• Marginal grotesques, arms, and a marginal painting of a mouse aiming a catapult at the following folio, and a marginal painting of a cat in a tower, throwing stones down upon attacking mice., Book of Hours (fragmentary)

(2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with red or purple pen-flourishing or in blue with red pen-flourishing. Line fillers in gold on red and blue grounds. Book of Hours (fragmentary) The

• Detail of a marginal paining of a cat in a tower, throwing stones down at attacking mice., Book of Hours (fragmentary)

(2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with red or purple pen-flourishing or in blue with red pen-flourishing. Line fillers in gold on red and blue grounds. Book of Hours (fragmentary) The

• Marginal grotesques, arms, and a marginal painting of mice in a tower, being fired upon by a cat with a bow and arrow on the following folio., Book of Hours (fragmentary)

(2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with red or purple pen-flourishing or in blue with red pen-flourishing. Line fillers in gold on red and blue grounds. Book of Hours (fragmentary) The

• Marginal grotesques, arms, and a marginal painting of a cat with a bow and arrow, firing upon a mouse on the following folio, who stands with sheild and spear., Book of Hours (fragmentary)

(2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with red or purple pen-flourishing or in blue with red pen-flourishing. Line fillers in gold on red and blue grounds. Book of Hours (fragmentary) The

• Marginal grotesques, arms, and a marginal painting of a mouse with a spear and sheild, firing upon a cat on the following folio, who has been struck by the spear., Book of Hours (fragmentary)

(2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with red or purple pen-flourishing or in blue with red pen-flourishing. Line fillers in gold on red and blue grounds. Book of Hours (fragmentary) The

• Marginal grotesques, arms, and a marginal painting of a woman with a bird, and a man with a beard, holding a staff., Book of Hours (fragmentary)

(2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with red or purple pen-flourishing or in blue with red pen-flourishing. Line fillers in gold on red and blue grounds. Book of Hours (fragmentary) The

• Detail from the lower margin of the folio of a cat playing a rebec., Book of Hours (fragmentary)

(2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with red or purple pen-flourishing or in blue with red pen-flourishing. Line fillers in gold on red and blue grounds. Book of Hours (fragmentary) The

• Closer detail from the lower margin of the folio of a cat playing a rebec., Book of Hours (fragmentary)

(2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with red or purple pen-flourishing or in blue with red pen-flourishing. Line fillers in gold on red and blue grounds. Book of Hours (fragmentary) The

• Detail of a blacksmith at work, from the lower margin of the folio., Book of Hours (fragmentary)

(2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with red or purple pen-flourishing or in blue with red pen-flourishing. Line fillers in gold on red and blue grounds. Book of Hours (fragmentary) The

• Detail of a bas-de-page showing Dunstan healing injured peasants., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

ebginning of each book. 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Initials in red with pen-flourished decoration in purple or blue, or in blue with pen-flourished decoration in red. Line-fillers in brown ink

• Decorated letters of the Greek alphabet with the names of letters in Latin above., The Pontifical of Guilelmus Durandus, Use of Mende

initials, developing full foliate borders, in red, blue and gold. Smaller decorated foliate initials with extensions into the margins, in red, blue and gold. Small initials and line-fillers in gold on red and blue grounds. Numerous initials in brown ink

• Four-line musical notation with decorated initials., The Pontifical of Guilelmus Durandus, Use of Mende

initials, developing full foliate borders, in red, blue and gold. Smaller decorated foliate initials with extensions into the margins, in red, blue and gold. Small initials and line-fillers in gold on red and blue grounds. Numerous initials in brown ink

• Detail of an historiated initial 'D'(e) of the siege of Nicea., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Detail of an historiated initial 'O'(rauez) of Baldwin being recevied by the clergy., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Detail of an historiated initial 'V' of the siege of Antioch., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Detail of an historiated initial 'B' of the crowning and anointing of Foulques., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Detail of an historiated initial 'V' of the Archbishop joining the hands of Amaury and Mary., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Diagrams of the eclipses of the moon, from Nicholas of Lynn's Kalendarium., Kalendarium

Nicholas of Lynn's Kalendarium. Large initials in red, blue, or brown. Numerous tables and charts. Kalendarium Unilluminated between 1474 and 1599 additions of astrological directions for each month (ff. 34v-36v).Inscribed '111' (f. 1).? Thomas Howard (b. 1585, d. 1646), 2nd

• Detail of a miniature of John the Baptist pointing to the Lamb of God in a landscape, at the beginning of the reading for the feast of John the Baptist., Epistle Lectionary

of f. 15. 'Champ' initials in gold on rose and blue grounds with penwork decoration in white, sometimes with foliate extensions. Initials in gold with black pen-flourishing, or in blue with red pen-flourishing. Epistle Lectionary The London city church of

• Detail of an inhabited initial 'V'(espe), with birds, dragons, and the face of Christ in a roundel., Homiliary

with entwined animals and head terminals. Large initials in red, green, yellow, purple, or blue, some with penwork decoration. Small initials in brown, green or blue. Rubrics in red. Homiliary The Benedictine abbey of St Augustine, Canterbury: liturgical evidence; corresponds