• Detail of a miniature of the Entry into Jerusalem, at the beginning of the Passion of Christ., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Detail of a miniature of the Crucifixion, at the beginning of the Hours of the Cross., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Detail of a miniature of the Annunciation to the shepherds, at the beginning of Terce in the Hours of the Virgin., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Illuminated initials at the beginning of prayers to the Virgin., Book of Hours

colours and gold, sometimes with foliate feathering extending into the margins. Initials in blue with red pen-flourishing or in gold with dark blue pen-flourishing. Line-fillers in blue and gold. Many initials have been excised; all folios with miniatures or large

• Miniature of the Entry into Jerusalem, with a decorated initial 'D'(omine) and a full foliate border, at the beginning of the Passion of Christ., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Miniature of the Virgin of Humility with the patron kneeling in front of her, with a decorated initial 'D'(omine) and a full foliate border, at the beginning of the Hours of the Virgin for Saturday., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Miniature of the Crucifixion, with a decorated initial 'D'(omine) and a full foliate border, at the beginning of the Hours of the Cross., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Miniature of God the Father, with a decorated initial 'D'(omine) and a full foliate border, at the beginning of the Penitential Psalms., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Miniature of the Annunciation to the shepherds, with a decorated initial 'D'(eus) and a full foliate border, at the beginning of Terce in the Hours of the Virgin., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Miniature of the Coronation of the Virgin, with a decorated initial 'C'(onverte) and a full foliate border, at the beginning of Compline in the Hours of the Virgin., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Miniature of the Coronation of the Virgin, with a decorated initial 'C'(onverte) and a full foliate border, at the beginning of Compline in the Hours of the Virgin., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Illuminated historiated initial 'E' at the beginning of Josua, probably inspired by Joshua 5:3, in which Joshua circumcises the Israelites who had been born after the Israelites fled from Egypt, with Josua characterised as an ugly hook-nosed Jew., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'P' at the beginning of II Kings, probably representing the events related in II Kings 24:11, in which King Nebuchadnezzar besieged and captured Jerusalem. This subject may have been chosen because it was relatively 'topical': Jerusalem had been captured in the Fourth Crusade just a few decades before this manuscript was made., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'T' at the beginning of Tobit, with Tobit on the left (his closed eyes signifying his blindness) sending out his son Tobias with the angel Raphael, instead of the more usual scene of the blinding of Tobit which is more typically is illustrated., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'E' at the beginning of I Maccabees of a man being executed for refusing to worship idols (I Macc. 1:52), and one of the many battles which occurred during the Maccabees' reign. In the extreme lower right-hand corner is the word 'emendatus', indicating that the text of this quire has been corrected., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'F' at the beginning of II Maccabees of a uncertain scene, but perhaps of Antiochus and his men in the temple of Nanea, and beheading the leader of the priests (II Macc. 1:13-16), with a soldier wearing a thirteenth-century style helmet., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'S' at the beginning of II Peter, of Peter addressing a group of men and a youth, identified by his usual attribute, the large key in his hand; his audience may be the 'false teachers' and 'false prophets' mentioned at the beginning of chapter 2., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'S's of Peter and John at the beginnings of II and III John. In the left-hand one John hands a book to Peter, below which are the children who are referred to several times in the short Epistle. In the right-hand initial Peter sits writing (his keys hanging from his wrist), instructed by John., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'L' of the nine orders of angels; in the seven large roundels are the Fall of the Rebel Angels and the Creation, and the Trinity enthroned; and in the six smaller roundels are scenes of Adam and Eve, Noah's Ark, the Tower of Babel, and the Sacrifice of Isaac at the beginning of Genesis., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'P' at the beginning of Judges, perhaps representing Judah as a seated tonsured judge with crossed legs, one hand pointing, the other at his neck holding the cords of his cloak., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters