• Detail of foliate initial 'B'(eatus) at the beginning of the life of Leonard., Passional (the 'Arnstein Passional'), the last of three volumes with October-December, with a calendar (ff. 2v-3v), including the Vita of Fronto of Perigueux

red, some with animals or hybrids, all with foliate decoration, and some with clasps; usually on grounds of green and blue, at the beginning of each saint's passion. Initial painted in colours with clasps, perhaps additional (f. 56). Large initials

• Detail of an historiated initial 'T' with a man holding a large branch or trunk., Passional (the 'Arnstein Passional'), the last of three volumes with October-December, with a calendar (ff. 2v-3v), including the Vita of Fronto of Perigueux

red, some with animals or hybrids, all with foliate decoration, and some with clasps; usually on grounds of green and blue, at the beginning of each saint's passion. Initial painted in colours with clasps, perhaps additional (f. 56). Large initials

• Detail of a historiated initial 'C' with a Thomas, at the beginning of his life., Passional (the 'Arnstein Passional'), the last of three volumes with October-December, with a calendar (ff. 2v-3v), including the Vita of Fronto of Perigueux

red, some with animals or hybrids, all with foliate decoration, and some with clasps; usually on grounds of green and blue, at the beginning of each saint's passion. Initial painted in colours with clasps, perhaps additional (f. 56). Large initials

• Decorated initials and standing figure of Silvester., Passional (the 'Arnstein Passional'), the last of three volumes with October-December, with a calendar (ff. 2v-3v), including the Vita of Fronto of Perigueux

red, some with animals or hybrids, all with foliate decoration, and some with clasps; usually on grounds of green and blue, at the beginning of each saint's passion. Initial painted in colours with clasps, perhaps additional (f. 56). Large initials

• Decorated initial 'D'(ilectissimi) at the beginning of the Passional text, with foliate decoration, and animal and human heads, and beasts., Arnstein Passional (the first of three volumes, with January-May)

red, some with animals or hybrids, all with foliate decoration, and some with clasps; usually on grounds of green and blue at the beginning of each saint's passion. Large initials in red, green or in both colours. Display script in

• Historiated initial 'O'(mnis) at the beginning of the Life of Fulgentius, with a bishop holding a crozier and a book., Arnstein Passional (the first of three volumes, with January-May)

red, some with animals or hybrids, all with foliate decoration, and some with clasps; usually on grounds of green and blue at the beginning of each saint's passion. Large initials in red, green or in both colours. Display script in

• Historiated initial 'P'(er) with a man and decorated initial., Arnstein Passional (the first of three volumes, with January-May)

red, some with animals or hybrids, all with foliate decoration, and some with clasps; usually on grounds of green and blue at the beginning of each saint's passion. Large initials in red, green or in both colours. Display script in

• Decorated initials with foliate decoration, and in the 'S'(everus), a bird and dog., Passional (the 'Arnstein Passional'), the last of three volumes with October-December, with a calendar (ff. 2v-3v), including the Vita of Fronto of Perigueux

red, some with animals or hybrids, all with foliate decoration, and some with clasps; usually on grounds of green and blue, at the beginning of each saint's passion. Initial painted in colours with clasps, perhaps additional (f. 56). Large initials

• Historiated initial 'C' with Thomas, at the beginning of his life., Passional (the 'Arnstein Passional'), the last of three volumes with October-December, with a calendar (ff. 2v-3v), including the Vita of Fronto of Perigueux

red, some with animals or hybrids, all with foliate decoration, and some with clasps; usually on grounds of green and blue, at the beginning of each saint's passion. Initial painted in colours with clasps, perhaps additional (f. 56). Large initials

• Decorated initials and standing figure of Silvester at the beginning of his life., Passional (the 'Arnstein Passional'), the last of three volumes with October-December, with a calendar (ff. 2v-3v), including the Vita of Fronto of Perigueux

red, some with animals or hybrids, all with foliate decoration, and some with clasps; usually on grounds of green and blue, at the beginning of each saint's passion. Initial painted in colours with clasps, perhaps additional (f. 56). Large initials

• Miniature of Dunstan as a bishop, writing a commentary of the Rule of Saint Benedict, with an inscription 'S[an]c[tu]s Dunstanus'., Expositio in Regulam S. Benedicti

2v). 2 foliate initials in colours, at the beginning of the preface and the text (f. 3). Initials in red, blue or green. Expositio in Regulam S. Benedicti The Benedictine cathedral priory of Holy Trinity or Christ Church, Canterbury: inscribed

• Detail of a decorated initial 'O'(bsculta), with foliate motifs, at the beginning of the preface and the text., Expositio in Regulam S. Benedicti

2v). 2 foliate initials in colours, at the beginning of the preface and the text (f. 3). Initials in red, blue or green. Expositio in Regulam S. Benedicti The Benedictine cathedral priory of Holy Trinity or Christ Church, Canterbury: inscribed

• Detail of a drawing of a hybrid with the head of a woman, the legs of a horse, and the tail of a fish, within two concentric circles, preceding Horace's Ars Poetica., Ars Poetica, Sermones, Epistulae, and a Life of Horace, with glosses

a hybrid, in black and red, set within two concentric circles, drawn by compass in red (f. 3v). Initials in blue, red, or/and yellow. First letters of verses highlighted in red or yellow. Line-fillers in red or yellow. Ars Poetica,

• Drawing of a hybrid with the head of a woman, the legs of a horse, and the tail of a fish, within two concentric circles, preceding Horace's Ars Poetica., Ars Poetica, Sermones, Epistulae, and a Life of Horace, with glosses

a hybrid, in black and red, set within two concentric circles, drawn by compass in red (f. 3v). Initials in blue, red, or/and yellow. First letters of verses highlighted in red or yellow. Line-fillers in red or yellow. Ars Poetica,

• Decorated initial 'H'(umano), at the beginning of Horace's Ars Poetica, with two ownership inscriptions of Sir Robert Cotton, reading 'Robertus Cotton' at top and 'Robertus Cotton Bruceus' at bottom., Ars Poetica, Sermones, Epistulae, and a Life of Horace, with glosses

a hybrid, in black and red, set within two concentric circles, drawn by compass in red (f. 3v). Initials in blue, red, or/and yellow. First letters of verses highlighted in red or yellow. Line-fillers in red or yellow. Ars Poetica,

• Inscription of a title reading, 'Expositio su[per] Reg[u]lam beati Benedicti. nova' with a reference sign repeated at the beginning of the text (f. 3), a shelfmark, 'D. III. g. XII, an ownership inscription of John Lumley, and an offset of a miniature from leaf 2v., Expositio in Regulam S. Benedicti

2v). 2 foliate initials in colours, at the beginning of the preface and the text (f. 3). Initials in red, blue or green. Expositio in Regulam S. Benedicti The Benedictine cathedral priory of Holy Trinity or Christ Church, Canterbury: inscribed

• The second figural poem of book 1, bordered by foliage, depicting a golden cross within a red, blue, and green frame., De laudibus sanctae crucis, prefatory material (ff. 2v-5v), book 1 (ff. 6v-34), book 2 (ff. 35-47); catalogues of the Arnstein library (ff. 47v-49); second copy of ~carminum~ 3 (f. 49v); arithmetical tables (ff. 50v-51).

by foliage, depicting a golden cross within a red, blue, and green frame. ff. 4v, 6, 34v, 48, and 50 are blank. f. 1 contains the beginning of ~De laudibus~, book 3: blank space has been left for an initial

• The third figural poem of book 1, bordered by foliage and coloured roundels, depicting the epigram, "~Crux salus~" ("The salvific Cross") in blue., De laudibus sanctae crucis, prefatory material (ff. 2v-5v), book 1 (ff. 6v-34), book 2 (ff. 35-47); catalogues of the Arnstein library (ff. 47v-49); second copy of ~carminum~ 3 (f. 49v); arithmetical tables (ff. 50v-51).

coloured roundels, depicting the epigram, "~Crux salus~" ("The salvific Cross") in blue. ff. 4v, 6, 34v, 48, and 50 are blank. f. 1 contains the beginning of ~De laudibus~, book 3: blank space has been left for an initial 'M'(erito)

• The seventh figural poem of book 1, bordered by a foliate pattern and birds, depicting four circles in red, blue and yellow, in a cross pattern., De laudibus sanctae crucis, prefatory material (ff. 2v-5v), book 1 (ff. 6v-34), book 2 (ff. 35-47); catalogues of the Arnstein library (ff. 47v-49); second copy of ~carminum~ 3 (f. 49v); arithmetical tables (ff. 50v-51).

a foliate pattern and birds, depicting four circles in red, blue and yellow, in a cross pattern. ff. 4v, 6, 34v, 48, and 50 are blank. f. 1 contains the beginning of ~De laudibus~, book 3: blank space has been

• The sixteenth figural poem of book 1, bordered by a twining pattern, depicting a cross composed of overlapping quatrefoils in yellow and blue., De laudibus sanctae crucis, prefatory material (ff. 2v-5v), book 1 (ff. 6v-34), book 2 (ff. 35-47); catalogues of the Arnstein library (ff. 47v-49); second copy of ~carminum~ 3 (f. 49v); arithmetical tables (ff. 50v-51).

pattern, depicting a cross composed of overlapping quatrefoils in yellow and blue. ff. 4v, 6, 34v, 48, and 50 are blank. f. 1 contains the beginning of ~De laudibus~, book 3: blank space has been left for an initial 'M'(erito)