with penwork decoration. Small initials in brown, green or blue. Rubrics in red. Homiliary The Benedictine abbey of St Augustine, Canterbury: liturgical evidence; corresponds

• Decorated initial 'L'(iber) with display capitals, at the beginning of the Gospel of Matthew., Glossed Gospel of Matthew, preceded by prologues (f. 2r-v)

initial, in colours and gold (f. 3). Large initials alternating red, blue, or pale brown, usually with simple decoration in one of the other colours. Small initials alternating red, blue, or pale brown. Spaces for coloured initials left blank after

• Decorated initial 'C'(um) at Matthew 1:18., Glossed Gospel of Matthew, preceded by prologues (f. 2r-v)

initial, in colours and gold (f. 3). Large initials alternating red, blue, or pale brown, usually with simple decoration in one of the other colours. Small initials alternating red, blue, or pale brown. Spaces for coloured initials left blank after

• Decorated initial 'U'(ulsis) in Pseudo-Boethius's De disciplina scolarium, with blue pen-flourishing, and red pen-flourishing and manicula around the gloss., De disciplina scholarium, with gloss

Decorated initial 'U'(ulsis) in Pseudo-Boethius's De disciplina scolarium, with blue pen-flourishing, and red pen-flourishing and manicula around the gloss. Red initials with penwork decoration, some with pen-flourishing in red or blue, and ink flourished initials. A zoomorphic line filler (f.

• Decorated foliate initial 'C', and full foliate border, at the beginning of the Statues., Nova Statuta (index Statutes of England; Statuta Angliae, Statute book), from 1 Edward III to 14 Henry VI in chronological order

Statutes (f. 24). Smaler initials in gold on red and blue grounds, with foliate extensions into the margins, at the beginning of each reign. Paraph marks in plain red or blue. Nova Statuta (index Statutes of England; Statuta Angliae, Statute

• null, Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217), and other texts

incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),

• null, Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217), and other texts

incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),

• null, Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217), and other texts

incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),

• null, Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217), and other texts

incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),

• null, Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217), and other texts

incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),

• Decorated initials and music in a fragment of a Missal for Quinquagesima, Fragment of a Missal with antiphons and readings for Quinquagesima and Ephiphany (ther proper order is ff. 85, 1, 2, 86)

second half of the 12th century (ff. 1-2v; 85-86v) 1 large initial in blue with red penwork decoration (f. 2). Large simple initials in green, red, or blue. Musical notation on four-line staves. Fragment of a Missal with antiphons and

• Illuminated initial 'M'(arcus) at the beginning of the prologue to Mark., Glossed Gospel of Mark

Mark (f. 6). 1 large initial in gold on a blue ground with colours and foliate decoration at the beginning of the prologue to Mark (f. 3). Small initials in blue or red, a few with simple decoration in the

• Miniature of Saint Louis and his mother, in Le Sacre de Claude de France., Le Sacre de Claude de France

underdrawing of the frame (f. 46v). Large decorated initials in gold on red and blue grounds. Smaller initials and line-fillers in gold on red or blue grounds. Le Sacre de Claude de France Description of the coronation of Claude de

• Miniature of Claude de France, accompanied by women of the Old Testament, and decorated initial 'T'(outes), in Le Sacre de Claude de France., Le Sacre de Claude de France

underdrawing of the frame (f. 46v). Large decorated initials in gold on red and blue grounds. Smaller initials and line-fillers in gold on red or blue grounds. Le Sacre de Claude de France Description of the coronation of Claude de

• Miniature of the church mass for the coronation of Claude de France, and decorated initial 'P'(uis), in Le Sacre de Claude de France., Le Sacre de Claude de France

underdrawing of the frame (f. 46v). Large decorated initials in gold on red and blue grounds. Smaller initials and line-fillers in gold on red or blue grounds. Le Sacre de Claude de France Description of the coronation of Claude de

• Detail of an inhabited initial 'P'(aulus) with white lions interlaced with a foliate scroll and an attached portrait of Peter Lombard writing the first words of his commentary, 'hunc epistola[m] / s/cribit / ap[osto]l[us]s roma/nos'., Pauline Epistles, with the commentary of Peter Lombard

with penwork decoration in green, red, and blue, at the beginning of other Epistles (ff. 54, 89, 107, 122, 133, 140, 146v, 151v, 154v, 162, 166v, 169). Smaller initials in green, red, or blue, some with penwork decoration, throughout the

• Decorated initial 'Q'(uociens) outlined in red, on a green, blue and yellow ground, with foliate motifs and dragon, for book 10., Moralia in Job, books 10-23, imperfect

outlined in red, on a green, blue and yellow ground, with foliate motifs and dragon, for book 10 (f. 1v). 13 large initials, outlined in black, with red and light brown, mostly on blue and green grounds, frequently with foliate

• Detail of a decorated initial 'Q'(uociens) outlined in red, on a green, blue and yellow ground, with foliate motifs and dragon, for book 10., Moralia in Job, books 10-23, imperfect

outlined in red, on a green, blue and yellow ground, with foliate motifs and dragon, for book 10 (f. 1v). 13 large initials, outlined in black, with red and light brown, mostly on blue and green grounds, frequently with foliate

• Decorated initials 'P'(rimum) and 'M'(aiores)., Historiae adversus paganos, in seven books, preceded by an 'Argumentum' (ff. 1-122); De bello Troiana (index De excidio troiae historia), preceded by the supposititious letter of Cornelius Nepos to Sallust, beginning, 'Cornelius Salustio suo salutem. Cum multa Athenis' (ff. 123-133v), imperfect at the end (the manuscript breaks off at the end of Chapter 46)

of the pigment makes the blue ones stand out in high relief. Initials in red, blue, or green with yellow highlights and interlace and/or foliate motifs, some large, some small. Plain initials in red, blue, and green. Rubrics in red.