• Historiated initial 'P'(aulus) of Paul holding a sword and a cross and addressing a Roman, at the beginning of Romans., Pauline Epistles, with the commentary of Peter Lombard

and blue, at the beginning of major divisions of the Commentary. Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Running titles in red and blue. Omitted text written in the margins in red or blue frames.

• Historiated initial 'P'(aulus) of Paul holding a sword, at the beginning of Galatians., Pauline Epistles, with the commentary of Peter Lombard

and blue, at the beginning of major divisions of the Commentary. Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Running titles in red and blue. Omitted text written in the margins in red or blue frames.

• Decorated initial 'F'(uit in diebus Herodis regis), with foliate and zoomorphic motifs, at the beginning of Luke., Gospels, Acts, Epistles, Apocalypse with the Glossa ordinaria

354v). Large puzzle initials in red and blue with red and/or blue pen-flourishing. Smaller plain initials in red with blue penwork decoration and in blue with red penwork decoration. Paraphs in red or blue. Gospels, Acts, Epistles, Apocalypse with the

• Decorated initial 'P'(rimum), with foliate and zoomorphic motifs, at the beginning of Acts., Gospels, Acts, Epistles, Apocalypse with the Glossa ordinaria

354v). Large puzzle initials in red and blue with red and/or blue pen-flourishing. Smaller plain initials in red with blue penwork decoration and in blue with red penwork decoration. Paraphs in red or blue. Gospels, Acts, Epistles, Apocalypse with the

• Puzzle initial 'N'(emo) at the beginning of Jerome's prologue to Isaiah, with John Lumley's ownership inscription in the lower margin., Isaiah, Jeremiah, Daniel with Jerome's prologues and the Glossa ordinaria

puzzle initials in red and blue with red and blue pen-flourishing. Smaller initials in red with blue pen-flourishing or penwork decoration, and in blue with red pen-flourishing or penwork decoration. Paraphs in red or blue. Isaiah, Jeremiah, Daniel with Jerome's

• Puzzle initial and decorated border., Isidore, Etymologiae

red and blue with pen-flourishing in blue and red, the first developing into a three-sided border (ff. 3, 9v, 17, 23v, 31, 37, 42v, 51v, 56, 63, 70, 76). Smaller initials in red with blue pen-flourishing or in blue with

• Puzzle initial., Isidore, Etymologiae

red and blue with pen-flourishing in blue and red, the first developing into a three-sided border (ff. 3, 9v, 17, 23v, 31, 37, 42v, 51v, 56, 63, 70, 76). Smaller initials in red with blue pen-flourishing or in blue with

• Puzzle initials 'V'(erba), 'Q'(uod), and 'S'(acratissimus) with foliate infill., Theological miscellany, including Vita Sancti Edwardi confessoris; Vita Sancti Malachiae, Arnold of Bonneval's Vita Bernardi abbatis (ff. 72-89)

puzzle initials in blue and red, most with green, and usually pink and yellow foliate infill, and penwork decoration in red and blue. Large and small initials in red with penwork decoration in blue, and in blue with penwork decoration

• Puzzle initial 'S'(emper) with foliate decoration, at the beginning of Bernard of Clairvaux's Life of Malachy., Theological miscellany, including Vita Sancti Edwardi confessoris; Vita Sancti Malachiae, Arnold of Bonneval's Vita Bernardi abbatis (ff. 72-89)

puzzle initials in blue and red, most with green, and usually pink and yellow foliate infill, and penwork decoration in red and blue. Large and small initials in red with penwork decoration in blue, and in blue with penwork decoration

• Puzzle initials 'V'(erba), 'Q'(uod), and 'S'(acratissimus) with foliate infill., Theological miscellany, including Vita Sancti Edwardi confessoris; Vita Sancti Malachiae, Arnold of Bonneval's Vita Bernardi abbatis (ff. 72-89)

puzzle initials in blue and red, most with green, and usually pink and yellow foliate infill, and penwork decoration in red and blue. Large and small initials in red with penwork decoration in blue, and in blue with penwork decoration

• Puzzle initial 'S'(emper) with foliate decoration, at the beginning of Bernard of Clairvaux's Vita Sancti Malachiae., Theological miscellany, including Vita Sancti Edwardi confessoris; Vita Sancti Malachiae, Arnold of Bonneval's Vita Bernardi abbatis (ff. 72-89)

puzzle initials in blue and red, most with green, and usually pink and yellow foliate infill, and penwork decoration in red and blue. Large and small initials in red with penwork decoration in blue, and in blue with penwork decoration

• Historiated initial 'L'(iber) of the Tree of Jesse, at the beginning of Matthew., Gospel of Matthew, with the Glossa ordinaria

Passion (ff. 1, 90v). Initials in red with blue pen-flourishing, or in blue with red pen-flourishing throughout the main text. Small initials and paraphs, some with penwork decoration, in red or blue, throughout the gloss. Gospel of Matthew, with the

• Historiated initial 'P'(ater) of Christ blessing and holding a book, at the beginning of the Pater Noster., Gospel of Matthew, with the Glossa ordinaria

Passion (ff. 1, 90v). Initials in red with blue pen-flourishing, or in blue with red pen-flourishing throughout the main text. Small initials and paraphs, some with penwork decoration, in red or blue, throughout the gloss. Gospel of Matthew, with the

• Illuminated initial 'I'(nitium) with dragons and human masks in medallions, at the beginning of Mark., Gospel of Mark, with the Glossa ordinaria

of Mark (f. 2v). Initials in red with blue pen-flourishing, or in blue with red pen-flourishing throughout the main text. Small initials and paraphs, some with penwork decoration, in red or blue, throughout the gloss. Gospel of Mark, with the

• Historiated initial 'H'(ic est) formed by a dragon and a lion, of John writing on a tablet and the dove of the Holy Spirit approaching to his ear, at the beginning of the prologue to John., Gospel of John, with the Glossa ordinaria

the Passion (f. 68v). Initials in red with blue pen-flourishing, or in blue with red pen-flourishing throughout the main text. Small initials and paraphs, some with penwork decoration, in red or blue, throughout the gloss. Gospel of John, with the

• Initial 'D' with foliate decoration., Orationes; Anonymous prayers; De animae, Sententiae

initial (f. 106v). Large initial in red with penwork decoration in red, green and blue (f. 3). Initials in red, blue, green, brown or red and blue, some with penwork decoration in colours. Rubrics and page numbers in red. Orationes;

• Puzzle initial 'P'(rofessores) with foliate penwork decoration, at the beginning of Edward Grim's Vita S. Thomae Cantueriensis, with the ink-stamp of the Royal Society in the lower margin., Vita S. Thomae Cantueriensis; epistolae, and related texts, imperfect

145-190 in a 16th-century (?) hand. 1 puzzle initial in red and blue with red and blue foliate penwork decoration (f. 1). Large initials in red or blue, many with penwork decoration in the other colour. Vita S. Thomae Cantueriensis;

• Decorated initials 'I'(nter), 'R'(ex), and 'D'(esiderio), and later, possibly seventeenth-century marginal notations., Vita S. Thomae Cantueriensis; epistolae, and related texts, imperfect

145-190 in a 16th-century (?) hand. 1 puzzle initial in red and blue with red and blue foliate penwork decoration (f. 1). Large initials in red or blue, many with penwork decoration in the other colour. Vita S. Thomae Cantueriensis;

• Decorated initials 'D'(omino) and 'M'(odicum) at the beginning of the prologue of Innocent III's De contemptu mundi., De consideratione, ad Eugenium III (ff. 6-77v); De contemptu mundi (ff. 78-109v); treatise on the office of the mass, ending imperfectly (ff. 110-147v)

contemptu mundi. Large puzzle initial in red and blue with red and blue penwork decoration and pen-flourishing (f. 54v). Large initials in green with red penwork decoration, and in red with blue penwork decoration. Spaces left for initials. De consideratione,

• Decorated initials 'T'(ria) and 'N'(ichil) with part of a list of chapters, at the beginning of the second part of Innocent III's De contemptu mundi., De consideratione, ad Eugenium III (ff. 6-77v); De contemptu mundi (ff. 78-109v); treatise on the office of the mass, ending imperfectly (ff. 110-147v)

contemptu mundi. Large puzzle initial in red and blue with red and blue penwork decoration and pen-flourishing (f. 54v). Large initials in green with red penwork decoration, and in red with blue penwork decoration. Spaces left for initials. De consideratione,