• Illuminated initial 'V'(eritas) with a man standing on a dragon spearing an owl., Musical miscellany

in red, blue, and gold (ff. 92, 92v, 115). Large initials in gold or blue with pen-flourishing in gold, and/or red and usually blue forming a one-sided border. Small initials in gold with blue penwork decoration, or in blue with

• Illuminated initial 'B'(ulla) with foliate decoration., Musical miscellany

in red, blue, and gold (ff. 92, 92v, 115). Large initials in gold or blue with pen-flourishing in gold, and/or red and usually blue forming a one-sided border. Small initials in gold with blue penwork decoration, or in blue with

• Historiated initial 'A' with a standing Catherine, and the letter formed by an animal body and head., Musical miscellany

in red, blue, and gold (ff. 92, 92v, 115). Large initials in gold or blue with pen-flourishing in gold, and/or red and usually blue forming a one-sided border. Small initials in gold with blue penwork decoration, or in blue with

• Penwork initial 'H'(ec) with the head of a black man wearing a mitre, at the beginning of the table of contents., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Circular design, inscribed 'Liber sancte marie virginis in monasterio Eberbacensi'., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Puzzle initial 'F'(undamentum) and three-sided border with an Agnus dei and heraldic arms, at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Circular design, inscribed 'Liber sancte marie virginis in monasterio Eberbacensi'., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Puzzle initial 'F'(undamentum), at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Part of the border with an Agnus dei, at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Part of the border with the arms of the Rotenhan family of Bamberg, at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Penwork initial 'H'(ec) with the head of a black man wearing a mitre, at the beginning of the table of contents., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Flap of the original binding., Book of Hours of the Sorrows of the Virgin

17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in

• Text page from the Hours of the Sorrow of the Virgin, with an illuminated initial 'A'., Book of Hours of the Sorrows of the Virgin

17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in

• Text page from the Hours of the Sorrow of the Virgin, with coloured lettering., Book of Hours of the Sorrows of the Virgin

17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in

• Text page with flourished initial and decorated catchword of a crowned woman., Canterbury Tales

of a crowned woman. ff. 56-63v, and 271 are 19th-century replacements. 1 large initial in blue with red foliate pen-flourishing (f. 1). Small initials in blue with red pen-flourishing. Canterbury Tales Edward Haistwell of the Middle Temple, by 1718: his

• Detail of decorated initial., Panormia

initial. 3 large initials with foliate patterns in red, green, and light blue (ff. 6v, 32v, 42v). Simple large and small initials in red, green, or light blue, some with penwork decoration in another of these colour(s). Bird, animal or

• Detail of coloured initial and inscription., Panormia

inscription. 3 large initials with foliate patterns in red, green, and light blue (ff. 6v, 32v, 42v). Simple large and small initials in red, green, or light blue, some with penwork decoration in another of these colour(s). Bird, animal or

• null, Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• null, Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• null, Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or