• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• Embroidered chemise binding of crimson velvet with seed pearls and silver thread with Prince Henry's badge and motto., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Upper cover of the binding, of gold-tooled red leather., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Detail of a miniature of the Creation of the sky and the water., Omne Bonum (Absolucio-Circumcisio)

ff. 15v, 16v, 19). Sketches for illuminators next to historiated initials (ff. 205, 205v, 206, 237, 238, 239v-242v). Initials in blue with red pen-flourishing. Running titles and titles in the margins in red frames with numbers in red. Numerous human

• Detail of a miniature of the Fall., Omne Bonum (Absolucio-Circumcisio)

ff. 15v, 16v, 19). Sketches for illuminators next to historiated initials (ff. 205, 205v, 206, 237, 238, 239v-242v). Initials in blue with red pen-flourishing. Running titles and titles in the margins in red frames with numbers in red. Numerous human

• Four miniatures: 1. the Ark with the dove and the rave; 2. the Sin of Ham; 3. the building of the Tower of Babel; 4. the separation of Abraham and Lot., Omne Bonum (Absolucio-Circumcisio)

ff. 15v, 16v, 19). Sketches for illuminators next to historiated initials (ff. 205, 205v, 206, 237, 238, 239v-242v). Initials in blue with red pen-flourishing. Running titles and titles in the margins in red frames with numbers in red. Numerous human

• Four miniatures: 1. Abraham and five captive kings; 2. the Circumcision of Abraham; 3. the burning of Sodom; 4. the Sacrifice of Isaac., Omne Bonum (Absolucio-Circumcisio)

ff. 15v, 16v, 19). Sketches for illuminators next to historiated initials (ff. 205, 205v, 206, 237, 238, 239v-242v). Initials in blue with red pen-flourishing. Running titles and titles in the margins in red frames with numbers in red. Numerous human

• Detail of a miniature of the Circumcision of Abraham., Omne Bonum (Absolucio-Circumcisio)

ff. 15v, 16v, 19). Sketches for illuminators next to historiated initials (ff. 205, 205v, 206, 237, 238, 239v-242v). Initials in blue with red pen-flourishing. Running titles and titles in the margins in red frames with numbers in red. Numerous human

• Four miniatures: 1. the anointing of Saul; 2. David playing the harp before Saul; 3. David and Goliath; 4. the anointing of David., Omne Bonum (Absolucio-Circumcisio)

ff. 15v, 16v, 19). Sketches for illuminators next to historiated initials (ff. 205, 205v, 206, 237, 238, 239v-242v). Initials in blue with red pen-flourishing. Running titles and titles in the margins in red frames with numbers in red. Numerous human

• Four miniatures: 1. the Judgement of Solomon; 2. the building of the Temple; 3. Judith killing Holofernes; 4. Esther, Ahasuerus and the death of Haman., Omne Bonum (Absolucio-Circumcisio)

ff. 15v, 16v, 19). Sketches for illuminators next to historiated initials (ff. 205, 205v, 206, 237, 238, 239v-242v). Initials in blue with red pen-flourishing. Running titles and titles in the margins in red frames with numbers in red. Numerous human

• Four miniatures: 1. Job on the dung heap; 2. Solomon instructing children; 3. Solomon and the bride; 4. prophets with scrolls., Omne Bonum (Absolucio-Circumcisio)

ff. 15v, 16v, 19). Sketches for illuminators next to historiated initials (ff. 205, 205v, 206, 237, 238, 239v-242v). Initials in blue with red pen-flourishing. Running titles and titles in the margins in red frames with numbers in red. Numerous human

• Detail of a miniature of the Nativity., Omne Bonum (Absolucio-Circumcisio)

ff. 15v, 16v, 19). Sketches for illuminators next to historiated initials (ff. 205, 205v, 206, 237, 238, 239v-242v). Initials in blue with red pen-flourishing. Running titles and titles in the margins in red frames with numbers in red. Numerous human

• Detail of a miniature of the Annunciation., Omne Bonum (Absolucio-Circumcisio)

ff. 15v, 16v, 19). Sketches for illuminators next to historiated initials (ff. 205, 205v, 206, 237, 238, 239v-242v). Initials in blue with red pen-flourishing. Running titles and titles in the margins in red frames with numbers in red. Numerous human

• Four miniatures: 1. the Annunciation to the Shepherds; 2. the Adoration of the Magi; 3. the Massacre of the Innocents; 4. the Presentation in the Temple., Omne Bonum (Absolucio-Circumcisio)

ff. 15v, 16v, 19). Sketches for illuminators next to historiated initials (ff. 205, 205v, 206, 237, 238, 239v-242v). Initials in blue with red pen-flourishing. Running titles and titles in the margins in red frames with numbers in red. Numerous human

• Four miniatures: 1. Christ disputing in the Temple; 2. Christ sought by his parents; 3. the Miracle in Cana; 4. the Calling of Peter., Omne Bonum (Absolucio-Circumcisio)

ff. 15v, 16v, 19). Sketches for illuminators next to historiated initials (ff. 205, 205v, 206, 237, 238, 239v-242v). Initials in blue with red pen-flourishing. Running titles and titles in the margins in red frames with numbers in red. Numerous human

• Four miniatures: 1. the Baptism of Christ; 2. the Temptation of Christ; 3. Christ predicting the fate of the Temple; 4. the Sermon on the Mount., Omne Bonum (Absolucio-Circumcisio)

ff. 15v, 16v, 19). Sketches for illuminators next to historiated initials (ff. 205, 205v, 206, 237, 238, 239v-242v). Initials in blue with red pen-flourishing. Running titles and titles in the margins in red frames with numbers in red. Numerous human

• Four miniatures: 1. the Miracle of the loaves and fishes; 2. Christ healing the blind; 3. the miracle of the widow's son; 4. Christ walking on the water., Omne Bonum (Absolucio-Circumcisio)

ff. 15v, 16v, 19). Sketches for illuminators next to historiated initials (ff. 205, 205v, 206, 237, 238, 239v-242v). Initials in blue with red pen-flourishing. Running titles and titles in the margins in red frames with numbers in red. Numerous human