• Text on the vice of treachery, surrounded by scenes of murder in the top, right and bottom margins., 2 leaves from a prose treatise on the Seven Vices (index Cocharelli Treatise)

in the lower borders, in colours and gold (ff. 1, 2v). Large and small initials in gold on red and blue grounds. Line fillers made of insects like caterpillars, etc (f. 2). 2 leaves from a prose treatise on the

• Text in two columns surrounded by a full-page foliate border inset with roundels containing insects in the lower margin., 2 leaves from a prose treatise on the Seven Vices (index Cocharelli Treatise)

in the lower borders, in colours and gold (ff. 1, 2v). Large and small initials in gold on red and blue grounds. Line fillers made of insects like caterpillars, etc (f. 2). 2 leaves from a prose treatise on the

• Detail of a coloured drawing of a man poking a knife into Christ on the cross., Various works including the tale of Adam of Bristol (ff. 19-27v) and 'Les trente et troys folis' (in French verse; ff. 27v-31v)

1808. Drawing in colours of the Crucifixion (f. 22). Historiated initial in colours (f. 22). Puzzle initial in red and blue (f. 19). Paraphs in red. Various works including the tale of Adam of Bristol (ff. 19-27v) and 'Les trente

• Decorated foliate initial 'A'(dventus) at the beginning of Florus's Epitome bellorum, and foliate border with heraldic arms., Epitome bellorum omnium annorum DCC

gold ground (f. 1, perhaps 19th-century ?), with a three-sided border incorporating heraldic arms. Small initials alternately plain red or blue, often in unusual angular forms. Epitome bellorum omnium annorum DCC An ecclesiastical member of the Capra family, perhaps Bartolomeo

• Miniature of a hunting party, with birds around the margins., 2 leaves from a prose treatise on the Seven Vices (index Cocharelli Treatise)

in the lower borders, in colours and gold (ff. 1, 2v). Large and small initials in gold on red and blue grounds. Line fillers made of insects like caterpillars, etc (f. 2). 2 leaves from a prose treatise on the

• Text page., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

the beginning of prologues (ff. 1v, 170). Initials in gold on red grounds, at the beginning of chapters. Red or blue initials throughout the text, running titles in red. The name of 'Iesus' in the Vulgate text in gold and

• Text page., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

the beginning of prologues (ff. 1v, 170). Initials in gold on red grounds, at the beginning of chapters. Red or blue initials throughout the text, running titles in red. The name of 'Iesus' in the Vulgate text in gold and

• Text page., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

the beginning of prologues (ff. 1v, 170). Initials in gold on red grounds, at the beginning of chapters. Red or blue initials throughout the text, running titles in red. The name of 'Iesus' in the Vulgate text in gold and

• Text page., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

the beginning of prologues (ff. 1v, 170). Initials in gold on red grounds, at the beginning of chapters. Red or blue initials throughout the text, running titles in red. The name of 'Iesus' in the Vulgate text in gold and

• Illuminated initials., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Historiated initial 'B'(eatus) with a Tree of Jesse, and historiated border with nine roundels with scenes from Genesis: Creation of the World; Creation of Adam and Eve; the Tree of Knowledge; Expulsion from the Garden;Toiling the earth; Cain and Abel; Building the Ark; the Great Flood; the Drunkenness of Noah; three busts appear in quatrefoil at the top of the border; animals, birds, laborers, and fantastic creatures inhabit the borders and margins; at the bottom border, a woman and a man in the arms of the St Omer family kneel in reverence, at the beginning of Psalm 1., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Historiated initial 'D'(ixit insipiens) of a seated king David with knights and a disputing fool, and historiated border with eight roundels of scenes from the lives of Moses and Samson, at the beginning of Psalm 52., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Miniature of Jonah and the Whale, including a small initial 'S'(alvum), and a historiated border with eight roundels of scenes from the Old Testament, with cycles of the Battle of the Philistines and the building of Solomon's Temple, at the beginning of Psalm 68., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Miniature of the anointing and crowning of David, and foliate borders painted over the 14th-century pattern, at the beginning of Psalm 26., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Historiated initial 'D'(ixit) of the Last Judgement, and an historiated border with eight roundels narrating the Passion cycle from the Arrest of Christ to the Pentecost, at the beginning of Psalm 109., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Book-plates of Henry Yates Thompson noting the number of the Ashburnham Appendix, and below, Yates Thompson's own., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Detail of an historiated initial 'B'(eatus) with a Tree of Jesse, at the beginning of Psalm 1., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Detail of border illuminations containing scenes from Genesis, at the beginning of Psalm 1., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Illuminated initials and line fillers., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Detail of an historiated initial 'D'(ixit) of a seated king David with knights and a disputing fool, at the beginning of Psalm 52., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')