• Miniature of a debate between a clerk and a knight in a garden, before the king of France and the personifications of Spiritual Power in a Franciscan habit, and Temporal Power represented as a queen, with the author sleeping, at the beginning of the text., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Detail of an historiated initial 'A'(postate) of a tonsured ex-cleric, armed with a sword and a shield and his black habit on the ground, facing an abbot., Omne Bonum (Absolucio-Circumcisio)

armed with a sword and a shield and his black habit on the ground, facing an abbot. The only known, and probably autograph copy of the Omne Bonum of James le Palmer, being a general encyclopaedia arranged in alphabetical order.

• Puzzle initial 'D'(icco), at the beginning of book 6 of Bartholomaeus Anglicus's De proprietatibus rerum., De proprietatibus rerum, with an index in a later hand (ff. 388-392)

Anglicus's De proprietatibus rerum. Large and smaller puzzle initials in red and blue with pen-flourishing in blue and red. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. De proprietatibus rerum, with an index in a

• Illuminated initial., Alchemical tracts, including the Secretum secretorum, imperfect

with foliage decoration, damaged (f. 100v). Large initials in blue with red penwork decoration, and in red with blue penwork decoration. Small initials in red or blue. Paraphs in red or blue. Highlighting of letters in red. Alchemical tracts, including

• Puzzle initial 'A(nno), with penwork decoration in the form of leaves., Polychronicon to the year 1352, with table

with penwork decoration in the form of leaves. Puzzle initials in red and blue with red and blue penwork decoration extending into the margin. Large initials in blue or red with penwork decoration, often extendinig into the margins, and in

• Manuscripts of the West Midlands

infill of blue penwork. Along the top and left margins are two faint blue lines extending from the capital across the folio and flanked either side by red, and blue penwork motifs forming a two-sided border. A blue trefoil leaf

• Manuscripts of the West Midlands

(Doyle, 1987, pp. 11-12). One-line coloured (normally blue or red) or gold initials, which normally have contrasted and alternating penwork. Quires 32-36, and 41 have one-line gold initials with brown penwork and blue or orange paraphs. Quires 44-47 have violet

• Manuscripts of the West Midlands

begins with a blue initial with the remainder in red. Item 10.2: Four-line blue initial C surrounded by red penwork box around. Rubric in red. Some words underlined in red. Red paraphs. Blue paraphs. Red and blue line fillers. Not

• Manuscripts of the West Midlands

with historiated initial D depicting the Virgin with child Christ. Virgin in blue with a red throne on a gold filigree ground. Bar-frame border with burgundy and blue vine and a gold bar. Interlace at the corner with a cluster

• Manuscripts of the West Midlands

a border in red and blue. Four-line blue initials with red infill and red penwork flourishing into left margin form other divisions in the text. Further two-line blue initials with red penwork flourishing. Red and blue paraphs. Not medieval. Size:

• London

churches with crosses, two castles, wall with one gate, white paint, blue roofs, round windows and portcullis in silver leaf, now tarnished, spires in gold leaf Icons decoration decoration decorated roofs gate castles (multiple) churches with cross (mutliple) Description Appearances

• Plynlimon

mountains, scarcely visible, omitted from the OS 1935 reproduction (Parsons) Early Maps plu(n)loth (Totius Britanniae; circle with wavy lines on blue background) Overwritten no Attested spelling Plimlvmon 1476; earlier forms include the first element in the form Pum-/Pimp-/Pym-; the name