• Decorated initials 'C'(orynthis) and 'P'(oul) at the prologue of 1 Corinthians., Wycliffite New Testament, later version with the usual prologues and table of lections (index tabulae lectionum, capitularia, lists of pericopes)

Laodiceans, which is imperfect at the end (f. 284).Added index (f. 285).Horizontal catchwords. Large puzzle initials in red and blue. Smaller blue initials with red pen-flourishing. Rubrics in red. Wycliffite New Testament, later version with the usual prologues and table

• Initials with pen-flourished decoration., Lanterne of Light, a Lollard text, imperfect

2324, edited by Swinburn in 1917 (see Fletcher and Hudson 2008). Large initials in blue with pen-flourished decoration in red. Rubrics in red. Paraphs in blue. Lanterne of Light, a Lollard text, imperfect With occasional contemporary marginal notes.Thomas Gawdy (b.

• Initial 'C'(um) with pen-flourishing, at the beginning of Johannes Halgrinus de Abbatisvilla's Sermones de tempore per annum, and the inscription of the Cistercian monastery of Eberbach in the lower margin., Sermones de tempore per annum

inscription of the Cistercian monastery of Eberbach in the lower margin. Large and small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Sermones de tempore per annum The Cistercian abbey of St Mary, Eberbach (today Erbach

• Illuminated historiated initial, with Moses (identified by his horns) facing a group of Israelites, making a gesture of speaking (or perhaps counting?) at the beginning of Deuteronomy. The blue ground-line on which they all stand is in fact a serpent., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'H' at the beginning of Exodus, with Moses (identified by his horns) parting the Red Sea (depicted a vertical blue and red wavy lines), in the upper margin is a pencil instruction indicating the opening words which had been deliberately omitted by the scribe, to be executed in gold by the artist., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated initial 'D' in colours and gold with foliate decoration including acanthus leaves, ivy, and foliate feathering extending into the margins to form a partial border, including a male figure., Confessio amantis, imperfect

gold with purple (occasionally faded to grey; often combined with blue; including a dragon (f. 102v), a hybrid creature and male face (f. 109)) or ochre pen-flourishing, or in blue with red pen-flourishing. Running titles written in elaborate Gothic bookhand

• Illuminated initials at the beginning of prayers to the Virgin., Book of Hours

colours and gold, sometimes with foliate feathering extending into the margins. Initials in blue with red pen-flourishing or in gold with dark blue pen-flourishing. Line-fillers in blue and gold. Many initials have been excised; all folios with miniatures or large

• Detail of a drawing of the River Jordan., Voyage d'outre mer in Middle English

and gold, in the lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary

• Detail of a drawing of two kings., Voyage d'outre mer in Middle English

gold, in the lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary from

• Drawing of the Dry Tree, and a king., Voyage d'outre mer in Middle English

and gold, in the lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary

• Drawings of two kings., Voyage d'outre mer in Middle English

in the lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary from the

• Drawing of the River Jordan., Voyage d'outre mer in Middle English

in the lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary from the

• null, Voyage d'outre mer in Middle English

lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary from the Northern Europe

• Compass of the world., Voyage d'outre mer in Middle English

in the lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary from the

• Detail of a marginal drawing of a man., Voyage d'outre mer in Middle English

and gold, in the lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary

• null, Voyage d'outre mer in Middle English

lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary from the Northern Europe

• null, Voyage d'outre mer in Middle English

lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary from the Northern Europe

• Decorated initial 'I'(n)., Voyage d'outre mer in Middle English

the lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary from the Northern

• Miniatures of Samson carrying the gates of Gaza, the Resurrection, and Jonah being vomited up by the whale., Biblia Pauperum (a typological picture book)

of apostles and prophets holding scrolls to each side of the central miniature, in colours and gold. Text in red, blue or gold. Instructions to illuminators in Dutch on some versos. Underdrawings partly visible. Biblia Pauperum (a typological picture book)

• Illuminated historiated initial 'E' at the beginning of Josua, probably inspired by Joshua 5:3, in which Joshua circumcises the Israelites who had been born after the Israelites fled from Egypt, with Josua characterised as an ugly hook-nosed Jew., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters