and the Gospels (ff. 57v, 155, 166, 173v, 185v). 3 full-page canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning
and the Gospels (ff. 57v, 155, 166, 173v, 185v). 3 full-page canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning
and the Gospels (ff. 57v, 155, 166, 173v, 185v). 3 full-page canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning
and the Gospels (ff. 57v, 155, 166, 173v, 185v). 3 full-page canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning
and the Gospels (ff. 57v, 155, 166, 173v, 185v). 3 full-page canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning
and the Gospels (ff. 57v, 155, 166, 173v, 185v). 3 full-page canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning
and the Gospels (ff. 57v, 155, 166, 173v, 185v). 3 full-page canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning
and the Gospels (ff. 57v, 155, 166, 173v, 185v). 3 full-page canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning
and the Gospels (ff. 57v, 155, 166, 173v, 185v). 3 full-page canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning
and the Gospels (ff. 57v, 155, 166, 173v, 185v). 3 full-page canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning
and the Gospels (ff. 57v, 155, 166, 173v, 185v). 3 full-page canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning
and the Gospels (ff. 57v, 155, 166, 173v, 185v). 3 full-page canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning
and the Gospels (ff. 57v, 155, 166, 173v, 185v). 3 full-page canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning
and the Gospels (ff. 57v, 155, 166, 173v, 185v). 3 full-page canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning
a hybrid, in black and red, set within two concentric circles, drawn by compass in red (f. 3v). Initials in blue, red, or/and yellow. First letters of verses highlighted in red or yellow. Line-fillers in red or yellow. Ars Poetica,
a hybrid, in black and red, set within two concentric circles, drawn by compass in red (f. 3v). Initials in blue, red, or/and yellow. First letters of verses highlighted in red or yellow. Line-fillers in red or yellow. Ars Poetica,
a hybrid, in black and red, set within two concentric circles, drawn by compass in red (f. 3v). Initials in blue, red, or/and yellow. First letters of verses highlighted in red or yellow. Line-fillers in red or yellow. Ars Poetica,
Decorated initials. Large initials in blue with red penwork decoration, or in red with blue penwork decoration. Small initials in blue or red. Paraphs in blue or red. Secretum secretorum, translated by Philip of Tripoli (index Philippus Tripolitanus) Sir Hans
initials in red and blue with pen-flourishing in blue and red, at the beginning of the books. Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Small initials in plain red or blue; a few in
initials in red and blue with pen-flourishing in blue and red, at the beginning of the books. Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Small initials in plain red or blue; a few in