• Detail of a miniature of God enthroned holding a globe with two angels supporting a papal tiara above him, and four Evangelists writing on scrolls with their symbols, at the beginning of the prologue., Bible historiale complétée moyenne (the 'Bible Historiale of John the Good')

gold with ivy extensions. Initials in gold with blue pen-flourishing, or in blue with red pen-flourishing. Line-fillers in red and blue, or blue and gold. Running titles in gold and blue with blue and red pen-flourishing. Bible historiale complétée moyenne

• Detail of two scenes in the bas-de-page: Samson with the gates of Gaza and Solomon setting the three sons to shoot at their father's corpse to prove their legitimacy, at the beginning of the prologue., Bible historiale complétée moyenne (the 'Bible Historiale of John the Good')

gold with ivy extensions. Initials in gold with blue pen-flourishing, or in blue with red pen-flourishing. Line-fillers in red and blue, or blue and gold. Running titles in gold and blue with blue and red pen-flourishing. Bible historiale complétée moyenne

• Foliate initial 'R'(everendo) at the beginning of the prologue; a historiated initial 'I'(mperatorie) of three heads of kings, at the beginning of the Historia Scholastica, and a foliate initial 'I'(n principio), at the beginning of the chapter 'De creatione empyrei et quatuor elementorum', with an inscription stating that the book was given to the cathedral priory of St. Andrew, Rochester by Radulphus de Stoke, and numbered III, reading 'III Per Radulphu[m] de Stoke mo[nacu]m. Li/ber histo[riarum] scolastica[rum] de claustro / Roffens[i] q[ue]m q[ui] inde alienav[er]it alienatu[m] / celav[er]it vel hu[n]c titulu[m] in fraude[m] delev[er]it / Anathema sit Amen./'., Historia scolastica

initial in red and blue (f. 144). Initials in red with blue, or red and blue pen-flourishing, or in blue with red or red and blue pen-flourishing, some initials in green with red or red and blue pen-flourishing (ff. 25-32v

• Inscription recording a pledge of the book by Thomas Wybarn, monk of Rochester, in 1468 with 3 other books, in Chichele chest, Oxford, reading 'Liber Sexti cum glossa ordinaria', ' Magister Sententiarum' [Petrus Lombardus], and 'Originalia Anselmi: 'Caucio Tho[m]e Wybarn. ...in cista de chichele a[nn]o d[omini] m cccc sexa[gesi]mo octavo / vincesimo die m[en]sis augusti...'., Historia scolastica

initial in red and blue (f. 144). Initials in red with blue, or red and blue pen-flourishing, or in blue with red or red and blue pen-flourishing, some initials in green with red or red and blue pen-flourishing (ff. 25-32v

• Miniature in four compartments: 1. Solomon instructing Rehoboam; 2. The Judgement of Solomon; 3. Solomon and three men; 4. Solomon setting the three sons to shoot at their father's corpse to prove their legitimacy, with a full border containing birds and two hybrids, a lion, and an ape in the bas-de-page, at the beginning of Proverbs., Bible historiale complétée moyenne (the 'Bible Historiale of John the Good')

gold with ivy extensions. Initials in gold with blue pen-flourishing, or in blue with red pen-flourishing. Line-fillers in red and blue, or blue and gold. Running titles in gold and blue with blue and red pen-flourishing. Bible historiale complétée moyenne

• Historiated initial 'C'(este) of a bishop (probably saint Edmund) holding a mirror, with a partial foliate bar border with a dragon and a dog chasing a hare, at the beginning of the Speculum ecclesiae., Livre de Sydrac (index Book of Sydrac; Book of Sidrac; La Fontaine de toutes sciences; Le Tresor des sciences; Le Roman du philosophe Sydrac)(ff. 1-140); Edmund's 'Mireour de seinte eglise' (index Speculum ecclesiae; Miroir de sainte eglise; Mirror of the church)(ff. 141-156); a short text in Latin attributed to Ambrose (f. 156); La vie nostre dame seinte marie' (f. 156); Robert Grosseteste's Commencement du monde (ff. 156-168)

ff. 2v, 49v, 57v, 99v, 102, 108v, 132, 132v, etc.), or with simpler blue pen-flourishing (from f. 141). Paraphs in red or blue. Line-fillers in red and/or blue, often in the shape of a fish (e.g., ff. 2v, 11). Livre

• Penwork initial 'H'(ec) with the head of a black man wearing a mitre, at the beginning of the table of contents., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Circular design, inscribed 'Liber sancte marie virginis in monasterio Eberbacensi'., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Puzzle initial 'F'(undamentum) and three-sided border with an Agnus dei and heraldic arms, at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Circular design, inscribed 'Liber sancte marie virginis in monasterio Eberbacensi'., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Puzzle initial 'F'(undamentum), at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Part of the border with an Agnus dei, at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Part of the border with the arms of the Rotenhan family of Bamberg, at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Penwork initial 'H'(ec) with the head of a black man wearing a mitre, at the beginning of the table of contents., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Text page with coloured and illuminated initials., Bible historiale complétée moyenne (the 'Bible Historiale of John the Good')

gold with ivy extensions. Initials in gold with blue pen-flourishing, or in blue with red pen-flourishing. Line-fillers in red and blue, or blue and gold. Running titles in gold and blue with blue and red pen-flourishing. Bible historiale complétée moyenne

• Foliate initial 'D'(omine) with an instruction for illuminator 'oro' next to it, at the beginning of Matins., Book of Hours of the Sorrows of the Virgin

17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in

• Initial-word panels with penwork decoration., Commentary on the Pentateuch

(f. 138v). Numerous initial-word panels with penwork decoration and pen-flourishing, in red, mauve and blue ink. Numerous embellished bands with penwork decoration, in red, mauve and blue ink. 8 marginal decorations in red mauve ink (ff. 108, 108v, 111, 123,

• Initial-word panels with penwork decoration at the beginning of the commentary on Leviticus., Commentary on the Pentateuch

(f. 138v). Numerous initial-word panels with penwork decoration and pen-flourishing, in red, mauve and blue ink. Numerous embellished bands with penwork decoration, in red, mauve and blue ink. 8 marginal decorations in red mauve ink (ff. 108, 108v, 111, 123,

• Carpet page with penwork decoration (f. 138v) and initial-word panel with penwork decoration and pen-flourishing at the beginning of the commentary on Numbers., Commentary on the Pentateuch

(f. 138v). Numerous initial-word panels with penwork decoration and pen-flourishing, in red, mauve and blue ink. Numerous embellished bands with penwork decoration, in red, mauve and blue ink. 8 marginal decorations in red mauve ink (ff. 108, 108v, 111, 123,

• Initial-word panels with penwork decoration., Commentary on the Pentateuch

(f. 138v). Numerous initial-word panels with penwork decoration and pen-flourishing, in red, mauve and blue ink. Numerous embellished bands with penwork decoration, in red, mauve and blue ink. 8 marginal decorations in red mauve ink (ff. 108, 108v, 111, 123,