• Illuminated initials 'P's at the beginning of the prologue and letter to the Galicians, with a dragon making up part of the letter, and Paul placing his hands on a man's shoulder while his wife and child look on. The red notes in the upper margins are references to the early Christian authors--Jerome, Ambrose and Augustine--whose writings the commentary excerpts. The biblical text is written in large letters on the left side of the columns, while the commentary, in smaller letters, is at the side, top and bottom. All around the margins are further schoolmasters' notes., Commentary on the Epistles, glossed

in red and blue with red and blue penwork decoration at the beginning of some prologues. Small initials in blue with red penwork decoration or in red with blue penwork decoration. Small initials in red or blue. Highlighting of initials

• Illuminated initial 'P'(aulus) at the beginning of Ephesians, with Paul in prison and a guarding soldier in armour, and an animal in the letter. At the top of the page, the inscription in red cites the authors whose writings are excerpted in the commentary: Ambrose, Augustine, Jerome and Haymo., Commentary on the Epistles, glossed

in red and blue with red and blue penwork decoration at the beginning of some prologues. Small initials in blue with red penwork decoration or in red with blue penwork decoration. Small initials in red or blue. Highlighting of initials

• Historiated initial 'P'(aulus) with Paul praying and a man with a large club seizing a Jew, and a dragon in the letter form, at the beginning of Philippians. At the top of the page, the inscription in red cites the authors whose writings are excerpted in the commentary: Ambrose and Haymo., Commentary on the Epistles, glossed

in red and blue with red and blue penwork decoration at the beginning of some prologues. Small initials in blue with red penwork decoration or in red with blue penwork decoration. Small initials in red or blue. Highlighting of initials

• Historiated initial 'P'(aulus), with Paul crowning a knight, at the beginning of the Second Letter to Timothy. In the page layout typical of glossed manuscripts of the Bible, short excerpts from the Epistle to Timothy are written in large letters. The commentary is written to the side, top and bottom of it, in smaller letters. The underscored phrases in the commentary are from the text, and the discussions on them follow., Commentary on the Epistles, glossed

in red and blue with red and blue penwork decoration at the beginning of some prologues. Small initials in blue with red penwork decoration or in red with blue penwork decoration. Small initials in red or blue. Highlighting of initials

• Puzzle initials 'D'(omino) and 'O'(portet), the former is followed by display script; in the upper margin is an ownership inscription of the hospital of St Nicholas, Cues., Pantegni

initials in red or blue with pen-flourishing in the alternate colour. Display script in alternate red and blue with some penwork decoration. Simple initials and paragraph marks in red or blue. Running headers in red and blue. Rubrics in red.

• Puzzle initials 'A'(pocalipsis) and 'P'(rincipium) with penwork decoration and pen-flourishing, at the beginning of Revelation., Glossed Catholic Epistles (ff. 1-32v), Apocalypse (ff. 33-68v), and Pauline Epistles (ff. 73-167)

blue with foliate pen-flourishing or penwork decoration in blue and red, some with decorated extensions in blue and red (ff. 1, 9, 16v, 21v, 29, 33 (2x), 34). ff. 73-167: 12 large and smaller puzzle initials in red and

• Puzzle initial 'P'(aulus) with pen-flourishing, and initial 'P'(rimum) with pen-flourishing, at the beginning of Paul's Epistles., Glossed Catholic Epistles (ff. 1-32v), Apocalypse (ff. 33-68v), and Pauline Epistles (ff. 73-167)

blue with foliate pen-flourishing or penwork decoration in blue and red, some with decorated extensions in blue and red (ff. 1, 9, 16v, 21v, 29, 33 (2x), 34). ff. 73-167: 12 large and smaller puzzle initials in red and

• Puzzle initial 'A'(pocalipsis) with penwork decoration and pen-flourishing, at the beginning of Revelation., Glossed Catholic Epistles (ff. 1-32v), Apocalypse (ff. 33-68v), and Pauline Epistles (ff. 73-167)

blue with foliate pen-flourishing or penwork decoration in blue and red, some with decorated extensions in blue and red (ff. 1, 9, 16v, 21v, 29, 33 (2x), 34). ff. 73-167: 12 large and smaller puzzle initials in red and

• Puzzle initial P'(rincipium) with pen-flourishing, at the beginning of Revelation., Glossed Catholic Epistles (ff. 1-32v), Apocalypse (ff. 33-68v), and Pauline Epistles (ff. 73-167)

blue with foliate pen-flourishing or penwork decoration in blue and red, some with decorated extensions in blue and red (ff. 1, 9, 16v, 21v, 29, 33 (2x), 34). ff. 73-167: 12 large and smaller puzzle initials in red and

• Puzzle initial 'P'(aulus) with penwork decoration, at the beginning of Paul's Epistles., Glossed Catholic Epistles (ff. 1-32v), Apocalypse (ff. 33-68v), and Pauline Epistles (ff. 73-167)

blue with foliate pen-flourishing or penwork decoration in blue and red, some with decorated extensions in blue and red (ff. 1, 9, 16v, 21v, 29, 33 (2x), 34). ff. 73-167: 12 large and smaller puzzle initials in red and

• Puzzle initial 'P'(ost) at the beginning of canon 4 of Avicenna's Canonis de medicina., Canonis de medicina, beginning with canon 3

red and blue with red and blue pen-flourishing extending into the margin at the beginning of canons (ff. 9, 375). Large initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Initials in red or blue. Paraphs in

• Historiated initial 'C'(onverte) with two men preparing beds, the dark blue background and a lamp with a red flame setting the scene at night, at the beginning of the Hours of the Virgin, the beginning of the prayers for Compline., Book of Hours, including Hours of the Holy Spirit and of the Passion

large 'KL' letters in gold on blue and red grounds (ff. 1-6v). Small initials in blue with red penwork decoration and pen-flourishing, or in gold with blue penwork decoration or pen-flourishing. Small initials in blue or gold. Line-fillers and diagonal

• Puzzle initial 'I'(mperatoria) with display script and penwork decoration, at the beginning of the Institutiones., Institutiones and Authenticum with the Glossa ordinaria

in red and blue, with red and blue pen-flourishing, at the beginning of rubrics in the Authenticum section (ff. 95-194). Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Paraphs in red or blue. Institutiones and Authenticum

• Penwork initial 'I'(mperator)., Institutiones and Authenticum with the Glossa ordinaria

in red and blue, with red and blue pen-flourishing, at the beginning of rubrics in the Authenticum section (ff. 95-194). Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Paraphs in red or blue. Institutiones and Authenticum

• Detail of marginal drawings., Libri Naturales, with extensive glosses

and blue. Running headers in blue, and red and sometimes gold, with penwork decoration, some in the form of heads. Paraphs in blue. Rubrics in while, red, or blue. Marginal diagrams in red, brown, and blue, with green and blue,

• Puzzle initial 'F'(orma), at the beginning of Gilbertus Porretanus's Liber de sex principiis., Translations of Aristotle, etc., and others, some with glosses

large puzzle initials in red and blue with pen-flourishing in blue and red (ff. 118, 172, 194, 208, 279). Small initials in blue with pen-flourishing in red. Paraph marks in plain red or blue. Translations of Aristotle, etc., and others,

• Puzzle initial 'D'(e sophisticis) and flourished heading, at the beginning of Boethius's translation of De sophisticis elenchis., Translations of Aristotle, etc., and others, some with glosses

large puzzle initials in red and blue with pen-flourishing in blue and red (ff. 118, 172, 194, 208, 279). Small initials in blue with pen-flourishing in red. Paraph marks in plain red or blue. Translations of Aristotle, etc., and others,

• Puzzle initial 'F'(orma), at the beginning of Gilbertus Porretanus's Liber de sex principiis., Translations of Aristotle, etc., and others, some with glosses

large puzzle initials in red and blue with pen-flourishing in blue and red (ff. 118, 172, 194, 208, 279). Small initials in blue with pen-flourishing in red. Paraph marks in plain red or blue. Translations of Aristotle, etc., and others,

• Puzzle initial 'D'(e sophisticis) and flourished heading, at the beginning of Boethius's translation of De sophisticis elenchis., Translations of Aristotle, etc., and others, some with glosses

large puzzle initials in red and blue with pen-flourishing in blue and red (ff. 118, 172, 194, 208, 279). Small initials in blue with pen-flourishing in red. Paraph marks in plain red or blue. Translations of Aristotle, etc., and others,

• Historiated initial 'P'(aulus) of Paul, at the beginning of 1 Corinthians., Pauline Epistles, with the commentary of Peter Lombard

and blue, at the beginning of major divisions of the Commentary. Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Running titles in red and blue. Omitted text written in the margins in red or blue frames.