• Historiated initial 'A' with a standing Catherine, and the letter formed by an animal body and head., Musical miscellany

in red, blue, and gold (ff. 92, 92v, 115). Large initials in gold or blue with pen-flourishing in gold, and/or red and usually blue forming a one-sided border. Small initials in gold with blue penwork decoration, or in blue with

• Penwork initial 'H'(ec) with the head of a black man wearing a mitre, at the beginning of the table of contents., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Circular design, inscribed 'Liber sancte marie virginis in monasterio Eberbacensi'., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Puzzle initial 'F'(undamentum) and three-sided border with an Agnus dei and heraldic arms, at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Circular design, inscribed 'Liber sancte marie virginis in monasterio Eberbacensi'., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Puzzle initial 'F'(undamentum), at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Part of the border with an Agnus dei, at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Part of the border with the arms of the Rotenhan family of Bamberg, at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Penwork initial 'H'(ec) with the head of a black man wearing a mitre, at the beginning of the table of contents., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Flap of the original binding., Book of Hours of the Sorrows of the Virgin

17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in

• Text page from the Hours of the Sorrow of the Virgin, with an illuminated initial 'A'., Book of Hours of the Sorrows of the Virgin

17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in

• Text page from the Hours of the Sorrow of the Virgin, with coloured lettering., Book of Hours of the Sorrows of the Virgin

17, 20v, 23, 31v). Large initials in blue with light purple pen-flourishing or in red with dark purple pen-flourishing, at the beginning of Psalms, hymns, lections, capitula, and orationes, and smaller initials in blue with light purple pen-flourishing or in

• Text page with flourished initial and decorated catchword of a crowned woman., Canterbury Tales

of a crowned woman. ff. 56-63v, and 271 are 19th-century replacements. 1 large initial in blue with red foliate pen-flourishing (f. 1). Small initials in blue with red pen-flourishing. Canterbury Tales Edward Haistwell of the Middle Temple, by 1718: his

• Detail of decorated initial., Panormia

initial. 3 large initials with foliate patterns in red, green, and light blue (ff. 6v, 32v, 42v). Simple large and small initials in red, green, or light blue, some with penwork decoration in another of these colour(s). Bird, animal or

• Detail of coloured initial and inscription., Panormia

inscription. 3 large initials with foliate patterns in red, green, and light blue (ff. 6v, 32v, 42v). Simple large and small initials in red, green, or light blue, some with penwork decoration in another of these colour(s). Bird, animal or

• Decorated initial 'L'(a) and border., Modi singulari de cocina (recipes for made dishes, soups, sauces, pastry, etc.), with index at the end of the volume (ff. 1-23v, 105-107); Libro de manescalchia de tutte le febre ed ogni altre infirmitate che se generano in li caualli, composto per uno dicto Messer Joanne Facio per ordinatione de Re Carlo Magno Imperatore, preceded by a table of contents (ff. 25-104v)

small and 1 large initial in gold on a blue, red, (and green) ground, with three-sided foliate borders, in colours and gold (ff. 1, 33). Small initials in plain red or blue. Modi singulari de cocina (recipes for made dishes,

• null, Consilia medica and other texts

blue with pen-flourishing in red, at the beginning of the texts (ff. 7, 31v, 40, 43, 101, 156, 159v, 161, 162v, 166v, 172, 180v, 184, 189v, 211v, 218, 223v, 229v, 235, 235v, 263). Paraph marks in plain red or

• Historiated initial 'N'(on) depicting crowned emperor(?) holding a gold staff/sceptre at the beginning of Cornelius Nepos's Liber de excellentibus ducibus exterarum Gentium; the lower margin with arms party per fess, ~gules~ and ~vert~, a letter 'B' ~or~, the shield depicted as if hanging from a hook., Liber de excellentibus ducibus exterarum Gentium

historiated initial, in colours and gold (f. 1). Heraldic arms (f. 1). Small initials alternately gold with blue penwork decoration or pen-flourishing, or blue with red penwork decoration or pen-flourishing. Liber de excellentibus ducibus exterarum Gentium Unidentified original(?) owner: with

• null, Biblical and genealogical chronicle from Adam and Eve to Edward VI (the Longer English genealogical chronicle of the kings of England)

grounds, with brown pen-flourishing extending into the margins (f. 1v). Small initials in blue with red pen-flourishing or in red with brown pen-flourishing. Line-fillers in red and/or blue. Biblical and genealogical chronicle from Adam and Eve to Edward VI (the

• null, Iliad, each book except book I preceded by one or two monostich summaries; prose hypothesis at the start of book II (f. 13); scholia relating to book I 331-341 (ff. 7v-8).

Large gold initial with green vine-stems on blue and red grounds (f. 2). Large red or blue initials with penwork decoration. Small red simple initials. Iliad, each book except book I preceded by one or two monostich summaries; prose hypothesis