• Historiated initial 'O' in colours and gold, of the Coronation of the Virgin with architectural elements, monochrome choir of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage., Cutting from a Missal

of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage. Italian cuttings. The present cuttings are boxed with Add. 60630, ff. 1-10 and 13- 42. To

• Detail of a medallion with Jerome., Cutting from a Missal

choir of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage. On the reverse text: 'Virgam virtutis tue e / mittet d(omi)n(u)s ex Syo(n): do /

• Detail of a monochrome angel., Cutting from a Missal

choir of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage. On the reverse text: 'Virgam virtutis tue e / mittet d(omi)n(u)s ex Syo(n): do /

• In the upper left, an ownership inscription of All Souls college, Oxford: 'Liber collegium animarum omnium', and in the lower right corner, an ownership incription of William Romesey: 'liber Willelmus Romesey quae fecit scribi' ('William Romesay for whom it was written'")., Medical miscellany, including John of Gaddesden's Rosa Anglica (ff. 9-262), and four tracts on urine

puzzle initial in blue and red with pen-flourishing forming a full border (f. 9). Large initials in blue with red pen-flourishing, many with foliate forms. Large simple initials in red or blue. Paraphs in red or blue. Cadels. Medical miscellany,

• null, Histoire Ancienne jusqu'a César, Le Fet des Romains

and red dots for details, followed by smaller puzzle initials in gold and blue with pen-flourishing in blue and red, and decorated extensions with fleur-de-lys in gold, blue, and red (ff. 11v, 14, 17, 22, 29, 30v, 35v, 38v, 46,

• Manuscripts of the West Midlands

eleven-line blue initial I with red penwork flourishing in left margin and along top creating a two-sided border. Three-line blue initials with red pen work flourishing for other textual divisions (see Benson and Blanchfield 1997, p. 68, pl. 8). Blue