• Text; miniature of a judgement scene at the beginning of book 4, as a man is being put into prison., Le livre des faits d'armes et de chevalerie

and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Capital letters highlighted in yellow. Le livre des faits d'armes

• Decorated initial 'R'(everendo), at the beginning of Petrus de Braco's Compendium juris canonici., Compendium juris canonici

puzzle initial in red and brown with blue penwork decoration (f. 1). 2 large puzzle initials in red and blue or brown (ff. 53, 70). Large and small initials in plain red, blue (or faint brown), a few with reserved

• 2 puzzle initials 'A', at the beginning of the Alphabetical legal dictionary., Vocabularium iuris utirusque (ff. 1-92); Lectura on usury (ff. 93-164v)

the beginning of the Alphabetical legal dictionary. 3 large puzzle initials in red and blue (ff. 1(2x), 93). 39 large initials in plain red or blue, some with reserved designs (ff. 14, 16v, 26v, 34, 39, 42v, 43, 44v, 55,

• null, Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• Detail of decorated initial., Compendium juris canonici

puzzle initial in red and brown with blue penwork decoration (f. 1). 2 large puzzle initials in red and blue or brown (ff. 53, 70). Large and small initials in plain red, blue (or faint brown), a few with reserved

• White vine initial 'C'(um)., Tusculanae Quaestiones (ff. 1-78); Paradoxa stoicorum (ff. 78-85)

46). Large initials in silver, gold, green, blue or red (ff. 2, 23v, 33, 47v, 80, 80v, 81v, 82v, 83v). Smaller initials in blue or red (ff. 4, 78v). Capitals in red or blue identify the speakers in the dialogues.

• White vine initial 'A'(anima)., Tusculanae Quaestiones (ff. 1-78); Paradoxa stoicorum (ff. 78-85)

46). Large initials in silver, gold, green, blue or red (ff. 2, 23v, 33, 47v, 80, 80v, 81v, 82v, 83v). Smaller initials in blue or red (ff. 4, 78v). Capitals in red or blue identify the speakers in the dialogues.

• Detail of a bas-de-page scene of devils in stocks, while a queen and an angel look on., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

ebginning of each book. 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Initials in red with pen-flourished decoration in purple or blue, or in blue with pen-flourished decoration in red. Line-fillers in brown ink

• Detail of white vine initial 'C'(um)., Tusculanae Quaestiones (ff. 1-78); Paradoxa stoicorum (ff. 78-85)

46). Large initials in silver, gold, green, blue or red (ff. 2, 23v, 33, 47v, 80, 80v, 81v, 82v, 83v). Smaller initials in blue or red (ff. 4, 78v). Capitals in red or blue identify the speakers in the dialogues.

• Detail of white vine initial 'A'(nima)., Tusculanae Quaestiones (ff. 1-78); Paradoxa stoicorum (ff. 78-85)

46). Large initials in silver, gold, green, blue or red (ff. 2, 23v, 33, 47v, 80, 80v, 81v, 82v, 83v). Smaller initials in blue or red (ff. 4, 78v). Capitals in red or blue identify the speakers in the dialogues.

• Detail of white vine initial 'Q' with the tail of the letter in the form of a bird., Tusculanae Quaestiones (ff. 1-78); Paradoxa stoicorum (ff. 78-85)

46). Large initials in silver, gold, green, blue or red (ff. 2, 23v, 33, 47v, 80, 80v, 81v, 82v, 83v). Smaller initials in blue or red (ff. 4, 78v). Capitals in red or blue identify the speakers in the dialogues.

• Flourished initial 'I'(uri), in Bartolus de Saxoferrato's In primam partem digesti veteris., In primam partem digesti veteris

pen-flourishing or in blue with red pen-flourishing, some with reserved designs. Decorated catch-words. A large space precedes the text, perhaps intended for a miniature (f. 3). Ff. 243v-265v: Large and small initials in plain red or blue, some with penwork

• Battle scene and illuminated initial 'L'(e), at the beginning of 'Cest la bataille faite a la blanche tache', in Jean Froissart's Chroniques d'Angleterre., Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• Battle scene, at the beginning of 'Comment le captal de beuth fut pris a la bataille de subize...', in Jean Froissart's Chroniques d'Angleterre., Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• Battle scene and illuminated initial 'L'(e), at the beginning of 'Cest la bataille faite a la blanche tache', in Jean Froissart's Chroniques d'Angleterre., Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• Battle scene, at the beginning of 'Comment le captal de beuth fut pris a la bataille de subize...', in Jean Froissart's Chroniques d'Angleterre., Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• Flourished initials, decorated catchword, and scribal colophon., In primam partem digesti veteris

pen-flourishing or in blue with red pen-flourishing, some with reserved designs. Decorated catch-words. A large space precedes the text, perhaps intended for a miniature (f. 3). Ff. 243v-265v: Large and small initials in plain red or blue, some with penwork

• Puzzle initial 'N'(umquid) with pen-flourished decoration at the beginning of 'Ordinarium sive Alphabetum vitae religiosae'., Opera (index Works), imperfect at the end

initials in blue and red with pen-flourished decoration in blue and red. Initial in red with pen-work decoration in green (f. 168). Initials in blue or red with pen-flourished decoration in red or ink. Paraphs in red, blue and green.

• Decorated initial 'y'(e) at the beginning of the Prick of Conscience, and, on the left, the ownership inscription of Sir Henry Spelman, historian and antiquary and of 'Jhon boyce'., Prick of Conscience

Lewis and MacIntosh 1982 p. 69. 1 three-sided border of red pen-flourishing with foliate forms (f. 2). Large initials in blue with red penwork decoration and pen-flourishing. Highlighting of letters in red. Prick of Conscience 16th-century inscriptions 'Jhon boyce' (f.

• Decorated initials 'O' and coloured initials., Order of preparation for a pontifical mass, imperfect

Large simple initials in red or blue. Highlighting of letters in red. Order of preparation for a pontifical mass, imperfect f. 74v has an added 15th-century prayer.No. 360 in a 19th-century unidentified English bookseller's catalogue, identifying it as written in