• Decorated initial 'H'(eri) with foliate decoration at the beginning of the sermon of Fulgentius for the feast of Stephen, at the beginning fo the Sanctorale., Breviary, or Nocturnal, Cistercian Use (see Notes)

239, 258, 270, 288, 327). Small initials in gold on a field of pink and blue (ff. 10v, 13, 15v, etc.). Small initials in blue, pen-flourished in red. Breviary, or Nocturnal, Cistercian Use (see Notes) An unidentified Cistercian house, probably

• Detail of an illuminated initial., Breviary, or Nocturnal, Cistercian Use (see Notes)

239, 258, 270, 288, 327). Small initials in gold on a field of pink and blue (ff. 10v, 13, 15v, etc.). Small initials in blue, pen-flourished in red. Breviary, or Nocturnal, Cistercian Use (see Notes) An unidentified Cistercian house, probably

• Detail of marginal drawing of a man shooting an arrow at a bird., Ab urbe condita: first (ff. 1-113), third (ff. 113-213), and fourth (ff. 214-290v) decades

a bird. 2 historiated initials (f. 65, 222). Large puzzle initials in red and blue with flourishing in the same colours. Small initials in red with blue penwork decoration, or vice versa. Cadells. Most of the rest of the decoration

• Illuminated initial 'D'(ixi)., Breviary, or Nocturnal, Cistercian Use (see Notes)

239, 258, 270, 288, 327). Small initials in gold on a field of pink and blue (ff. 10v, 13, 15v, etc.). Small initials in blue, pen-flourished in red. Breviary, or Nocturnal, Cistercian Use (see Notes) An unidentified Cistercian house, probably

• Illuminated intial., Breviary, or Nocturnal, Cistercian Use (see Notes)

239, 258, 270, 288, 327). Small initials in gold on a field of pink and blue (ff. 10v, 13, 15v, etc.). Small initials in blue, pen-flourished in red. Breviary, or Nocturnal, Cistercian Use (see Notes) An unidentified Cistercian house, probably

• Decorated initials., Breviary, or Nocturnal, Cistercian Use (see Notes)

239, 258, 270, 288, 327). Small initials in gold on a field of pink and blue (ff. 10v, 13, 15v, etc.). Small initials in blue, pen-flourished in red. Breviary, or Nocturnal, Cistercian Use (see Notes) An unidentified Cistercian house, probably

• Miniature of the Crucifixion, with the Virgin and John the Evangelist, at the beginning of the Te igitur in a Missal., Missal

113, 156v, 170v, 197v, 221, 232, 281). 1 small puzzle initial in red and blue (f. 271v). Large and small initials in plain red or blue. Cadels (e.g. f. 122). F. 10v by another hand than ff. 146v, 147. Missal

• Miniature with a dead landscape, at the beginning of Philippus Albericus's De mortis effectibus, on the facing page a brief prose letter addressed to Joachim Bretoner., Tabula Cebetis, De mortis effectibus and other poems

red ground (f. 21). 1 small initial in gold on a blue ground (f. 24). Capital letters at the beginning of a line written alternately in red or blue. Tabula Cebetis, De mortis effectibus and other poems Dedicated to Henry

• Miniature with Cebes and an Old Man pointing to the Tabula Cebetis, facing a decorated initial with a full border, at the beginning of Philippus Albericus's Tabula Cebetis. A foreigner, Cebes, enters the temple of Saturn. He sees a painted tablet, now worn by withering age, the meaning of which he was not at all able to make out. An Old Man, who was a native of the place, saw that he and his companions were uncertain about the picture. When asked by Cebes, he uncovered the meanings veiled in the figures and, taking up a pointer, he explained the whole thing in order (see Carlson 1993)., Tabula Cebetis, De mortis effectibus and other poems

red ground (f. 21). 1 small initial in gold on a blue ground (f. 24). Capital letters at the beginning of a line written alternately in red or blue. Tabula Cebetis, De mortis effectibus and other poems Dedicated to Henry

• Miniature with allegories failed by Fortune, facing a decorated initial 'A'(lter), at the beginning of the second circle of Philippus Albericus's Tabula Cebetis. Those whom Fortune has enriched beforehand lead a congenial life. Vainglory, Gluttony, and Pleasure embrace them. But when Fortune's gifts fail them, these people are immediately driven away; in order to recover their previous way of life, some take to murder, others to theft, and many to swearing falsely by the gods, for little reward. But some are shut up in a dark building, and these Sorrow, Lament, and Punishment afflict with sufferings. Whence they are lead to a glittering hall; when they have been purged of their crimes there, they are able to return to a better life. Penance batters the door with her rod and continually excites their hearts to honest deeds (see Carlson 1993)., Tabula Cebetis, De mortis effectibus and other poems

red ground (f. 21). 1 small initial in gold on a blue ground (f. 24). Capital letters at the beginning of a line written alternately in red or blue. Tabula Cebetis, De mortis effectibus and other poems Dedicated to Henry

• Text in two columns surrounded by a full-page border inset with roundels containing insects., 2 leaves from a prose treatise on the Seven Vices (index Cocharelli Treatise)

in the lower borders, in colours and gold (ff. 1, 2v). Large and small initials in gold on red and blue grounds. Line fillers made of insects like caterpillars, etc (f. 2). 2 leaves from a prose treatise on the

• Text on the vice of treachery, surrounded by scenes of murder in the top, right and bottom margins., 2 leaves from a prose treatise on the Seven Vices (index Cocharelli Treatise)

in the lower borders, in colours and gold (ff. 1, 2v). Large and small initials in gold on red and blue grounds. Line fillers made of insects like caterpillars, etc (f. 2). 2 leaves from a prose treatise on the

• Text in two columns surrounded by a full-page foliate border inset with roundels containing insects in the lower margin., 2 leaves from a prose treatise on the Seven Vices (index Cocharelli Treatise)

in the lower borders, in colours and gold (ff. 1, 2v). Large and small initials in gold on red and blue grounds. Line fillers made of insects like caterpillars, etc (f. 2). 2 leaves from a prose treatise on the

• Puzzle initial 'C' with pen-flourishing extending into the margin., Geoffrey's 'Historia regum Britanniae' (index Gesta Britonum, De gestis Britonum), dedicated to Robert of Gloucester (ff. 2-49), Guido's 'Historia destructionis Troiae' (index Historia troiana; History of the Trojan war; De casu Troiae; De bello troiano) (ff. 54-126), preceded by a table of contents (ff. 50-53)

occurred with consequent loss of text. Puzzle initials and plain initials with pen-flourishing extending into the border in red and blue. Initials and rubrics in red. Small initials highlighted in red. Geoffrey's 'Historia regum Britanniae' (index Gesta Britonum, De gestis

• Miniature of a hunting party, with birds around the margins., 2 leaves from a prose treatise on the Seven Vices (index Cocharelli Treatise)

in the lower borders, in colours and gold (ff. 1, 2v). Large and small initials in gold on red and blue grounds. Line fillers made of insects like caterpillars, etc (f. 2). 2 leaves from a prose treatise on the

• Partial border with decorated initials 'Y' and 'T'., New Testament: Romans to Jude

a paper one.Quire signatures in Latin letters. Partial gold foliate borders with 56 initials in gold on blue and red grounds (ff. 4 (x 2), 7, 41v, 74, 95v, 105v, 118, 119, 126 (x 2), 127, 134, 135 (x 2),

• Illuminated initials., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Historiated initial 'B'(eatus) with a Tree of Jesse, and historiated border with nine roundels with scenes from Genesis: Creation of the World; Creation of Adam and Eve; the Tree of Knowledge; Expulsion from the Garden;Toiling the earth; Cain and Abel; Building the Ark; the Great Flood; the Drunkenness of Noah; three busts appear in quatrefoil at the top of the border; animals, birds, laborers, and fantastic creatures inhabit the borders and margins; at the bottom border, a woman and a man in the arms of the St Omer family kneel in reverence, at the beginning of Psalm 1., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Historiated initial 'D'(ixit insipiens) of a seated king David with knights and a disputing fool, and historiated border with eight roundels of scenes from the lives of Moses and Samson, at the beginning of Psalm 52., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Miniature of Jonah and the Whale, including a small initial 'S'(alvum), and a historiated border with eight roundels of scenes from the Old Testament, with cycles of the Battle of the Philistines and the building of Solomon's Temple, at the beginning of Psalm 68., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')