• Historiated initial of the Adoration of the Magi., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Historiated intial of Peter in chains between two soldiers., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Historiated initial of a monk praying before an altar., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Historiated initial of the Resurrection., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Detail of a historiated initial of Pentecost., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Detail of historiated initial of the Trinity., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Historiated initial 'D'(ominus) with Andrew., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Detail of historiated initial of the Presentation., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Historiated initial of the Presentation., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Miniature of the Crucifixion, with the sun and moon overhead, and the Virgin Mary and John the Evangelist below., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Miniature of God enthroned, surrounded by symbols of the four evangelists., Missal, use of Paris

with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar

• Initial with foliate decoration on a text page faced by a full-page engraving showing the orb (representing the world) surmounted by the cross, the ocean with caravels and the four winds., Contemplacioun of Synnaris (index Contemplation of Sinners), poem in royal stanzas

with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968), no. 11209 (Madrid, 1547). Initials in blue with foliate decoration in red and purple (ff. 2, 17, 30v, 45v). Puzzle or plain initials in purple (ff.

• Puzzle initial and full-page engraving showing Christ in Majesty., Contemplacioun of Synnaris (index Contemplation of Sinners), poem in royal stanzas

with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968), no. 11209 (Madrid, 1547). Initials in blue with foliate decoration in red and purple (ff. 2, 17, 30v, 45v). Puzzle or plain initials in purple (ff.

• Detail of a coloured drawing of a man poking a knife into Christ on the cross., Various works including the tale of Adam of Bristol (ff. 19-27v) and 'Les trente et troys folis' (in French verse; ff. 27v-31v)

1808. Drawing in colours of the Crucifixion (f. 22). Historiated initial in colours (f. 22). Puzzle initial in red and blue (f. 19). Paraphs in red. Various works including the tale of Adam of Bristol (ff. 19-27v) and 'Les trente

• Decorated foliate initial 'A'(dventus) at the beginning of Florus's Epitome bellorum, and foliate border with heraldic arms., Epitome bellorum omnium annorum DCC

gold ground (f. 1, perhaps 19th-century ?), with a three-sided border incorporating heraldic arms. Small initials alternately plain red or blue, often in unusual angular forms. Epitome bellorum omnium annorum DCC An ecclesiastical member of the Capra family, perhaps Bartolomeo

• Historiated initial 'U' with an angel holding a book, a knight with a shield and spear, a crouching man, and a dragon's head forming part of the letter., Epistola de vita S. Dunstani; Life of St Dunstan

forming part of the letter. 2 historiated initials in colours (ff. 1, 2). Small simple initials in red, green, or blue. Epistola de vita S. Dunstani; Life of St Dunstan The Benedictine cathedral priory of Christ Church, Canterbury (see f.

• Miniature of Diex d'Amors (the God of Love) taking hold of the Lover (L'Amans)., Roman de la Rose

a foliate initial in colours and gold, at the beginning of the text (f. 5). 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Roman de la Rose Sir Richard Stury (b. c.1327, d. 1395),

• Detail of a miniature of Diex d'Amors (the God of Love) taking hold of the Lover (L'Amans)., Roman de la Rose

a foliate initial in colours and gold, at the beginning of the text (f. 5). 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Roman de la Rose Sir Richard Stury (b. c.1327, d. 1395),

• Detail of an historiated initial 'H'(odie) of the Nativity of Christ, at the beginning of the choir response during the morning prayers (lauds) for Christmas., Breviary, Use of Sarum with Norwich variants ('The Stowe Breviary')

329, 334v). Large decorated initials, many including human heads, with partial foliate borders, in colours and gold. Small initials in blue with red foliate pen-flourishing, some including human heads or grotesque figures. 1 marginal drawing of a grotesque figure, in

• Detail of an historiated initial 'H'(esterna) of the martyrdom of Stephen, with a partial bar border including a grotesque, at the beginning of the reading for 26 December., Breviary, Use of Sarum with Norwich variants ('The Stowe Breviary')

329, 334v). Large decorated initials, many including human heads, with partial foliate borders, in colours and gold. Small initials in blue with red foliate pen-flourishing, some including human heads or grotesque figures. 1 marginal drawing of a grotesque figure, in