• null, Psalter ('The Felbrigge Psalter'), with a calendar, imperfect (lacking July and August), canticles, litany, and prayers

initials in blue with red penwork decoration, or in gold with blue penwork decoration. Line-fillers in red and blue or blue and gold, including in the form of fish (e.g., ff. 8, 8v, 14). Small initials in red, blue, or

• Illuminated initial 'O'(mnibus) at the beginning of the Missal., Missal, Use of Sarum

gold with dark blue pen-flourishing (or blue and red ink mixed together), or in blue with red pen-flourishing. Initials in brown ink with brown pen-flourishing including human faces introducing the music pieces (e.g., f. 14v). Paraphs in blue with red

• Initial 'P'(andere) with penwork decoration., Doctrinale (ff. 3- 62) with a commentary

very large initial in red with blue and red penwork decoration (f. 29). Large initials in red with blue penwork decoration or in blue with red penwork decoration. Smaller initials in red or blue, some with simple penwork decoration. Initials

• Foliate initial 'R'(everendo) at the beginning of the prologue; a historiated initial 'I'(mperatorie) of three heads of kings, at the beginning of the Historia Scholastica, and a foliate initial 'I'(n principio), at the beginning of the chapter 'De creatione empyrei et quatuor elementorum', with an inscription stating that the book was given to the cathedral priory of St. Andrew, Rochester by Radulphus de Stoke, and numbered III, reading 'III Per Radulphu[m] de Stoke mo[nacu]m. Li/ber histo[riarum] scolastica[rum] de claustro / Roffens[i] q[ue]m q[ui] inde alienav[er]it alienatu[m] / celav[er]it vel hu[n]c titulu[m] in fraude[m] delev[er]it / Anathema sit Amen./'., Historia scolastica

initial in red and blue (f. 144). Initials in red with blue, or red and blue pen-flourishing, or in blue with red or red and blue pen-flourishing, some initials in green with red or red and blue pen-flourishing (ff. 25-32v

• Inscription recording a pledge of the book by Thomas Wybarn, monk of Rochester, in 1468 with 3 other books, in Chichele chest, Oxford, reading 'Liber Sexti cum glossa ordinaria', ' Magister Sententiarum' [Petrus Lombardus], and 'Originalia Anselmi: 'Caucio Tho[m]e Wybarn. ...in cista de chichele a[nn]o d[omini] m cccc sexa[gesi]mo octavo / vincesimo die m[en]sis augusti...'., Historia scolastica

initial in red and blue (f. 144). Initials in red with blue, or red and blue pen-flourishing, or in blue with red or red and blue pen-flourishing, some initials in green with red or red and blue pen-flourishing (ff. 25-32v

• Penwork initial 'H'(ec) with the head of a black man wearing a mitre, at the beginning of the table of contents., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Circular design, inscribed 'Liber sancte marie virginis in monasterio Eberbacensi'., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Puzzle initial 'F'(undamentum) and three-sided border with an Agnus dei and heraldic arms, at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Historiated initial 'D'(omine) with the Annunciation, and full foliate borders, at the beginning of the Hours of the Virgin., Book of Hours, Use of Sarum

in gold with blue foliate pen-flourishing or in blue with red foliate pen-flourishing. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing or in red with blue pen-flourishing. Line-fillers decorated in red and blue. Decorated catchwords

• Miniature of the Virgin and Child, decorated foliate initial 'S'(alve), and full foliate borders, at the beginning of a prayer., Book of Hours, Use of Sarum

in gold with blue foliate pen-flourishing or in blue with red foliate pen-flourishing. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing or in red with blue pen-flourishing. Line-fillers decorated in red and blue. Decorated catchwords

• Circular design, inscribed 'Liber sancte marie virginis in monasterio Eberbacensi'., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Puzzle initial 'F'(undamentum), at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Part of the border with an Agnus dei, at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Part of the border with the arms of the Rotenhan family of Bamberg, at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Penwork initial 'H'(ec) with the head of a black man wearing a mitre, at the beginning of the table of contents., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Puzzle initial 'T'(hese), at the beginning of Exodus, and pen-flourished initial 'A'(ftir), at the beginning of chapter 2 of Exodus., Wycliffite Bible, in the later version (from Genesis to Job), with glosses

volume is Harley 5017.Catchwords and bifolium signatures. Puzzle initials in red and blue with red and violet pen-flourishing, at the beginning of biblical books and smaller initials in blue with red pen-flourishing throughout the text. Running titles and chapter numbers

• Foliate initial 'D'(omine) with an instruction for illuminator 'oro' next to it, at the beginning of Matins., Book of Hours of the Sorrows of the Virgin

17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in

• Detail of a foliate initial 'D'(omine) with an instruction for illuminator 'oro' next to it, at the beginning of Matins., Book of Hours of the Sorrows of the Virgin

17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in

• Decorated initials on a text page., Book of Hours of the Sorrows of the Virgin

17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in

• Decorated initials on a text page., Book of Hours of the Sorrows of the Virgin

17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in