• Detail of historiated initial 'D'(ixit) with God appearing to a standing figure at the beginning of Psalm 52., Psalter (the 'Psalter of Queen Philippa'), with a calendar (ff. 2-7v), Psalms (ff. 8-109), Canticles (ff. 109-116v), prayers and litany

of the other Psalms and Canticles, including faces, heraldry, and animals. Small initials in gold on blue, red, and white grounds. Line-fillers in blue and gold or red and gold and white, some with white flowers, fish, or faces. Psalter

• Historiated initial 'S'(alvum) with Christ, holding a globe and flanked by angels, appearing to the drowning king David., Psalter (the 'Psalter of Queen Philippa'), with a calendar (ff. 2-7v), Psalms (ff. 8-109), Canticles (ff. 109-116v), prayers and litany

of the other Psalms and Canticles, including faces, heraldry, and animals. Small initials in gold on blue, red, and white grounds. Line-fillers in blue and gold or red and gold and white, some with white flowers, fish, or faces. Psalter

• Detail of historiated initial 'S'(alvum) with God holding a globe of the world with angels censing, and below, a naked king in water, at the beginning of Psalm 68., Psalter (the 'Psalter of Queen Philippa'), with a calendar (ff. 2-7v), Psalms (ff. 8-109), Canticles (ff. 109-116v), prayers and litany

of the other Psalms and Canticles, including faces, heraldry, and animals. Small initials in gold on blue, red, and white grounds. Line-fillers in blue and gold or red and gold and white, some with white flowers, fish, or faces. Psalter

• Detail of historiated initial 'E'(xultate) with a king playing bells at the beginning of Psalm 80., Psalter (the 'Psalter of Queen Philippa'), with a calendar (ff. 2-7v), Psalms (ff. 8-109), Canticles (ff. 109-116v), prayers and litany

of the other Psalms and Canticles, including faces, heraldry, and animals. Small initials in gold on blue, red, and white grounds. Line-fillers in blue and gold or red and gold and white, some with white flowers, fish, or faces. Psalter

• Detail of an historiated initial 'C'(antate) of monks singing at a lectern, at the beginning of Psalm 97., Psalter (the 'Psalter of Queen Philippa'), with a calendar (ff. 2-7v), Psalms (ff. 8-109), Canticles (ff. 109-116v), prayers and litany

of the other Psalms and Canticles, including faces, heraldry, and animals. Small initials in gold on blue, red, and white grounds. Line-fillers in blue and gold or red and gold and white, some with white flowers, fish, or faces. Psalter

• Decorated initial 'A'(usculta) with a foliate motif, in colours, at the beginning of the Benedictine Rule., Martyrology (ff. 14-132), Benedictine Rule, list of founders and benefactors, litany, imperfect at the beginning

35, 46, 59, 71, 83, 96v, 109, 121v, 134). Initials in red, blue, or green, some with penwork decoration in the other colours. Numerals in red or blue. Rubrics in red. Martyrology (ff. 14-132), Benedictine Rule, list of founders and

• Miniature of the Crucifixion, with the Virgin and John the Evangelist, at the beginning of the Te igitur in a Missal., Missal

113, 156v, 170v, 197v, 221, 232, 281). 1 small puzzle initial in red and blue (f. 271v). Large and small initials in plain red or blue. Cadels (e.g. f. 122). F. 10v by another hand than ff. 146v, 147. Missal

• Miniature with a dead landscape, at the beginning of Philippus Albericus's De mortis effectibus, on the facing page a brief prose letter addressed to Joachim Bretoner., Tabula Cebetis, De mortis effectibus and other poems

red ground (f. 21). 1 small initial in gold on a blue ground (f. 24). Capital letters at the beginning of a line written alternately in red or blue. Tabula Cebetis, De mortis effectibus and other poems Dedicated to Henry

• Miniature with Cebes and an Old Man pointing to the Tabula Cebetis, facing a decorated initial with a full border, at the beginning of Philippus Albericus's Tabula Cebetis. A foreigner, Cebes, enters the temple of Saturn. He sees a painted tablet, now worn by withering age, the meaning of which he was not at all able to make out. An Old Man, who was a native of the place, saw that he and his companions were uncertain about the picture. When asked by Cebes, he uncovered the meanings veiled in the figures and, taking up a pointer, he explained the whole thing in order (see Carlson 1993)., Tabula Cebetis, De mortis effectibus and other poems

red ground (f. 21). 1 small initial in gold on a blue ground (f. 24). Capital letters at the beginning of a line written alternately in red or blue. Tabula Cebetis, De mortis effectibus and other poems Dedicated to Henry

• Miniature with allegories failed by Fortune, facing a decorated initial 'A'(lter), at the beginning of the second circle of Philippus Albericus's Tabula Cebetis. Those whom Fortune has enriched beforehand lead a congenial life. Vainglory, Gluttony, and Pleasure embrace them. But when Fortune's gifts fail them, these people are immediately driven away; in order to recover their previous way of life, some take to murder, others to theft, and many to swearing falsely by the gods, for little reward. But some are shut up in a dark building, and these Sorrow, Lament, and Punishment afflict with sufferings. Whence they are lead to a glittering hall; when they have been purged of their crimes there, they are able to return to a better life. Penance batters the door with her rod and continually excites their hearts to honest deeds (see Carlson 1993)., Tabula Cebetis, De mortis effectibus and other poems

red ground (f. 21). 1 small initial in gold on a blue ground (f. 24). Capital letters at the beginning of a line written alternately in red or blue. Tabula Cebetis, De mortis effectibus and other poems Dedicated to Henry

• Text in two columns surrounded by a full-page border inset with roundels containing insects., 2 leaves from a prose treatise on the Seven Vices (index Cocharelli Treatise)

in the lower borders, in colours and gold (ff. 1, 2v). Large and small initials in gold on red and blue grounds. Line fillers made of insects like caterpillars, etc (f. 2). 2 leaves from a prose treatise on the

• Text on the vice of treachery, surrounded by scenes of murder in the top, right and bottom margins., 2 leaves from a prose treatise on the Seven Vices (index Cocharelli Treatise)

in the lower borders, in colours and gold (ff. 1, 2v). Large and small initials in gold on red and blue grounds. Line fillers made of insects like caterpillars, etc (f. 2). 2 leaves from a prose treatise on the

• Text in two columns surrounded by a full-page foliate border inset with roundels containing insects in the lower margin., 2 leaves from a prose treatise on the Seven Vices (index Cocharelli Treatise)

in the lower borders, in colours and gold (ff. 1, 2v). Large and small initials in gold on red and blue grounds. Line fillers made of insects like caterpillars, etc (f. 2). 2 leaves from a prose treatise on the

• Miniature of a hunting party, with birds around the margins., 2 leaves from a prose treatise on the Seven Vices (index Cocharelli Treatise)

in the lower borders, in colours and gold (ff. 1, 2v). Large and small initials in gold on red and blue grounds. Line fillers made of insects like caterpillars, etc (f. 2). 2 leaves from a prose treatise on the

• Illuminated initials., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Historiated initial 'B'(eatus) with a Tree of Jesse, and historiated border with nine roundels with scenes from Genesis: Creation of the World; Creation of Adam and Eve; the Tree of Knowledge; Expulsion from the Garden;Toiling the earth; Cain and Abel; Building the Ark; the Great Flood; the Drunkenness of Noah; three busts appear in quatrefoil at the top of the border; animals, birds, laborers, and fantastic creatures inhabit the borders and margins; at the bottom border, a woman and a man in the arms of the St Omer family kneel in reverence, at the beginning of Psalm 1., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Historiated initial 'D'(ixit insipiens) of a seated king David with knights and a disputing fool, and historiated border with eight roundels of scenes from the lives of Moses and Samson, at the beginning of Psalm 52., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Miniature of Jonah and the Whale, including a small initial 'S'(alvum), and a historiated border with eight roundels of scenes from the Old Testament, with cycles of the Battle of the Philistines and the building of Solomon's Temple, at the beginning of Psalm 68., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Miniature of the anointing and crowning of David, and foliate borders painted over the 14th-century pattern, at the beginning of Psalm 26., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Historiated initial 'D'(ixit) of the Last Judgement, and an historiated border with eight roundels narrating the Passion cycle from the Arrest of Christ to the Pentecost, at the beginning of Psalm 109., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')