• null, Grandes chroniques de France (in three volumes)

All volumes: Smaller puzzle initials in gold and blue with pen-flourishing in blue and red, some with decorated extensions in gold and blue. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Grandes chroniques de France

• Decorated initial 'W', at the beginning of Geoffrey Chaucer's Canterbury Tales., Canterbury Tales (begins and ends imperfectly)

initial in gold on a red and blue ground, with foliate extensions into the margins (f. 4). Initials in gold on red and blue grounds, with foliate extensions into the margins. Initials in blue with red foliate pen-flourishing. Two quires

• Detail of text page., Canterbury Tales (begins and ends imperfectly)

initial in gold on a red and blue ground, with foliate extensions into the margins (f. 4). Initials in gold on red and blue grounds, with foliate extensions into the margins. Initials in blue with red foliate pen-flourishing. Two quires

• Text page., Canterbury Tales (begins and ends imperfectly)

initial in gold on a red and blue ground, with foliate extensions into the margins (f. 4). Initials in gold on red and blue grounds, with foliate extensions into the margins. Initials in blue with red foliate pen-flourishing. Two quires

• Inscriptions., Alchemical treatises

large initial in blue with pen-flourishing in red. Small initials in plain red. Diagrams. Alchemical treatises Inscription, 15th century, and the number 'XV.B' (f. 1).Francis Bernard (bap. 1628, d. 1698), apothecary and physician: inscribed '90. Bern.' (f. 2).Sir Hans Sloane

• Marginal drawings., Alchemical treatises

large initial in blue with pen-flourishing in red. Small initials in plain red. Diagrams. Alchemical treatises Inscription, 15th century, and the number 'XV.B' (f. 1).Francis Bernard (bap. 1628, d. 1698), apothecary and physician: inscribed '90. Bern.' (f. 2).Sir Hans Sloane

• Initial 'P'(andere) with penwork decoration., Doctrinale (ff. 3- 62) with a commentary

very large initial in red with blue and red penwork decoration (f. 29). Large initials in red with blue penwork decoration or in blue with red penwork decoration. Smaller initials in red or blue, some with simple penwork decoration. Initials

• Illuminated initial, at the beginning of Ovid's Metamorphoses., Metamorphoses (ff. 3-180); Commentary on the Metamorphoses (f. 181v-191); and other short texts

beginning of Ovid's Metamorphoses. Large initials in red with blue flourishing, or vice versa, the penwork ocasionally incorporating an animal or animal head (e.g., ff. 189v, 154v). Small initials alternately blue or red. 4 diagrams (ff. 3, 3v, 150v, 191v).

• null, Metamorphoses (ff. 3-180); Commentary on the Metamorphoses (f. 181v-191); and other short texts

Large initials in red with blue flourishing, or vice versa, the penwork ocasionally incorporating an animal or animal head (e.g., ff. 189v, 154v). Small initials alternately blue or red. 4 diagrams (ff. 3, 3v, 150v, 191v). Metamorphoses (ff. 3-180); Commentary

• Zodiac man and coloured initials., Speculum Phlebotomae (ff. 1-2); Liber medicinarum (ff. 1-100); Fistula in Ano (ff. 63-121v)

Zodiac man and coloured initials. f. 1 is a paper leaf. Large initials in blue. Parpahs in blue or red. Line-filllers in red. Drawings in brown and red of zodiac man, and surgical instruments and procedures (ff. 62v, 72v, 81v).

• Puzzle initial 'V'(estra) with pen-flourishing, at the beginning of Pseudo-Boethius's De disciplina scholarium., De disciplina scholarium, with glosses

Pseudo-Boethius's De disciplina scholarium. 1 large puzzle initial in red and blue with pen-flourishing in blue and red, and decorated extension (f. 1). Small initials in plain red or blue. 1 marginal drawing of a head, 15th century (f. 3v).

• Decorated border with foliate decoration, flowers, winged busts, 2 cameo medallions, and one with a tree and the motto 'Quid bene acta iuvant', title 'SONETTI' in a cartouche, initial in gold on a blue panel at the beginning of the text., Opera

gold on a blue panel and full border with foliate decoration, flowers, winged busts, 2 cameo medallions and one with a tree and the motto 'Quid bene acta iuvant' (f. 2). Initial in gold on a blue and red panel

• Miniature of the Annunciation, decorated initial 'E'(cce) and foliate borders, at the beginning of the Temporale in the Breviary., Breviary, Use of Ste Genevieve, Paris

514v). A few large and mostly small initials (1-2 lines) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line fillers decorated in gold and blue. Breviary, Use of Ste Genevieve, Paris Made for use in the abbey

• Miniature in two compartments with David fighting a lion and a bear, decorated initial 'B'(eatus) and foliate borders, at the beginnign of the Psalter in the Missal., Breviary, Use of Ste Genevieve, Paris

514v). A few large and mostly small initials (1-2 lines) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line fillers decorated in gold and blue. Breviary, Use of Ste Genevieve, Paris Made for use in the abbey

• Puzzle initial 'C'(ome) with pen-flourishing forming a three-sided border, at the beginning of the text., Nova Statuta (index Statutes of England, Statuta Angliae, Statute book), for the reign of Edward III (r. 1327-1377) (ff. 1-78v), Richard II (r. 1377-1399) (ff. 79-118v), Henry IV (r. 1399-1413) (ff. 119-145), Henry V (r. 1413-1422) (ff. 145-165), and up to the 20th year in the reign of Henry VI (r. 1422-1470) (ff. 166-223v)

blue and red with pen-flourishing in the same colours extending into the margin to form a three-sided border (ff. 1, 79 and 119 (with purple)). Numerous initials in blue with red pen-flourishing including foliate motifs. Paraphs in red or

• Illuminated historiated initial 'U' at the beginning of Leviticus, showing Aaron(?), dressed as a thirteenth-century priest, sacrificing a sheep on an altar, watched by similarly dressed Israelites., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'P' of Paul handing the book to the messenger Phebe at the beginning of Romans., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial at the beginning of Luke, with Luke shown writing, with the head of his symbol, an ox, and an illuminated initial below of Zacharias censing the altar (Luke 1:9)., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'P' at the beginning of Acts, of Luke writing and of Theophilus, to whom the Acts are addressed in the opening lines, with two smaller decorated illuminated initials., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'P' at the beginning of I Peter, of Peter writing, and his arrest; the buildings at the top probably represent the cities to which Peter's epistle was addressed., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters